The End of Oak Street

When "Jurassic Park" was released back in 1993, little did anyone know that it would spawn multiple sequels and inspire the film "The End of Oak Street" which was just released. This film is like Jurassic Park gone suburbia. It evolves into a survival situation and finds itself bringing the inhabitants together even more than a BBQ.

This film stars Anne Hathaway and Ewan McGregor as parents, Denise and Greg Platt respectively, in a 1982 suburban neighborhood that is mysteriously transported by a cosmic event into the prehistoric age, forcing the community including their kids Audrey and Brian (Maisy Stella and Christian Convery), respectively, to survive roaming, vicious dinosaurs. It comes down to there is no where to go, since there is an end to their neighborhood and there's no electricity, no running water--even radios can't work. Where is one to go in a situation as this? 

Others to round out the cast are Jordan Alexa Davis as Jeannette Christiansen, P.J. Byrne as Mel Jacobs, Hudson Meek as Kaden Tucker, Anne Gee Byrd as Mrs, Huddleston, Emily Kuroda as Mrs. Valcourt and Simms May as Zachary. 

This film was directed with amazing intensity all the while entertaining his audience by David Robert Mitchell ("The Myth of the American Sleepover" '10, "It Follows" '14, "Under the Silver Lake" '18) plus a short. This particular filmmaker caught my attention when his film, "It Follows" was released. I typically went to see that film with great trepidation, however after seeing it, I was won over. It wasn't the typical 'horror'. flick with dialogue one could recite and blood everywhere. It was original and the writing was far more subtle with little or no blood, but was definitely a horror film nonetheless. If you like this director's brand, his "They Follow" is being filmed at present time. It was also written well by David Robert Mitchell (See resume above). Again, this being basically a horror film, it doesn't fall into the same, formulaic, banal format that so many films of this genre fall into which makes this fresh and original. Was this flawless? No, not at all, however I believe that the few parts of this that went unexplained were purposed for reasons I'm not sure of. But it was a rollicking fun ride with a horror gloss over. It does start off relatively slow, but be patient--I believe this is also purposed to get the audience into the plot. But once it gets going, it lets loose big time. I would tell you what the unexplained events are, however that would dictate a spoiler alert, and I want my audience to be surprised. The score by Michael Giacchino was amazing, and the visual effects by ILM (Industrial, Light & Magic) were seamless and enhanced the film. 

This film had it all: suspense, excitement, adventure, humor and redemption all rolled up in a film less than two hours. Assuming this makes a ton of money, I can see a sequel in the making. If you like that up, close and personal feeling, it is presented in an IMAX format as well. This is a film that is quite the roller coaster ride, so break out the popcorn and enjoy this gem! I know I did!

Out of 4 Stars: 3.5                                   Rated: PG-13                                     99mins.

 

One Night Only

When it comes to the majority of romantic comedies, or romcoms, they typically are written and presented in an extremely formulaic way, i.e. boy meets girl, girl meets boy, they attempt to become friends, and start falling in love. As a problem blossoms, and they become at odds with one another, and then they correct the issue and the story is all tied up by films' end with a nice bow. Sound familiar? Well, with "One Night Only", there is an element in which it does become different. 

Sometime in the near distant future. Three years ago pre-marital sex is considered illegal, except one night of the year. Two strangers, 'crash' into each other in an ever-so-slightly fictionalized New York on the one night when single people are allowed to have sex. Recently dumped Owen (Callum Turner) and hopeful romantic Allie (Monica Barbaro) may be the only two singles in the city looking for more than a quick encounter. They both feel a spark when they meet, but a series of mishaps and side quests will complicate their night. This romcom is about searching for love on the least romantic night of the year. But when you have one night only to attempt to make this happen, you must work quick.

Others to round out the cast are Maya Hawke, as Owen's fiance, Molly Ringwald as Linda, LeVar Burton as Rick, Charlie Gillespie as Ezra Stone, Michelle Hurd as Detective Vanessa Bryan Brown, Sydney Cole Alexander as Danica/Sophie and Frank Pando as Uncle Ed.

This was effectively directed well by Will Gluck ("Fired Up" '09, "Easy A" '10, "Friends with Benefits" '11,"Iceland" (TV movie) '11, "Annie" '14, "Peter Rabbit" '18, "How May We Hate You?" (TV movie) '18, "Peter Rabbit 2: The Runaway" '21, "Anyone But You" '23) plus TV and a music video. This filmmaker hasn't cornered the market on romcoms, but certainly has a number of them to his credit. As with his last romcom, "Anyone But You", there was the attempt to change up the typical format, as with this film, but at the end of the day, it's still a romcom. Certainly the casting of Turner and Barbaro was strategic and that definitely helped, but not sure if this is great casting or simply amazing chemistry. Gluck was pivotal in making sure that these actors melded well and that can make the difference if the romcom is going to connect with its audience. It was interestingly written by Travis Braun ("Bad Boy" '25) plus TV and shorts. What made this film more interesting than the typical romcom is that the story involving a sex ban between singles, except for one night. Surely, this is definitely not a repeated format with this genre. I believe because the limited feature film experience, this film would've excelled well, but instead there were a number of inconsistencies in the script. This writer has a fair amount of TV experience, and given simply more work, he would become a writer to contend with, since his TV has served him well. As aforementioned. the chemistry between Turner and Barbaro was amazing and worthy of the price of admission. 

When we see so many films advocating sex out there, it's nice to see a film that makes it look like this one night, as people are no different than animals in their regard for one another, this projects humping each other as unnecessary. Love is love, whereas sex is sex, and never the twain shall meet. This film leads its audience, through a lot of dysfunctional people and their escapades, that love triumphs over all., whether there are parameters on sex or not. This was the best thing about this flick, other than the chemistry between the two leads.

Out of 4 Stars: 3                                         Rated: R                                           103mins.

Spider-Man: Brand New Day

Ever since this Marvel Studios franchise started back in 2002 with "Spider-Man", we've seen many changes along the way including three different actors as the iconic character and a number of animated feature films. And even though I'm not particularly a Spider-Man fan, "Spider-Man: Brand New Day" is a film that has definitely improved on that franchise. What's amazing is that this franchise has lasted almost a quarter of a century. 

Four years have passed since the events of No Way Home, and Peter Parker (Tom Holland) is now an adult living entirely alone, having voluntarily erased himself from the lives and memories of those he loves, namely MJ (Zendaya) and Ned Leeds (Jacob Batalon). Crime-fighting in a New York that no longer knows his name, he's devoted himself entirely to protecting his city--a full-time Spider-Man--but as the demands on him intensify, the pressure sparks a surprising physical revolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced. 

Others to round out the cast are Mark Ruffalo as Bruce Banner/Hulk, Florence Pugh as Yelena Belova/Black Widow, Jon Bernthal as Frank Castle/Punisher, Sadie Sink as Jean Grey, Tramell Tillman as Bill Metzger, Liza Colon-Zayas as Detective Jean DeWolff, Marisa Tomei as May Parker, Naomi Watts as voice of E.V. and Michael Mando as Mac Gargan/Scorpion. 

This was delineated with amazing precision by director Destin Daniel Cretton ("Drakmar: A Vassal's Journey" (TV documentary) '06, "I Am Not a Hipster" '12, "Short Term 12" '13, "The Glass Castle" '17, "Just Mercy" '19,"Shang-Chi and the Legend of the Ten Rings" '21) plus TV, shorts and  a video. Even though the last Spider-Man film four years ago, No Way Home was directed by Jon Watts, this movie was able to carry the similar feel of that film in order to connect the two films which makes a more effective transition. This is the first film this filmmaker has tacked that is a big-budget project and he definitively proved he can handle the riggers of such a production. It was equally well written by Chris McKenna ("Igor" '08, "The Lego Batman Movie" '17, "Spider-Man: Homecoming" '17, "Jumanji: Welcome to the Jungle" '17, "Ant-Man and the Wasp" '18, "Spider-Man: Far From Home" '19, "Ghosted" '23) plus TV and a short, and Erik Sommers (See resume of McKenna), based on the Marvel comic book by Stan Lee and Steve Ditko. This was a nice continuation of No Way Home with the voluntary action of Spider-Man choosing to protect the ones he loves for their own good and his continuation of the bonding brother-like camaraderie with his buddy Frank. But then, he does need another foil to battle, and the one written was surely ingenious. And really, other that a couple of very small places of continuity issues, this script was spot on. And, of course, the visual effects predominately designed by ILM (Industrial,Light & Magic) and Framestore were seamless and certainly emphasized that grandiose feeling this director was attempting to convey. 

Oh, and not to worry, there will be a sequel! I know that's tough to swallow, but it is true! Hopefully Marvel will use the same writers and director to pull this off, otherwise it most likely be questionable. If you're a Spider-Man or a comic book film type of moviegoer, this will definitely fit the bill. If you like that huge effect of a film, this is presented in an IMAX format as well. 

Out of 4 Stars: 3.5                                            Rated: PG-13                                    145mins.

Motor City

Action films are about as commonplace in Hollywood as most other genres, and with that there isn't too much more a writer can create to impress the ardent moviegoer. As with the case of "Motor City", it's not overly original, but plays out in a captivating, slick way.

In 1970s Detroit, John Miller (Alan Ritchson) falls for a local gangster's girl, Sophia (Shailene Woodley). In retaliation, the gangster, Reynolds (Ben Foster) enacts a frame job via using a corrupt cop, Lieutenant Savick (Pablo Schreiber) to send the innocent man to prison. His life ruined, Miller plots a revenge campaign against the man who took his girl away, using allies Youngblood (Lionel Boyce) and Singh (Amar Chadha-Patel). 

Others to round out the cast are Dominic Bogart as Porthos, Mister Fitzgerald as Aramis, Rafael Cebrian as Athos, Ben McKenzie as Detective Kent, Elliott Mayer as P. Garrett and Peter Epstein as Dirty Cop. 

This was directed with high intensity and tons of grit by Potsy Ponciroli ("Super Zeroes" '12, "Colt Ford: Crank It Up, Live at Wild Adventures" '14, "Old Henry" '21, "Greedy People" '24) plus TV and music videos. The high adrenaline, explosiveness of this yarn was staged and paced incredibly well. He doesn't have a plethora of film experience, but this movie will show us that he can hold his own when putting an intense film like this together. It was cleverly written by Chad St. John ("London Has Fallen" '16, "Peppermint" '18, "Replicas" '18) plus a short. As with most action films as this, this has aplenty of double-crosses intertwinded within the script which can create a captivating story. The one flaw I felt was happening here was where a Detective Kent, who was part of an investigation, was seemingly being elusive in that was he a bad cop or an alright one? He was difficult to pinpoint. But, considering the plot was certainly something we've seen before, it was still presented in a way that was intriguing. Think--"John Wick" as far as the writing--not many lines, however the action spoke volumes, just like in "John Wick". The stunts were another star of the film--created by the incomparable Doug Coleman. 

Certainly if you like "John Wick" and that franchise, you'll love this. It was definitely made for the 18-24 single male demographic--ca-ching!! In this day of everyone and thing out there that is so serious, this is a great escape film to meld into. Nothing mind-bending here, but this is why we need to escape once in a while. 

Out of 4 Stars: 3                                         Rated: R                                                 104mins.

The Odyssey

One of the finest filmmakers that has come out of Hollywood in a long time has got to be Christopher Nolan. His resume is as extensive as it is impressive covering a spectrum of genres, i.e. war, crime, sci-fi, drama, etc, and delving into different eras of time. Now we have a film of the band of soldiers striving to make it home after winning the Trojan War. 

Odysseus (Matt Damon), king of Ithaca, embarks on a perilous journey to return home to his queen, Penelope (Anne Hathaway) and son, Telemachus (Tom Holland), after winning the Trojan War. Crossing the Mediterranean Sea with his fellow soldiers, they soon find them selves battling not only the elements, but an array of deadly obstacles and mythical creatures like Cyclops (Bill Irwin), Polyphemus, Sirens and Calypso (Charlize Theron) along the way. Meanwhile, there is turmoil at home with Antinous (Robert Pattinson) attempting to stir up trouble assuming, afters years, Odysseus is dead, so he should become the suitor for Penelope to gain power. 

Others to round out the cast are Niko Nicotera as Peisander, Corey Hawkins as Polybus, Jarreth Merz as Leodes, John Leguizamo as Eumaeus, Iddo Goldberg as Amphimedon, Elliot Page as Sinon, Elyes Gabel as Elatus, Zendaya as Athena, Jon Bernthal as Menelaus, Lupita Nyong'o as Helen/Clytemnestra and Josh Stewart as Antiphates. 

This was brilliantly directed with a gripping and pulsating pace by the incomparable Christopher Nolan ("Following" '98, "Memento" 2000, "Insomnia" '02, "Batman Begins" '05, "The Prestige" '06, "The Dark Knight" '08, "Inception" '10, "The Dark Knight Rises" '12, "Interstellar" '14, "Dunkirk" '17, "Tenet" '20, "Oppenheimer" '23) plus shorts. Every scene in this film was created with such distinct clarity and delineation. He was certainly able to encourage his actors to dig deep in 'being' these characters they were portraying. I can't wait for his next movie. It was also crafted well by writer Christopher Nolan (See his resume above), based on "The Odyssey" by Homer. Nolan is one of those few filmmakers that not only writes what he he directs, but more to the point, he truly is as an amazing talent in the writing or directing realm equally. There are so many different scenes with so many different characters he must cater to in order to make his films make sense, this production being of no exception, that he is able to convey his story in an effortless way. Along with the editing by Jennifer Lame, ace and cinematography by Hoyte van Hoytema, asc, this film was simply a sight to behold. 

Certainly if you are a Christopher Nolan aficionado, you will be in Nolan heaven. Still, my favorite film by Nolan is "Memento" 2000 with Guy Pearce, but all his films are incredible and extremely creative. This was shot with IMAX cameras, so even if you don't happen to see this on an IMAX screen, it still gives its audience that awesome feeling to it. Trust me, this has shy of a 3 hour running time, however it flies by quick. This is a triumph!!

Out of 4 Stars: 4                                        Rated: R                                      172mins.

Backrooms

When I think of films that are odd or quirky, I immediately think of M. Night Shyamalan. His films are odd, however they are original. Well, with "Backrooms", we have a similar feel in that it is extremely original, but definitely quirky and obscure. With all the remakes, reboots, sequels and prequels out there, it is refreshing to see something this original. 

A strange doorway appears in the basement of a furniture showroom where a therepist's, Dr. Mary Stein (Renate Reinsve) patient, Clark (Chiwetel Ejiofor) disappears into a dimension beyond reality, she must venture into the unknown entity to save him. Clark owns and operates the furniture store and inadvertently stumbles across the 'door', so he calls on his assistant, Kat (Lukita Maxwell) and her boyfriend, Bobby (Finn Bennett), so he can video it, in order to research the phenomena, and soon everything goes awry.

Others to round out the cast are Mark Puplass as Phil, Avan Jogia as Naren Warne, Robert Bobroczkyi as Pirate Clark, Ember Ambrose as young Mary, Krista Kosonen as Nora, Philip Granger as Meterman and Katharine Isabelle as Robin. 

It was directed with such intensity and grit by Kane Parsons ("Backrooms TV series '22-'25). Obviously this filmmaker scored well with the series which allowed the feature film to be produced. His pacing was amazing as was his ability to grab his audience out of their theater seats and be pulled into this film. If you like his brand of direction, his "Backrooms Sequel" is coming , although production unknown. It was interestingly written by Will Soodik (TV), based on the series by Kane Parsons. As aforementioned, although this film is quite original which creates freshness, there were entirely too many questions and not enough answers to why was this 'backrooms' entranced off of a furniture store? Where did it come from?, Why was it in existence? What happened to some of the people that went in there, but have no idea was happened to them? Also why didn't Parsons write this since he has written some of the series along with his direction? The acting by Ejiorfor and Reinsve was gripping and very believable and this being a psychological horror flick allowed the audience to be captivated, but the writing needed polish.

I want to believe that a sequel is in the works, because this film needs one with all the questions that hopefully a sequel can answer. The claustrophobic photography by Jeremy Cox was stunning as it was effective. It certainly is a film that a good deal of psychologists could study to come up with their conclusions, but it might not be for the every day movie goer for its obscurity.

Out of 4 Stars: 2.5                                       Rated: R                                        110mins.

Moana

Disney is certainly one of the kings of animation, and with the success of so many of their animated films, they have profited well. Films such as "Jungle Book", "Mulan", "The Little Mermaid", "Beauty and the Beast", "Aladdin" and others have been redone in a live version hoping they will reap the same profit once again. Some have done well--some not, but Disney always strives. So, Disney yet tries again with a live version of "Moana", ten years after the original animated version. 

In Disney's live-action reimagining of the beloved animated adventure, Moana (Catherine Laga'aia) answers the Ocean's call and, for the first time, voyages beyond the reef of her island of Motunui, with  which is forbidden by her dad, Chief Tui (John Tui) for safety reasons, with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people in the form of a stone, The Heart of Taviti. Maui is the only one who can guide Moana in this dangerous quest.

Others to round out the cast are Fankie Adams as Sina, Rena Owen as Gramma Tala, Jemaine Clement as Tamatoa, Amayan Masoli as Moana (8 years old) and Emma Puahi-Shapazian (Moana (4 years old).

This was directed with wit and adventure by Thomas Kail ("Grease Live!" (TV movie) '16, "Hamilton" '20) plus TV. Considering this director's experience in the musical realm, and Moana being basically a musical, his take on this project was delineated well, especially working with the same collaborators--Mark Mancina and Lin-Manuel Miranda that worked on the original. He knew just where the musical numbers would be the most effective in this film. The film was effectively written by Jared Bush ("Zootopia" '16, "Moana" '16, "Encanto" '21, "Moana 2"'24, "Zootopia 2" '25) plus TV and a video game, and Dana Ledoux Miller ("Moana 2" '24) plus TV, based on the 2016 animated film "Moana" by Jared Bush, Ron Clements and John Musker. Obviously, Bush has the lion's share of the experience here, but then considering that Miller wrote the screenplay for "Moana 2", it was concluded that this writer needed to be included and I believe it helped. What can I say about the writing here than the fact that it followed the animated version almost verbatim. Dwayne Johnson reprised his role as Maui and I'm not sure where they got Catherine Laga'aia to play Moana since she was very believable and could belt out a song. And, of course, the visual effects predominantly designed by ILM (Idustrial, Light & Magic) were seamless. As with the animated version these two music composers hit a homerun with the score and songs. 

Again, if you thoroughly enjoyed the animated version of this film, you will undoubtedly love this since it follows its predecessor almost word for word. But, then again, Disney is the king of remakes, reboots, sequels, prequels, franchises, etc. If you want a huge version, it's also presented in an IMAX format as well. 

Out of 4 Stars: 2.5                                         Rated: PG                                             116mins.