The Uprising

One aspect about films based in medieval times is that they are typically heavy on the violence, but considering the time in which people lived, this was, unfortunately, an extremely perilous time. So, when "The Uprising" was being released and Paul Greengrass directing. who is into reality, his films have that tendency to be violent if the film warrants. 

Ploughman (Andrew Garfield) becomes the leader of a ferocious rebellion including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis) and Alyce (Thomasin McKenzie) against the tyranny of King Richard II (Woody Norman). Set against the true events of the Uprising in England 1381 that helped inspire the legend of Robin Hood, he forms an army of the people to face the King's might in a fight for justice. 

Others to round out the cast are Katherine Waterston as Countess, Mark Redhead as Lord Peterborough, Tom Hollander as Treasurer Hales, Stephen Dillane as Archbishop Sudbury, Stanley Townsend as Chief Justice Belknap, Sam Chapman as Tax Collector and Sky Yang as Scribe.

This was directed with intensity and super realism that he can do so well by Paul Greengrass ("Resurrected" '89, "Open Fire" (TV movie) '94, "The Theory of Flight" '98, "Bloody Sunday" '02, "The Bourne Supremacy" '04, "United 93" '06, "The Bourne Ultimatum" '07"Green Zone" '10, "Captain Phillips" '13, "Jason Bourne" '16, "22 July" '18, "News of the World" '20, "The Lost Bus" '25) plus TV and other TV movies. This filmmaker puts the 'D' in detail--just check out his "United 93" and you'll know what I mean. "United 93" was so realistic it was a tough sit, however directed with crystal clear precision. If you like his brand of directing, his "Test Drive" is in pre-production. It was also effectively written by Paul Greengrass ("Bloody Sunday" '02, "United 93" '06, "Jason Bourne" '16, "22 July" '18, "News of the World" '20, "The Lost Bus" '25) plus TV and TV movies. Surely he is a much accomplished director more than a writer, but considering he is consummate behind the camera, he is still a fine writer. Really, other than a couple of very small places of choppiness and continuity issues, this script was amazing. He had to cover a great deal of territory as far as what this uprising was about and how much it got completely out of control, but he did pull it off. The cinematography by Pal Ulvik Rokseth, fnf was simply stunning in that he was able to create a frenetic feeling when it came to the battle scenes and during one fighting scene at night, his lighting, which only had torches and a bonfire for lighting was amazing and incredibly realistic. 

Certainly if you're a Greengrass fan, you'll love this. The photography and acting by Garfield, Bell and Jarvis in particular was effective and worked well off of one another. Greengrass' realism is trademark here and with this element being as distinct as ir is, it will leave its audience breathless. 

Out of 4 Stars: 3.5                                         Rated: R                                      128mins.

Runner

Buddy films are about as much a Hollywood staple as are sci-fi flicks. We've seen a number including the Lethal Weapon franchise, "Midnight Run", the Rush Hour franchise, and others. All were crowd pleasers and all profited. So, when "Runner" was released, I felt, and still do feel, that this will do well in the box office due to it being a thrill ride from first frame to last.

A former Navy SEAL, Hank Malone (Alan Ritchson) is thrown into a brutal race against time when a critical medical delivery makes him and his unlikely partner, Ben Bishop (Owen Wilson)  the targets of a ruthless cartel, headed up by leader Damian Zaldivar (Rodrigo Santoro). As the mission spirals into a deadly manhunt, every detour, delay, and bullet pushes them closer to failure. With betrayal closing in from every side, they must survive the chase and deliver their cargo to save the life of a little girl, and relieve her very worried mother, Kate Baker (Leila George). 

Others to round out the cast are Peta Sergeant as Nurse Julie,  Kate Box as Dr. Ainsley, Goran D. Kleut as Luke Robbie, Cecilia Toussaint as Donna Zaldivar, Geraldine Hakewill as Monica, Gyton Grantley as Iggy and Scarlett Crabtree as Ellie.

This was directed with amazing intensity and grit by Scott Waugh ("Act of Valor" '12, "Need for Speed" '14, "6 Below: Miracle on the Mountain" '17, "Hidden Strike" '23, "The Expendables 4" '23) plus a short. As far as the pacing and timing, this film is reminiscent of the film "Speed" '95, whereas there was non=stop action very close to frame one until the end. As soon as something was solved, something else harrowing begins to make the situation more haphazard. It definitely kept its audience on the edge of their proverbial seats. It was equally well written by Miles Hubley (Shorts) and Tommy White (Shorts). While neither of these writers have no feature film experience, their first time out as film writers is amazing. Their script was tight, concise and cohesive which is more than I can say for a number of seasoned writers. Their ability to hold its audience attention is captivating as well as it is entertaining. If you like their style of writing, their "The Shave" is being written at this time. Hopefully that film is as interesting as this movie. 

If you like high-pulsating, adrenaline ridden, 'buddy films', this is the film for you. This film pulls its audience right in and doesn't let go until the end. As with "Speed" which I liked, this was a movie that keeps one riveted from frame one until the end frame and you walk away with an exhausted feeling only because of the adrenaline it creates in the moviegoers. 

Out of 4 Stars: 4                                           Rated: PG-13                                           98mins.

By Any Means

We've all seen FBI and CIA films many times, and we've all seen films that center around the mafia and hitmen, but it's not very often when we are privvy to the combination of both. Well, with "By Any Means", we are offered that combo and it hums along like a well oiled machine. 

Based on a true story, a young black FBI agent, Wayne Strider (Yahya Abdul-Mateen II) is sent into 1960s Mississippi to investigate a wave of brutal killings targeting civil rights leaders by FBI Special Agent Roy K. Moore (David Strathairn). Forced to work alongside notorious mafia hitman Greg Scarpa (Mark Wahlberg). he finds himself pulled into a deadly hunt where justice and vengeance begin to blur. When the system is broken, two men divided by everything agree on one thing: the law has limits. They don't. While investigating the killing of Civil Rights leader, Vernon F. Dahmer (Giancarlo Esposito), Strider and Scarpa get a little more than they bargained for. 

Others to round out the cast are Nicole Beharie as Allison Strider, Wayne's wife, Josh Lucas as Special Agent Everett Rhodes, LisaGay Hamilton as Ms. Rebecca Brewer, Ethan Embry as Sam Bowers, LaChanze as Hattie Dahmer, Vernon's wife, Will Brittain as Billy Roy Pitts, Biko Eisen-Martin as Special Agent Archie Crawford, DeVere Jehl as Edgar Ray Killen and Zach Lane as Clive Styles.

This was directed with stylish grit and intensity by Elegance Bratton ("Pier Kids" '19, "The Inspection" '22, "Hell Fighter" '24, "Move Ya Body: The Birth of House" '25) plus TV and shorts. Even though this was a violent and bloody film, this filmmaker was able to bring a certain slickness to its format. He was able to send us a 'stylish' feeling to an otherwise rough and tumble male flick oozing with an over abundance of testosterone. His staging and pacing was also slickly executed as well. It was executed well by writer Sascha Penn (" Creed II" '18, "Main Justice" '18, "1992" '22) plus TV. Even though he is not a seasoned writer, what he has written along with his TV projects has served him well. Other than a couple of very small places of choppiness, this story was riveting as well as informative. Really, this guy simply needs more work since he has potential of being a great writer. The cinematography by Ante Cheng was very interesting in that it gave a subtle 'grainy' look as though one is peering into a film dating back to the 60s. And this newer actor Yahya Abdul-Mateen II definitely has a future in feature films. He's strong, quiet and can certainly hold his own. And Wahlberg is always a perennial favorite. These roles are the roles we typically think of when it comes to him. 

Certainly if your favorite genre is that of drama, FBI with crime, you'll be in film heaven. It has it all: drama, intensity, racial tension, even some humor to help with the violent moments in the film. This isn't one for the kids--too many F-bombs and violence, but does have an interesting premise. After all, it isn't titled "By Any Means" for nothing.

Out of 4 Stars: 3.5                                      Rated: R                                         106mins.

The Dog Stars

Apocalyptic, dystopian films are becoming a fascination with filmmakers and audiences alike. With films like "The Omega Man", and its follow up, "I Am Legend", "The Book of Eli", "District 9", "Elysium", "28 Days Later", "Fahrenheit 451", and others, we've become, for probably differing reasons, fascinated with such a dark topic. So, to add to that ever growing and popular list, we have been offered "The Dog Stars".

Set in a post-apocalyptic world in which a virus (a flu) has wiped out most of humanity. Survivors are being terrorized by roaming scavengers called 'Reapers'. The protagonist is Hig (Jacob Elordi), a pilot who survived the flu that killed everyone he knew, his wife included. He lives in the hangar of a small abandoned airport with his dog, Jasper and his only neighbor--a gun-toting ex-Marine, Bangley (Josh Brolin). Hig sometimes heads off in his 1956 Cessna, where he can fish and pretend things are how they used to be. When he attempts to find a better life, he comes across two other people, Pops (Guy Pearce) and his daughter, Cima (Margaret Qualley). Soon, when Hig receives a random transmission that somehow beams through his radio, the voice ignites a hope deep inside him that a better life might exist if he flies a bit further. He risks it all to chase a possible haven in Grand Junction. 

Others to round out the cast are Allison Janney as Darlene, Benedict Wong as Aaron, Ewen Bremner as Crossbow Hunter, James Craze as Logan, Sam Spruell as John, Sai Bennett as Melissa, Sebastian Rokison-Woodall as Ben and Alara-Star Khan as Matilda.

This was directed with cutting-edge precision by veteran Ridley Scott ("The Duelists" '77, "Alien" '79, "Blade Runner" '82, "Legend" '85, "Thelma & Louise" '91, "White Squall" '96, "Gladiator" 2000, "Hannibal" '01, "Black Hawk Down" '01, "Matchstick Men" '03, "American Gangster" '07, "Body of Lies" '08, "The Counselor" '13, "The Martian" '15, "Alien: Covenant" '17, "The Last Duel" '21"House of Gucci" '21, "Napoleon" '23, "Gladiator II" '24) plus many other films, TV, shorts, videos and music videos. This filmmaker has certainly proved himself as a fine, talented director. He simply knows how to work with his actors so as to have them dig deep into their respective characters in order to convey that the characters they are portraying are convincing. If you like his brand of directing, he has several films in pre=production, namely his "It's What I Do" and "The Color of Lightning". It was penned well by seasoned writer Mark L. Smith ("Seance" '06, "Vacancy" '07, "Vacancy 2: The First Cut" '08, "The Hole" '09, "Martyers" '15, "The Revenant" '15, "Overlord" '18, "The Midnight Sky" '20, "The Marsh King's Daughter" '23, "The Boys in the Boat' '23, "Twisters" '24) plus TV, based on the novel by Peter Heller. This, as with other apocalyptic films are typically with a grim premise, although with Hig's unrealistic form of optimism, it does bring in some lighter moments. There are well defined characters and all with a distinct personality, but other than a couple of small places of continuity issues, this story was fascinating. There were a couple of places where you saw Hig with his wife, Melissa, however, later it was learned that she had passed away from the virus, so there was some rethinking involved. The cinematography by Erik Messerschmidt, asc was incredible and definitely enhanced the production. 

Certainly if you like the films of Ridley Scott, you will have hit a home run. He knows his craft well. And all the different stars in this were believable and played off each other effectively. The direction, acting and cinematography surely shined in this and we are the victors of it.

Out of 4 Stars: 3.5                                     Rated: R                                         118mins.

Coyote vs. Acme

For a season of animated  and big-budget films, there hasn't been the usual number of animated movies. So, when I saw my first trailer of "Coyote vs. Acme", I was sold, especially since I was raised on the Looney Tunes cartoons Warner Bros. would dole out. This film is exactly what one would expect--pure fun!

After all of the products made by ACME Corporation backfire on Wile E. Coyote, in his pursuit of the Road Runner, he hires an equally unlucky human attorney, Kevin Avery (Will Forte) to sue the company. When Wile E.'s lawyer finds out that his former law firm's intimidating boss is ACME's lead council, Buddy Crane (John Cena), he teams up with Wile E, and his new, energetic intern, Paige (Lana Condor) to win the court case against him. 

Others to round out the cast are Tone Bell as Sal Maltese, Martha Kelly as Dottie Jones, Luis Guzman as Judge Troppogrosso, P.J. Byrne as Bill Pelicanos, John Early as Henry Heslop, Nancy Linehan Charles as Cherry, Kenneth Choi as Oscar Jeon and Eric Bauza as the voices of Bugs Bunny, Charlie Dog, Daffy Duck, Dr. Lorre, Elmer Fudd, Foghorn Leghorn, Gossamer, Porky Pig, Road Runner and Tweety. 

This was directed with Looney Tunes humor and adventure by Dave Green ("Earth to Echo" '14) plus TV, shorts and music videos. Even though this filmmaker only has one other feature film to his credit, he certainty was able to combine the live action and animation in a truly seamless way. Surely his TV and shorts work has served him well and he proved it in spades. And the animation of Warner Bros. was captivating yet entertaining. It was equally penned well by writer Samy Burch ("May December" '23, "Late Fame" '25) plus shorts, based on a screen story by James Gunn, Jeremy Slater and Samy Burch, which is based on the 'New Yorker' article by Ian Frazier. The premise is so today with corporate greed and profit, yet also conveyed in a whacky, Looney Tunes way. So, it basically has something for all. It did hold a couple of very small slow aspects around the middle of the screenplay, but when it picked up the pace once again, it simply soared. And, of course, the animation combined with live action was stunning as well as entertaining.

Mel Blanc originally created the voices for the Looney Tunes animated characters, but since he passed away long ago, Eric Bauza has taken over the reins and sounds just like them. Certainly, if you like the Looney Tunes characters, you'll be in Warner Bros. Animation heaven. This is a great film for the whole family, so grab the popcorn and have a good laugh!

Out of 4 Stars: 3.5                                       Rated: PG                                        103mins.

 

Mutiny

If one has seen a Jason Statham film, the only real difference in them is his character name in the film and the title of the film, otherwise they are fairly similar. Even though these films aren't literary pieces, they ring true in that his characters always right wrongs of those that don't deserve to be in the predicament they're in. Good guys vs bad guys--isn't this why we go to the movies?

Cole Reed (Jason Statham) works as a bodyguard and head of security for a wealthy billionaire industrialist, Tibu Campallo (Ramon Tikaram).  After his boss is murdered right in front of him and is framed for the crime, Reed goes on the run. He stows away on a cargo ship to track down those responsible with a woman he meets on the ship to assist him, Agent Angie Ellis (Annabelle Wallis), where they uncover a vast international conspiracy involving human trafficking. they then fight their way through the crew to reach the captain, Marko Madsen (Roland Moller).

Others to round out the cast are Chaneil Kular as Kameron Campallo, Tibu's son, Jason Wong as Taran, Marvin Campbell as Simon, Arnas Fedaravicius as Mateo Pineda, Adrian Lester as Captain Adam Spencer and Simon Kluth as Jaran Daniles.

This was directed with amazing intensity and grit by seasoned Jean-Francois Richet ("Etat des lieux" '95, "Ma 6-T va crack-er" '97, "De l'amour" '01, "Assault on Precinct 13" '05, "Mesrine: Public Enemy No. 1" '08, "One Wild Moment" '15, "Blood Father" '16, "The Empire of Paris" '18, "Plane" '23).This filmmaker certainly knows how to encourage his actors to dig deep when developing their respective characters and that is the trademark of a talented director. If you like his style, his "Quasimoto" is in post -production at this present time. It was written by Lindsay Michel and J.P. Davis ("Plane" '23). The script in this was a bit disjointed in parts and actually was a flashback, but you didn't know it until the end; whether or not that was purposed, not sure. But considering the very limited experience, this was amazing. These guys simply need more work, specifically feature films, since this story had that frenetic feel to it that kept its audience glued. And of course, Statham is so good at vengeance--making wrongs right--he's the king. 

If you like films like "Beekeeper",  "A Working Man", "Shelter", "Wrath of Man", "The Mechanic", plus scads of others, you'll love this. It falls within the similar format as the other films. Does it make this a bad film? Certainly not, Statham sticks to what he does best, and because they are typically slickly produced, it makes for a film that you can sit back with the popcorn and enjoy, and isn't this why we go see the movies anyway? 

Out of 4 Stars: 3                                      Rated: R                                        96mins.

 

The Brink of War

War films, or films about war or the potentiality thereof have been a common staple genre of Hollywood's for decades, so the list is endless. The moving going audiences have had a fascination about the subject, so, for added profit, Hollywood keeps the ball rolling. This time around we have in the offing a film about negotiations between the USA and Russia back in 1986, lest a war could be started. 

President Reagan (Jeff Daniels) races against time to salvage a deal with Soviet leader Mikhail Gorbachev (Jared Harris) that could dismantle nuclear arsenals--or ignite disaster. With pressure mounting from advisors, including Secretary of State George Schultz (J. K. Simmons), Ken Adelman (John Ross Bowie), KGB Colonel (Joi Johannsson) and others, intelligence agencies, and history itself, every word spoken brings the world closer to peace...or destruction. The summit, or as Reagan liked to call it, the meeting, was held, in all places in Reykjavik, Iceland for security reasons.

Others to round out the cast are Hope Davis as Nancy Reagan, Branka Katic as Raisa Gorbachev, Aya Cash as Cleo, Guy Burnet as Alexander, Adrian Rawlins as Max Kampelman, Tim Dutton as Eduard Shevardnadze, Stephen Brennan as Paul Nitze and Catherine Burdon as Margaret Clancy. 

This was directed with nail-biting intensity by Michael Russell Gunn ("Workshop" '10) plus a short. Production companies obviously save money when hiring filmmakers with little to no feature film experience--sometimes they hit a home run and sometimes they strike out. However, in this situation, they were able to pull it off. Was it Oscar worthy? Probably not, but I believe they gave the audience what they were seeking out with this. The staging and pacing was amazing as was the grit it provided. It was also well executed by writer Michel Russell Gunn ("Workshop" '10) plus TV. Surely this writer took some liberties in the script, but then again, other writers do the same. It was taken as a flashback from a discussion Reagan and Schultz were having after the meeting and the film went back to tell the story so as to lead up to where they left off and beyond. This format has been used in other films, but can certainly be powerful. This writer only needs more work which he has been given with his film, "Alone at Dawn" now in post production. The one that truly shined here was Jeff Daniels as Reagan. He pulled off the voice patterns, the movements and Reagan's character with such aplomb style, however he is a fine actor. It wouldn't surprise me if he could be looking at an Oscar nod come that time. 

If you are a history aficionado or more to the point, a war buff that is into that what if..., this is the film for you. Daniels performance , and Jared Harris as Gorbachev was magical. The film was cohesive, tight and loaded with clarity in what could've happened if it went the wrong way. 

Out of 4 Stars: 3.5                                      Rated: PG                                        119mins.