Ferrari

Ever since the advent of the automobile, Hollywood has graced the screens with many racing films, i.e. "Grand Prix" "Driven", "Rush", "LeMans", "The Art of Racing in the Rain", even the comedy farce, "The Great Race" to mention a few. While "Ferrari" is yet another film devoted to racing, it certainly won't be the last one, considering audiences' fascination with this topic.

Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari (Adam Driver), is in crisis. Bankruptcy stalks the company he and his wife Laura (Penelope Cruz) built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another. He decides to counter his losses by rolling the dice on one race--1,000 miles across Italy, the iconic Mille Miglia. So, with this and his bitter fights with his wife over the guilt of losing their son, and Ferrari's subsequent mistress, Lina Lardi (Shailene Woodley),which his wife knew of, but was still a strain, and his looming bankruptcy woes, Ferrari's life becomes in a constant turmoil. 

Others to round out the cast are Sarah Gadon as Linda Christian, Jack O'Connell as Peter Collins, Patrick Dempsey as Piero Taruffi, Michele Savoia as Carlo Chiti, Erik Haugen as Edmund Nelson, Giuseppe Attanasio as Romolo Tavoni and Lino Musella as Sergio Scaglietti.

This was directed with sheer intensity while also being poignant by veteran Michael Mann ("The Jericho Mile" (TV movie) '79, "Thief" '81, "The Keep"'83, "Manhunter" '86,"L.A. Takedown" (TV movie) '89, "The Last of the Mohicans" '92, "Heat" '95, "The Insider" '99, "Ali" '01, "Collateral" '04, "Miami Vice" '06, "Public Enemies" '09,"Blackhat" '15) plus TV and shorts. Certainly, it isn't a tough stretch to realize this was directed by Mann, considering his massive resume of action, yet intensely dramatic films as this film is. His ability to encourage his actors to emit just the correct amount of emotions in the different scenes is amazing. I really had to keep looking at Driver's eyes to realize that I was actually watching the actor. The makeup, hair and tonality in his speech is something to behold, but considering the incomparable dialect coach being his coach, Tim Monich along with Cruz also, it's no surprise. He is one of the best dialect coaches in the biz. It was equally well written by Troy Kennedy Martin ("Incident at Echo Six" (TV movie) '58, "The Italian Job" '69, "Kelly's Heroes" "70, "The Jerusalem File" '72, "Sweeney 2" '78, "Red Heat" '88, "Bravo Two Zero" (TV movie) '99, "Red Dust" '04) plus TV and a video game. The amazing aspect of this writer is that he has been prolific for 60 plus years! So, it's amazing he was even able to write, not just another screenplay, but one with quite the substance. It keep one's attention, all the while letting us into the complexities of the Ferrari family. The only negative about this is that it was just a bit long-in-the-tooth and it would've been great to see more racing sequences. But, his intention was most likely to dwell more on the issues of the family and all the problems--both emotionally and financially. The racing scenes that were displayed were intense even though they were limited. The editing by Pietro Scalia ace, was awesome in that the quick cutting that took place when the racer was shifting gears, and Scalia showed a cut from the shift gear to the gauge and back with rapid speed. This simply showcased the frenzy of the scene. He should see a nomination come Oscar time, along with Mann, Driver and Cruz. 

If you like the director, Man, and more to the point, racing films in general, you'll like this. With this film you'll see it all: fine acting by both Driver and Cruz, directing, and editing. It will certainly rev you up--pun intended. 

Out of 4 Stars: 3.5                                          Rated: R                                          130mins.

Migration

One thing about Illumination Animation is that they have proven themselves time and again with amazing artistry coupled with incredible stories that are so watchable, i.e. the 'Despicable Me' franchise, the 'Minions" franchise, "The Lorax", "Sing". "The Secret Life of Pets", and many others. I loved those films, so when "Migration" was released, I felt I would not be disappointed, and I was right.

A family of Mallard ducks, Mack (Kamail Nanjani), Pam (Elizabeth Banks), Uncle Dan (Danny DeVito), Dax (Caspar Jennings) and Gwen (Tresi Gazal) decide to leave the safety of a New England pond for an adventurous trip to Jamaica, however their well-laid plans quickly go awry when they get lost and wind up in New York City. They meet Chump (Awkwafina), a feisty pigeon to guide them in the right direction, and the experience soon inspires them to expand their horizons, open themselves up to new friends such as Leroy (Keegan-Michael Key), and accomplish more than they ever thought possible. 

Others to round out the cast are Carol Kane as Erin, David Mitchell as GooGoo, Isabela Merced as Kim and Carlos Alazraqui as Additional Voices. 

This was delineated with amazing clarity by Benjamin Renner ("Ernest & Celestine" '12, "The Big Bad Fox and Other Tales" '17) plus a short, and co-directed by Guylo Homsy (a video), even though neither director has a plethora of experience behind the camera, especially Homsy, who came from an animated visual effects background, they were still able to produce a well paced and sequenced animated story. These artists can only improve with more work which would serve them. The connection between the different family members seemed amazingly effortless. It was brilliantly written by Mike White ("Dead Man on Campus" '98, "Chuck & Buck" 2000, "Orange County" '02, "The Good Girl" '02, "School of Rock" '03, "Nacho Libre" '06, "Year of the Dog" '07, "The Emoji Movie" '07, "Brad's Status" '07, "Mamma Dallas" (TV movie) '16, "Beatriz At Dinner" '17, "The Emoji Movie" '17, "Brad's Status" '17, "Pitch Perfect 3" '17, "The One and Only Ivan"'20) plus TV, based on a story by Mike White and Benjamin Renner. Clearly White headed up an amazing experience here,  where White is one of those handful of writers that can and does think outside the box--one can never pigeon-hole this honed writer. One of the best films he's ever written is "School of Rock" '03, which he wrote for his buddy, Jack Black, who was born to play that role. Undoubtedly, he will write another script, and it will only be our guess at what the film could be about, will it be live-action or animated? Who knows, but this is the charm of this artist--not knowing, so the surprise element will be that much more evident. And Illumination Animation is so clever in presenting their animation in that it's always so creative and keeps the audience wanting for more.

If you like animated flicks, and more to the point, if you like Illumination's take on how they produce their work, you will revel with this one. The trailer sells the film, but in some ways, it doesn't. Trust me, this is a great film for the whole family replete with adventure, warmth, love and redemption all rolled up in one entertaining and well thought out story.

Out of 4 Stars: 4                                 Rated: PG                              93mins. (including a 10min short entitled "Mooned" directed by Jonathan Del Val)

The Boys in the Boat

Well, the films studios have dumped just about every 'big' film into the theaters so 1) they can hopefully be considered for Academy Award nominations, and 2) so they can make an incredible profit considering a fair amount of people who have this time off either from work or school. The problem is that they've flooded the market all at once. Both "Aquaman and the Lost Kingdom" and "Migration" opened horribly, "The Boys in the Boat" should profit considering this is the quintessential underdog film.

This is a sports drama based on the #1 New York Times bestselling non-fiction novel written by Daniel James Brown. The film centers around the 1936 University of Washington rowing team that competed for gold at the Summer Olympics in Berlin, Germany. This inspirational true story follows one coach Al Ulbrickson (Joel Edgerton) and a group of underdogs, including Joe Rantz (Callum Turner), Don Hume (Jack Mulhern), Shorty Hunt (Bruce Herbelin), Chuck Day (Thomas Elms), Bobby Moch (Luke Slattery), and others at the height of the Great Depression as they are thrust into the spotlight and take on elite rivals from around the world. The boat builder, George Pocock (Peter Guinness) plays an amazing pivotal role as the boys mentor and confidante.

Others to round out the cast are Sam Strike as Roger Morris, Wil Coban as John McMillin, Tom Varey as Johnny White, Joel Phillimore as Gordy Adam, James Wolk as Coach Tom Bolles, Hadley Robinson as Joyce Simdars, Courtney Henggeler as Hazel Ulbrickson, Al's wife and Glenn Wrage as Coach Ky Ebright.

This was amazingly well directed by George Clooney ("Confessions of a Dangerous Mind" '02, "Good Night, and Good Luck" '05, "Leatherheads" '08, "The Ides of March" '11, "The Monuments Men" '14, "Suburbicon" '17, "The Midnight Sky" '20, "The Tender Bar" '21) plus TV. As with other actors that have shifted from acting to directing i.e. Clint Eastwood, Mel Gibson, Bradley Cooper, and others, if Clooney ever wanted to step from in front of the camera to behind it, he would not have any problem with that since his talent is evident. As with the case of "Maestro" with Cooper directing that, being an actor has got to serve them exponentially. This director has this innate ability to bring his actors to a place where the emotions emitted can and are poignant, clear, all the while being subtle when it's needed. He's a name one looks for when he directs. It was equally well written by Mark L. Smith ("Seance" '06, "Vacancy" '07, "Vacancy 2: The First Cut" '08, "The Hole" '09, "Martyrs" '15, "The Revenant" '15, "Overlord" '18, "The Midnight Sky" '20, "The Marsh King's Daughter" '23), based on the book by Daniel James Brown. Certainly this writer knows his way around the workings of a taut script, and we can definitely see it with this screenplay. This has got to be one of the most quintessential underdog stories replete with a rag-tag team--some have never rowed a boat, a coach that needs to prove himself with those over him, they are at the Summer Olympics in Berlin in 1936--prewar with Hitler spectating. It was basically a do or die situation. The premise of this was already great fodder for an outstanding film and Smith was able to hand us just that in spades!

Wow, what can I say, but this film is one all should see. If our society needed a shot in the arm, it is right now, and this film delivers that shot and more. This will undoubtedly be considered come Oscar time for picture, directing, writing and photography by Martin Ruhe asc. Be prepared to be wowed! I sure was!

Out of 4 Stars: 4                                           Rated: R                                        123mins.

Aquaman and the Lost Kingdom

I was wondering where all the films were for the end of year film season, and all of a sudden, boom!, here they are. there will be seven plus films released in just two days. Some of these films probably won't profit very much because of the onslaught of releases. Well, the start of this massive list is that of "Aquaman and the Lost Kingdom", which is a follow up of 2018's "Aquaman". 

Having failed to defeat Aquaman/Arthur Curry (Jason Momoa) the first time, Black Manta/David Kane (Yahya Abdul-Mateen II), still driven by the need to avenge his father's death, will stop at nothing to take Aquaman down once and for all. This time Black Manta is more formidable than ever before, wielding the power of the mythic Black Trident, which unleashes an ancient and malevolent force. To defeat him, Aquaman will turn to his imprisoned brother Orm (Patrick Wilson), the former King of Atlantis, to forge an unlikely alliance. Together, they must set aside their differences in order to protect their kingdom and save Aquaman's family, and the world from irreversible destruction.

Others to round out the cast are Amber Heard as Mera, Nicole Kidman as Atlanna, Randall Park as Dr. Stephen Shin, Temuera Morrison as Tom Curry, Arthur's father, Dolph Lundgren as King Nereus, Martin Short as Kingfish, Jani Zhao as Stingray, Pilou Asbaek as Kordax, Indya Moore as Karshon and John Rhys-Davies as Brine King. 

This was intensely directed with grit by James Wan ("Stygian" 2000, "Saw" '04, "Insidious" '10, "The Conjuring" '13, "Furious 7" '15, "Aquaman" '18, "Malignant" '21) plus others, TV, a short and a video. While this filmmaker was once the 'king of horror', has now graduated to other genres which is healthy. Even though this director will probably never helm a comedy, he certainly has been willing to go out of his comfort zone which is my definition of talented. This was directed with the same intensity and action as its predecessor, however the predecessor being directed by Wan, one can see the similarity. It was penned well by writer David Leslie Johnson-McGoldrick ("Orphan" '09,"Red Riding Hood" '11, "Wrath of the Titans" '12, :The Conjuring 2" '16, "Aquaman" '18, "The Conjuring : The Devil Made Me Do It" '21) plus TV and a short. What makes this film work is, like Wan directed both "Aquaman" and Aquaman 2, this writer has also written both films. Although Johnson-McGoldrick has adhered himself to mostly the horror genre, he has still proven himself with the action packed type of films. There were a couple of places of predictability in this, but that could be purposed in order to make it that much more captivating considering the major demographic involved. Also, the visual effects predominantly designed by ILM (Industrial, Light & Magic), MPC (Moving Picture Company) and Double Negative were seamless and amazing, but were a bit over-the-top in some places of script.

Certainly, if you liked "Aquaman" '18, you'll like this as well. It has a plethora of action, explosives, adventure all in a fantasical setting, all the while holding an element of family and how important that is. It has been rumored that this is the end of the franchise since DC is involved in overhauling the company. We'll see.

Out of 4 Stars: 3.5                                       Rated: PG-13                                           124mins.

Maestro

Back when films were created to be the sole purpose of pure entertainment was a simpler time. But since a number of decades ago, there are still those films to entertain, however it has branched off to being a vehicle of learning about a certain person or event in history. Many biopics have graced our screens--too numerous to list--but "Maestro" is one of those biopics that draws us into a world of a composer and conductor that lead an interesting life, to put it mildly.

"Maestro" will tell the complex love story of Leonard Bernstein (Bradley Cooper) and Felicia Montealegre (Carey Mulligan), a story that spans over 30 years--from the time they met in 1946 at a party and continuing through two engagements, a 25 year marriage, the tension between the two dealing with his bi-sexual lifestyle, and three children, Jamie Bernstein and Nina Bernstein Simmons. The film starts with an older Bernstein in his home, and his retelling to a crew filming his piano playing, of his meeting and his subsequent relationship with his Felicia. 

Others to round out the cast are Matt Bomer as David Oppenheim, Greg Hildreth as Isaac, Michael Urie as Jerry Robbins, Vincenzo Amato-Bruno as Zipato, Nick Blaemire as Adolph Green, Mallory Portnoy as Betty Comden, Sarah Silverman as Shirley Bernstein, Kate Eastman as Ellen Adler and Tim Rogan as Dick Hart.

This was incredibly well delineated by director Bradley Cooper ("A Star Is Born" '18) plus a music video. As with "A Star Is Born", this film is directed with grit and amazing realism. With Cooper's ability to pace and stage his actors as well as he does, if he ever wanted to go into directing full time, he could make the transition easily. His striving to bring the detail he demands only furthers to enhance his production. Also, the fact that he is such an accomplished actor himself certainly could only help behind the camera as well. If you can appreciate this director's brand of filmmaking, his "Is This Thing On?" is in production. It was penned equally well by writers Bradley Cooper ("A Star Is Born" '18) and Josh Singer ("The Fifth Estate" '13, "Spotlight" '15, "The Post" '17, "First Man" '18) plus TV and a video. I'm not sure why Cooper received top billing over Singer in the writing category except that Singer allowed it since this was basically Cooper's 'baby', since Singer has the lion's share of the experience. Both writers are amazing at producing a fine screenplay, and it showed in spades here. Other than a couple of small continuity issues here, this script was amazingly well thought out. 

An interesting fact is that Steven Spielberg being one of the producers, had originally committed to directing this film, however, after viewing one of the dailies of "A Star Is Born", he told Cooper that he had to direct this. This film is an incredibly well crafted film replete with fine acting, directing, writing and photography by Matthew Libatique asc. Undoubtedly, this will garner several Oscar nods come that time. You really thought you were experiencing Leonard Bernstein by the performance Cooper gave. 

Out of 4 Stars: 3.5                                       Rated: R                                          129mins.

Wonka

There have been other renditions of Roald Dahl's beloved Willy Wonka story through the decades: "Willy Wonka and the Chocolate Factory 1971, Charlie and the Chocolate Factory 2005, and now we have a prequel in how Willy became Wonka in "Wonka", as Willy is just finding his place in the chocolate world.

Based on the extraordinary character at the center of Charlie and the Chocolate Factory, Roald Dahl's most iconic children's book and one of the best-selling children's books of all time, "Wonka" tells the wondrous story of how the world's greatest inventor, magician and chocolate maker became the beloved Willy Wonka we know today. This comprises a young Willy Wonka (Timothee Chalamet) attempting to 'fit in' a town where chocolate makers are aplenty. Down on his luck, he decides to stay at Mrs. Scrubitt's  (Olivia Colman) house only to end up trapped there, but ends up befriending Noodle (Calah Lane), Abacus Crunch (Jim Carter), Piper Benz (Natasha Rothwell) and others, only to be pursued by Oompa Loompa (Hugh Grant)

Others to round out the cast are Keenan-Michael Key as chief of police, Paterson Joseph as Slugworth, Matt Lucas as Prodnose, Mathew Baynton as Pickelgruber, Sally Hawkins as Mamma, Rowan Atkinson as Father Julius, Rich Fulcher as Larry Chuckesworth and Tom Davis as Bleacher. This was whimsically directed by Paul King ("Under One Roof"(TV movie) '07, "Bunny and the Bull" '09, "The Pajama Men: Last Stand to Reason" (TV movie) '11, "Paddington" '14, "Paddington 2" '17) plus TV and shorts. This filmmaker simply made these characters come to life by the way they jumped off the page of the story to this screen This director has a plethora of experience and it shows in the quality this film holds. It was written well by Simon Farnaby ("Mindhorn" '16, "Paddington 2"  '17, "The Phantom of the Opera" '21) plus TV and Paul King ("Bunny and the Bull" '09, "Paddington" '14, "Paddington 2" '17) plus TV, based on a story by Paul King, which is based on characters created by Roald Dahl. This was an extremely unique and captivating premise--by Wonka coming from meager beginnings to become the most nortoripus chocolatier in the world. Really, other than a couple of very small places of slowness which occurred around the middle of the film, this story was spot on.

If you're either a Willy Wonka fan or even a Roald Dahl aficionado, this film is for you. While the casting of Wonka was incredible, the rest of the supporting cast was amazingly pivotal in their respective roles as well. Prequels can be tricky in their ability to convince the audience of their validity, but this was expressly conveyed effectively. This is a film for the entire family to enjoy.

Out of 4 Stars: 3.5                                     Rated: PG                                          117mins.

Wish

Remember when Disney was in business to purely entertain us, before they went woke with their own agenda? Well, with "Wish", it looks to be that possibly they have learned their lesson by giving us a film to simply entertain us, has paid off  After a string of flops, their respective pocket book has been screaming. This film hasn't profited mostly because Disney has a ways to go to earn the public's trust once again.

This story is an all-new musical comedy, welcoming audiences to the magical kingdom of Rosas, where Asha (Ariana DeBose), a sharp-witted idealist makes a wish so powerful that it is answered by a cosmic force--a little ball of boundless energy called Star. Together, Asha and Star and her friends including Valentino (Alan Tudyk), Amaya (Angelique Cabral), Sabino (Victor Garber) and others, confront a most formidable foe--the ruler of Rosas, King Magnifico (Chris Pine)--to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen. 

Others to round out the cast are Natasha Rothwell as Sakina, Jennifer Kumiyama as Dahlia, Harvey Guillen as Gabo, Niko Vargas as Hal, Evan Peters as Simon, Ramy Youssef as Safi, Jon Rudnitsky as Dario and Della Saba as Bazeema. 

This was whimsically directed by Chris Buck ("Tarzan" '99, "Surf's Up" '07, "Frozen" '13, "Frozen II" '19) plus TV, a short and a music video, and Fawn Veerasunthorn. Clearly, with the experience that Buck brought to the table, this was directed with the expertise we've come to expect from Disney. Even though Veerasunthorn has no other experience except for the animation department, the input of this filmmaker I'm sure was pivotal. But clearly, with Buck carrying the lion's share of experience, this was his film. These characters simply came alive on that screen and this is fine-tuned direction. It was also well penned by writer Jennifer Lee ("Wreck-It Ralph" '12, "Frozen" '13, "Zootopia" (story) '16, "A Wrinkle in Time" '18, "Frozen II" '19) plus video games and a short, and Allison Moore (a plethora of TV), based on a story by Jennifer Lee, Chris Buck, Fawn Veerasunthorn and Allison Moore. This was written with that charm, yet a lesson to be learned way that Disney was always able to produce. Certainly the feature film experience falls on the shoulders of Lee, however, Moore was certainly pivotal in her input since she has plenty of TV experience which has served her well. The story started as a narrative as in the beginning of a fairytale story replete with "Once upon a time...". This format is the trademark of an entertaining Disney story which I hope we can continue to see. The only aspect that seemed to occur was that a couple of the songs didn't have as an effective introduction in the story that they could've had. Otherwise, this was a classic waiting to happen. The songs by Julia Michaels and Benjamin Rice were catchy and worked well in this production, so much so that I wouldn't mind purchasing the CD soundtrack. 

If you're a fan of the old Disney that is pure entertainment without the political agenda, this is the film for you. The story is entertaining, witty all the while with a great lesson for all to learn. This is the quintessential family film with a good guy, a bad guy and a community that eventually unites around the good guy. Not a tough premise, but the entertainment factor is first rate. 

Out of 4 Stars: 3.5                                        Rated: PG                                          95mins.

The Oath

We've seen a plethora of ancient renaissance type films: "Camelot", all the "King Arthur" type films, "The Last Duel", "Gladiator", "Dragonheart",and the like. Now, we have "The Oath" to add to that ever growing list. What makes this a bit different than its predecessors is that this is more of a conflict--a small squirmish as opposed to a huge epic like most are.

400 A.D., in a forgotten time of Ancient America, a lone Hebraic fugitive, a Nephite, Moroni (Darin Scott) must preserve the history of his fallen nation while being hunted by a ruthless tyrant, Lamanite, King Aaron (Billy Zane), but rescuing the King's abused mistress, Bathsheba (Nora Dale) could awaken a warrior's past. Considering Moroni and King Aaron are estranged brothers, how is this confrontation going to play out?

Others to round out the cast are Karina Lombard as Mahigana, the king's best tracker, Eugene Brave Rock as Cohor, Philip Niu as assassin #1, Aron Stevens as assassin #2 and Wase Chief as King's wife.

This was passionately directed with incredible pathos by Darin Scott (three shorts). Working on the shorts this filmmaker produced served him well, because every character in this was delineated with such feeling and realism. The audience experienced the raw emotions that exuded from these actors in a way that left you drained. He should receive more work behind the camera. It was also penned well by writer Darin Scott (four shorts). Again, not a plethora of experience, but working on the shorts certainly helped him with this script. Was this storyline laid out perfectly? No, however the way he crafted this script in an almost intimate way considering it was about survival and subsequent revenge was an interesting twist to an otherwise hackneyed premise. Considering Scott, wrote, directed, edited and starred in this production allows us to see into the heart of this filmmaker in that this was obviously his 'baby' and it simply was as transparent as a piece of Saran Wrap. It was a bit slow in a couple of places, however, probably that might very well have been purposed, And there were a couple of continuity issues, but otherwise was a story that kept your attention. Given more feature film work could only improve this writer, and given that chance, I would like to see what he tackles next.

Certainly if you are into the "Game of Thrones" type of film fare replete with swords, violence and revenge, this will be the film for you. This film is all about those aspects as well as survival, redemption and reconciliation. again, it has eight people that comprise of the entire cast as opposed to an epic film with hundreds of cast members, and this is just as powerful as any of those other films. This is an intriguing film and with a bittersweet ending, it makes it that much more original of its genre. 

Out of 4 Stars: 3.5                                   Rated: PG-13                                       105mins.

The Shift

When it comes to films that involve time travel, rime dimension, multiple worlds, and the like, confusion and the propensity to enter into paradoxes and becoming disjointed, can certainly ensue. Films like "The Time Machine", "Back to the Future", "Dr. Strange", "Everything Everywhere All At Once",and the like, can, in and of themselves be captivating films, however, attempting to write a cohesive screenplay can, and does quite often, become a daunting task, As with "The Shift", it is an interesting concept as long as all the pieces can come together in a honed script.

In this modern day retelling of Job, Kevin Garner (Kristoffer Polaha) embarks on a journey across worlds and dimensions to reunite with Molly (Elizabeth Tabish), his true love. The narrative unfolds as a dystopian drama and sci-fi thriller, where a mysterious adversary, The Benefactor (Neal McDonough), disrupts Kevin's reality. Faced with infinite worlds and impossible choices, Kevin must navigate through an ultimate reality, resisting The Benefactor's tempting over of wealth and power. As survival hangs in the balance, Kevin fights to return to the familiar world he cherishes and the woman he loves.

Others to round out the cast are Sean Astin as Gabriel, Emily Rose as Tabitha, Rose Reid as Tina, John Billingsley as Russo, Paras Patel as Rajit Nadir, Jordan Alexandra as Priya Nadir, Nolan North as Brett and Jason Marsden as Cyrus. 

This was directed with intensity and grit by relative newcomer Brock Heasley (two shorts). With only two shorts under his belt, he was certainly able to direct a story with as many diverse characters as the plot twists themselves. His actors really were able to convince the audience of their particular predicament given which character we are speaking of, and this is the mark of a well honed director. He will undoubtedly receive more work. It was also interestingly written by Brock Heasley (three shorts). Again, considering that this writer is a relative newcomer, and the topic in which he decided to delve into can become disjointed and confusing with a seasoned writer, he actually was able to pull off this story with a certain amount of clarity and cohesiveness. As mentioned, seasoned writers would or could have stumbled with this premise, however, this writer, with the exceptions of some areas of choppiness and continuity issues, actually wrote a fairly cohesive and intense script that definitely captured my attention. The lead of Kevin played by Polaha was very convincing in his role, however, the one who clearly stole the show was that of McDonough who played The Benefactor, or some might call him the Devil. But, then again, villainous roles are usually the meatier of roles, but considering how often McDonough has played the villain, he's learned a thing or two how it's done. Again, this writer will surely be considered for more feature film work.

If films about time or time travel, or in this case, shifting from one world to another are your liking,  this should intrigue that most ardent fan. The story keeps one riveted for the almost two hour running time, and with several twists and turns, it will keep you wondering what's going on.

Out of 4 Stars: 3                                          Rated: PG-13                                        115mins.

Napoleon

Out of all the different films based on true stories, certainly one of the most dramatic and interesting ones are that of a wartime story. We've seen many that has graced the silver screen: "Midway" (both versions), "Tora!, Tora!, Tora!, "Pearl Harbor", "Patton", "All Quiet on the Western Front", "Dunkirk", "1917", you get the point, and now we have, yet another, film to add to that ever growing list in the form of "Napoleon". 

This is the spectacle-filled action epic that details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte (Joaquin Phoenix). Against a stunning backdrop of large scale filmmaking orchestrated by legendary director Ridley Scott, the film captures Bonaparte's relentless journey to power through the prism of his addictive volatile relationship with his one true love, Josephine (Vanessa Kirby), showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed . This film covers the start of the French Revolution in 1789, up through the war of 1812, and culminating with the war with England in 1815, with Napoleon's ultimate exile in October of 1815 on the isle of St. Helena. 

Others to round out the cast are Rupert Everett as Duke of Wellington, Tahar Rahim as Paul Barras, Ben Miles as Cailaincourt, Paul Rhys as Talleyrand, Youssef Kerkour as Marshal Davout, Scott Handy as Marshal Berthier, Edouard Phillipponnat as Tsar Alexander and Aoubakar Salim as General Dumas.

This was directed with sheer spectacle and vision by legendary Ridley Scott ("The Duelists" '77, "Alien" '79, "Blade Runner" '82, "Legend" '85, "Black Rain" '89, "Thelma & Louise" '91, "Gladiator" 2000, "Black Hawk Down" '01, "Matchstick Men" '03, "American Gangster" '07, "Robin Hood" '10, "Prometheus" '12, "The Martian" '15, "Alien: Covenant" '17, "All the Money in the World" '17, "House of Gucci" '21) plus others, TV, videos, shorts and a TV movie. What can I say about Scott except that he has proven himself repeatedly for decades as a consummate director. Each and every actor simply looks like they are playing their respective characters effortlessly, and this is fine direction. It was crafted well by writer David Scarpa ("The Last Castle" '01, "The Day the Earth Stood Still" '08, "All the Money in the World" '17), plus TV. Certainly Scarpa doesn't have a plethora of experience, however, what experience he does have is written well, which makes him a talented writer. The only issues I had with this script that it was a bit too long-in-the-tooth, and could've been edited about 5-10 mins off its running time--so much was covered in this, and that the fact that Napoleon and others didn't even have a French dialect, and spoke in an American dialect was a bit disappointing.They had a dialect coach on the set, but if they hired a Tim Monich or Elizabeth Himelstein to help with an effective dialect coaching, this would've carried more impact. Otherwise, this was a story that keeps you riveted to your seat. There will undoubtedly be Oscar nods including for Scott and Phoenix and definitely the director of photography by Dariusz Wolski asc. The photography was incredible and carried an almost antiquated, grainy look to the film which simply added to the story. The visual effects predominately designed by ILM (Industrial, Light & Magic) and MPC (Moving Picture Company) were seamless and actually enhanced the story that much more. ' 

If you're a historical aficionado, this film will be the one to sink your teeth into. Even if you're not, the acting by Phoenix and Kirby and direction by Scott will certainly be enough to keep anyone captivated. This is an epic that with thrill and looks great on the large screen. And if you really want that up, close and personal feeling, this is presented in an IMAX format as well. 

Out of 4 Stars: 3.5                                      Rated: R                                       158mins.

The Hunger Games: The Ballad of Songbirds & Snakes

Ever since the beginning of this franchise back in 2012, one would've thought that the end of it would be "The Hunger Games: Mockingjay--Part 2" in 2015, but no. Apparently, the novelist, Suzanne Collins was convinced to write another saga which is how "The Hunger Games: The Ballad of Songbirds & Snakes" even came into being. 

Experience the story of 'The Hunger Games'--64 years before Katniss Everdeen volunteered as tribute, and decades before Coriolanus Snow became the tyrannical President of Panem. This particular story follows a young Coriolanus (Tom Blyth) who is the last hope for his failing lineage, the once proud Snow family that has fallen from grace in a post war Capitol. With his livelihood threatened, Snow is reluctantly assigned to mentor Lucy Gray Baird (Rachel Zegler), a tribute from the impoverished District 12. But after Lucy Gray's charm captivates the audience of Panem, Snow sees an opportunity to shift their fates. With everything he has worked for hanging in the balance, Snow unites with Lucy Gray to turn the odds in their favor. Battling his instincts for both good and evil, Snow sets out on a race against time to survive and reveal if he will ultimately become a songbird or a snake. 

Others to round out the cast are Viola Davis as Dr. Volumnia Gaul, Peter Dinklage as Dean Casca Highbottom, Fionnula Flanagan as Grandma am, Jason Schwartzman as Incretius "Lucky" Flickerman, Josh Andrew Rivera as Sejanus Plinth, Hunter Schafer as Tigris Snow, Burn Garman as Commander Hoff and Ashley Liao as Clemensia Dovecote. 

This was directed with the same feel as the other films of this franchise by Francis Laurence ("Gotham" (TV movie) '96, "Constantine" '05, "I Am Legend" '07, "Water for Elephants" '11, "The Hunger Games: Catching Fire" '13, "The Hunger Games: Mockingjay--Part 1" '14, "The Hunger Games: Mockingjay--Part 2" '15, "Red Sparrow" '18,"Slumberland" '22) plus TV, a short, a video and a plethora of music videos. It was clearly strategic to be able to hire Laurence to direct this considering his already experience with this franchise (check out the resume), so a similar feel was present within the franchise, even though there were different actors in this installment. The intensity rose at a realistic pace and the staging by these actors was implemented well--this all helps having consistency in the directing. It was well written by Michael Lesslie ("Capture Anthologies: The Dimensions of Self" (segment--"Airlock or see how to say goodbye in space") '11, "Macbeth" '15, "Assassin's Creed" '16) plus TV and shorts and Michael Arndt ("Little Miss Sunshine" '06, "Toy Story 3" '10, "Oblivion" '13, "The Hunger Games: Catching Fire" '13, "A Walk in the Woods" '15, "Inside Out" (additional material) '15, "Star Wars: Episode VII--The Force Awakens" '15) plus video games and a video, based on the novel by Suzanne Collins. I went to see this film with great trepidation since I'm not overly fond of this franchise. But after viewing it, I was quite surprised, especially since the running time is the better part of two and three quarter hours. Other than a couple of very small places of slowness and sequencing issues, this was a well honed script. The running time could've been shaved approximately 20 minutes and still offer the same impact of the story.

Certainly, if you are a fan of this franchise, you'll revel with this. It definitely leaves the audience with an open-ended story, so a sequel could be in the making assuming the film profits. I know, what a shock! The character development was very well thought out and the chemistry between Blyth and Zegler was powerful and intense. Also Davis as Dr. Gail was a hoot and exemplifies the quality of this wonderful actor. If you're on the fence about this, it is surely worthy of the price of admission. 

Out of 4 Stars: 3                                        Rated: PG-13                                   157mins.

The Marvels

We certainly know that it is the end of year film season considering there is a comic book film being released. Summer's over, so the next yearly installment of this type of film (when the kids are out of school) is, of course, during the end of year holiday combo. And this time we have Marvel Studios (Disney) releasing "The Marvels", a follow up to 2019's "Captain Marvel".

Carol Danvers AKA Captain Marvel (Brie Larson) has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, Dar-benn (Zawe Ashton), her powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms.Marvel (Iman Vellani), and Carol's estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau (Teyonah Parris). Can Carol and Monica work out there differences so they can defeat the enemy before all is lost?

Others to round out the cast are Samuel L. Jackson as Nick Fury, Gary Lewis as Emperor Dro'ge, Seo-Joon Park as Prince Yan, Zenobia Shroff as Muneeba Khan, Mohan Kapur as Yusuf Khan, Saagar Shaikh as Admir Khan, Leila Farzad as Talia, Abraham Popoola as Dag and Daniel Ings as Ty-Rone.

This was directed with grit and an adventurous feel by Nia DaCosta ("Little Woods" '18, "Candyman" '21) plus TV and shorts. Even though this filmmaker hasn't a plethora of experience in the director's chair, she has shown herself to be an artist that is formidable in her ability to showcase these actors in roles that, even though this is pure fantasy, are as realistic in their approach to their respective characters. It was adequately written by Nia DaCosta, Megan McDonnell and Elissa Karasik. These writers have limited experience which, with a premise that includes multiple universes and time jumping, demands a writer(s) that are more seasoned. This kind of premise would be challenging for a seasoned writer, much less writers that are not. The script simply jumped and meandered way too much which made it difficult at best to follow. These writers are just not ready for prime time and should either delve into more TV or write screenplays that are not as complex as a film such as this. Why doesn't Disney pay more money to obtain better writers? They do this repeatedly, and if they would invest a bit more money, their return on their investment would be that much more profitable. The visual effects predominantly created by ILM (Industrial, Light & Magic) and SPI (Sony Pictures Imageworks) were seamless, however, one would have to know this before entering the theater. 

I know this will be a shock, but there will be a sequel. Assuming this profits, it will because those young people are out of school and are heading to the multiplex. Cha-ching! Since it's also presented in IMAX, if you have to see it, better on a large screen. 

Out of 4 Stars: 1.5                                            Rated: PG-13                                           105mins.

Next Goal Wins

For decades Hollywood has produced quite a number of underdog films: "Invincible", "The Replacements", "Miracle", "The American Underdog", "The Hill", "Hackshaw Ridge", to mention a handful. We all, to whatever degree, like to see someone overcome their obstacles in life for it gives us that warm and fuzzy feeling inside. So, when I saw the trailer of "Next Goal Wins", I simply had to see it, and what I received was more that just seeing a team winning a game.

This story, based on true events, follows the American Samoan soccer team, infamous for their brutal 31-0 Australian loss in 2001. With the World Cup Qualifiers approaching in 2014, the team, desperately needing  a seasoned coach, hires down-on-his-luck Thomas Rongen (Michael Fassbender) hoping he will turn the world's worst soccer team around in this heartfelt underdog comedy/drama. After a point, the president of the American Samoan soccer team organization, Tavita becomes disillusioned by Rongen's coaching approach since their cultures are so entirely different., but knows that they have to work together in some capacity.  

Others to round out the cast are Kaimana as Jaiyah, David Fane as Ace, Rachel House as Ruth, Beulah Koale as Daru, Will Arnett as Alex Magnussen, Elisabeth Moss as Gail, Uli Latukefu as Nicky Salapu, Sisa Grey as convenient store cashier, Chris Alosio as Jonah and Taika Waititi as American Samoan priest. 

This was directed in that tongue in cheek style that no one can succeed at as well as Taika Waititi ("Eagle vs Shark" '07, "Boy" '10, "What We Do In the Shadows" '14, "Hunt for the Wilderpeople" '16, "Thor: Ragnarok" '17, "Jojo Rabbit" '19, "Thor: Love and Thunder" '22) plus shorts, TV, videos and a music video. Other than Fassbender, Arnett and Moss, I've really not heard of the supporting cast here, and it truly has everthing to do with Waititi's ability to bring these characters from a non-communicative, disjointed team to become a communicative and cohesive team to obtain what it was that was missing as a real team--on and off the field. If you like this filmmaker's brand of directing, his "Akira" is in production at this point. It was cleverly written by Taika Waititi (Eagle vs Shark" '07, "Boy" '10, "What We Do In the Shadows" '14, "Hunt for the Wilderpeople" '16, "Jojo Rabbit" '19,"Thor: Love and Thunder" '22) plus shorts, TV and videos and Iain Morris ("The Inbetweeners" '11, "The Inbetweeners 2" '14) plus TV, based on the documentary, "Next Goal Wins". What makes this story more compelling than meets the eye is that it's not about winning a soccer game as much as it's about connecting with others in family and life in general. These players had to realize that they first were to strive to connect, and then, only then, they could even begin to succeed in whatever--this being to get at least one soccer goal. The only issue I had with this script was that a number of the comedic lines seemed forced and contrived. I'm not sure if this was a writing or acting issue with some of the performers that don't have an abundance of experience. Otherwise, it was a stand up and cheer film.

If you like the other films that Waititi has directed, you'll love this since it has a similar style. If you want to see Waititi in golden form, rent "Jojo Rabbit". It was uproarious! This film was humorous, heartfelt, and seriously brought home a definitive message that we all can learn from. Waititi also gives a very funny turn as an American Samoan priest that was humorous and meaningful.

Out of 4 Stars: 3                                          Rated: PG-13                                     104mins.

The Holdovers

When it comes to powder dry comedy films, director, Alexander Payne is probably the king. The poignancy, pathos and 'dryness' are the trademarks of his films. One can see it in his list of eclectic films: "Sideways", "About Schmidt", "Nebraska", etc. Now, with "The Holdovers" in the offing, we can see that distinct Payne style we've all come to love and enjoy.

Nobody likes teacher Paul Hunham (Paul Giamatti)--not his students, not his fellow faculty, not the headmaster, Dr, Hardy Woodruff (Andrew Garman), who all find his pomposity and rigidity exasperating. With no family and nowhere to go over Christmas holiday in 1970, Paul remains in school to supervise students unable, for different reasons, to journey home. After a few days, and most of the students were able to leave, only one student holdover remains--a trouble-making 15-year-old named Angus Tully (Dominic Sessa), a good student whose bad behavior always threatens to get him expelled. Joining Paul and Angus is head cook Mary Lamb (Da"Vine Joy Randolph), an African-American who caters to sons of privilege and whose own son recently lost in Vietnam. These three very different shipwrecked people form an unlikely Christmas family sharing comic misadventures during two very snowy weeks in New England. The real journey is how they help one another understand that they are not beholden to their past--they can choose their own futures.

Others to round out the cast are Carrie Preston as Miss Lydia Crane, Brady Hepner as Teddy Kountze, Michael Provost as Jason Smith, Ian Dolley as Alex Ollerman, Jim Kaplan as Ye-Joon Park, Tate Donovan as Stanley Clottfelter, Gillian Vigman as Judy Clottfelter, Naheem Garcia as Danny and Stephen Thorne as Thomas Tully. 

This was directed with clarity and pathos by the incomparable Alexander Payne ("The Passion of Martin" '91, "Citizen Ruth" '96, "Election" '99, "About Schmidt" '02, "Sideways" '04, "Paris, se t'aime" (segment: "14e amondissement") '06, "The Descendents" '11, "Nebraska" '13, "Downsizing" '17) plus TV, a short and videos. This filmmaker is amazing in that his ability to encourage his actors to extract the emotions they exude simply compliments the screenplay. He used Giamatti in "Sideways" and that film also starring Thomas Haden Church, has got to be one of Payne's best films, so, of course, using Giamatti was a brilliant choice. Payne writes a fair amount of his own work, however, this was written well by a virtual newcomer, David Hemingson ("Two Beautiful Children" (TV movie) '07, "The Call" (TV movie) '07) plus a plethora of TV. Even though he has an abundance of TV experience, this is his first feature film to his credit, and he has written a dynamite script. Really, other than a couple of small places of slowness and one small place of a continuity issue, this screenplay was incredible. Most seasoned feature film writers couldn't produce a better scripted film which is ironic. If this is his first feature film, he will undoubtedly receive more work. This film is very similar to Payne's style, which tells me that he must've influenced Hemingson. This film introduces Dominic Sessa and he gave an impressive performance where he will certainly receive more work as well.

This is a film about underdogs--three of them in this film, and watching them all connect in a place where they have no way out but to interact, lest they spend the next two weeks staring at one another, was crafted well. Watching these individuals slowly, but realistically transform is interesting and compelling, where, after a point, the audience just wants to stand up and cheer these people in their quest to 'find themselves'.

Out of 4 Stars: 3.5                                    Rated: R                                         133mins.

Journey to Bethlehem

We've seen many incarnations of the birth of Jesus Christ--too numerous to list, but what makes Affirm Films's version of "Journey to Bethlehem" is that it was made as a musical. At first, even after seeing a trailer, it still didn't fully win me over. However, after viewing it, it truly became a film that was full of faith, humor, adventure all rolled up as a musical with original songs that were created to inspire.

A young woman, Mary (Fiona Paloma) carrying an unimaginable responsibility. A young man, Joseph (Milo Manheim) torn between love and honor. A jealous king, Herod (Antonio Banderas) who stop at nothing to keep his crown. This live-action Christmas musical celebration for the entire family, weaves classic Christmas melodies into newly created pop songs in a music-infused rendition of the timeless story of Mary and Joseph and the birth of Jesus. A unique new entry into the collection of holiday classic movies, this epic Christmas musical is unlike any before it. 

Others to round out the cast are Lecrae as the angel Gabriel, Moriah as Deborah, Joel Smallbone as Antipater, Omid Djalili as Melchior, Stephanie Gil as Rebekah, Geno Segers as Balthazar, Rizwan Manji as Gaspar and Antonio Gil as Jacob. 

This was directed with pathos by virtual newcomer to the director's chair, Adam Anders ("Rosa" (TV movie) '17). Certainly, considering the lack of experience behind the camera, this filmmaker was still able to stage and pace this with expertise and clarity. The emotions the actors emitted were spot on and definitely gave the audience that feeling that these characters were genuine. It was equally written well by Adam Anders ("Kally's Mashup"'21) plus TV, and Peter Barsocchini ("Viva High School Musical" '08, "Rock and Roll Forever" '09, "High School Musical: O Desafio" '10, "Summer Camp" (TV movie) '10, "The Passion" (TV movie) '16, "High School Musical 2" (TV movie) '17, "Ping Pong Rabbit" '17, "Kally's Mashuo" '21) plus videos. Considering the experience of these two writers, it surely wasn't surprising that they were able to pull this storyline together since their respective resumes are evident of it. Anders is a music composer (co-cpmposer of this film's music) and Barsocchini has an impressive background that's grounded in musicals. Where the scenes that take place in the non-singing part of the film were a bit choppy, the musical numbers more than made up for it. Certainly, both Paloma and Manheim as Mary and Joseph respectively exuded great chemistry, and Banderas as King Herod looked as though he had a ball doing this role as it was so hammy--but this makes that type of role that much more fun to act. 

If you're a Christian or simply want to be inspired by the greatest story ever told, this film surely hits home. It's a film to be seen by the whole family replete with faith, humor, adventure, love and redemption all rolled up in a totally delightful and moving film. The musicals numbers were catchy as they were moving.

Out of 4 Stars: 3.5                                          Rated: PG                                        98mins.

Radical

I don't happen to watch an abundant amount of foreign films, however when one comes my way, I am definitely pushed and encouraged to see it. One such film was "The City of God" about the ghettos of Rio de Janerio and the presumed hopelessness of its existence. When I viewed the trailer for "Radical", I simply had to see it because of its premise and its lead star, Eugenio Derbez, who was also in the brilliant foreign film, "Instructions Not Included". 

Who will the sixth grade students at Jose Urbina Lopez Elementary in Matamoros, Mexico become? They are among the worst performing students in Mexico. The world they know is one of violence, poverty and hardship, and their classrooms are dominated by an atmosphere of overbearing discipline, not possibility. It might seem like a dead end...but it is also the perfect place for new teacher Sergio Juarez Correa (Eugenio Derbez) to try something different. There's just one problem: Sergio has no idea what he's doing. The director of the school, Chucho (Daniel Haddad) has more than one run in with him, only to slowly see that Sergio's approach to the students with his unorthodox methods is somehow working and he is confused immensely. Can Sergio bring out these kids' potential, or is it just a pipe dream?

Others to round out the cast are Jennifer Trejo as Paloma, Danilo Guardiola Escobar as Nico, Mia Fernanda Solis as Lupe, Gilberto Barraza as Papa Paloma, Victor Estrada as Chepe, Manuel Marquez as Enrique, Christian Gonzalez as Jaime, Xochiquetzal Martinez as Maria, Edmundo Monoz as Beto and Enoc Leano as Administrator.

This was directed with such pathos and heart by Christopher Zalla ("Blood of My Blood" '07, "Beautiful & Twisted" (TV movie) '15) plus TV and a short. This filmmaker certainly knows his way around getting his actors to emit those heartfelt emotions that is incredibly needed in a project as this. Of course, with Derbez as the teacher, a production couldn't have better casting. And with this as a team, how could this production go wrong? It was also penned well by Christopher Zalla ("Blood of My Blood" '07), based on an article by Joshua Davis. Considering that Zalla only has one other feature film to his credit, I was stunned by his ability to create this screenplay, tell this true story all the while entertaining its audience in a way that seasoned writers couldn't master. Other than a couple of very small places of choppiness--I mean very small, this script was amazing. It was a kind of a Hispanic "School Of Rock" as far as the unorthodox methods that each teacher introduced to their class. Derbez certainly was the shining star of this production. He pulled off his role of this teacher with humility, heart and humor and could possibly earn an Oscar nod. 

If you like foreign films, and more to the point, if you like films that have someone that strives to bring kids out of a dead-end existence to a place where they can thrive, this is definitely the film for you. The supporting cast were effective and the directing was spot on. 

Out of 4 Stars: 3.5                                          Rated: PG-13                                       125mins.

What Happens Later

We've all seen a plethora of romantic comedies in the years we've been on this planet, but how many romcoms have you seen with only three (including a voice over) which encumbers the entire cast? Well, "What Happens Later" not only has this extremely limited cast, but also captures your attention during its close to two-hour running time. 

Two ex lovers, Bill Davis (David Duchovny) and Willa Davis (Meg Ryan), who just happens to share the same last name, get snowed in at a small regional airport overnight indefinitely delayed. Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted and annoyed by one another as they did decades earlier in this chance encounter. As they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted.

The only other one to round out the cast is Hal Liggett as the airport voice over, who is pivotal in this role and script.

This was poignantly directed by Meg Ryan ("Ithaca" '15). Even though this is only Ryan's second outing in the director's chair, she has truly captured these two characters at the emotionally rawest of situations. This isn't merely a chance encounter replete with small talk and 'what went wrong with the relationship', like in other romcoms. This film dug much deeper and it simply showed in how Ryan was able to show the audience how vulnerable these people were and are. It was penned very well by writers Steven Dietz, Kirk Lynn and Meg Ryan, based on the play "Shooting Star" by Steven Dietz. None of these writers have a substantial amount of experience, but they were able to pull off a very interesting storyline. Of course, Dietz wrote the play which this film is based, so surely that had to be the largest reason of the script's success, but the other writers were undoubtedly pivotal in their input as well. Usually I feel if there's more than two writers involved in any one film, it has a tendency to become bogged down--too many chefs in the kitchen, but with the playwright being involved in the script, this helped. Was it perfect? No, but really, other than a couple of very small slow spots and a small continuity issue, this was an incredible screenplay. 

This film is clearly about picking up where one has left off at, meaning these two individuals split decades ago with much baggage involved with them both. This happenstance meeting at this airport gave them the opportunity to make good on an otherwise sour relationship when they split up. This goes deep--much deeper than I thought would happen. And this is a good thing that all of us can learn from. 

Out of 4 Stars: 3                                          Rated: R                                                 103mins.

Freelance

For so many years, action films--script wise--seem to have comic overtones to them.Think about it; with films such as "Kindergarten Cop", "Demolition Man", "The Suicide Squad", "Zombieland", "The Lost City", "Bullet Train" and the like, these are basically action films laced with a ton of humor. So, with "Freelance", we have a similar thread running. 

Ex-special forces operative Mason Pettits (John Cena) is stuck in a dead-end desk job when he reluctantly takes on a freelance gig he got roped into from his former ops buddy, Sebastian Earle (Christian Slater), to provide security for washed up journalist Claire Wellington (Alison Brie) as she interviews the ruthless--but impeccably dressed dictator, Juan Venegas (Juan Pablo Raba). When a military coup breaks out just as she's about to get the scoop of a lifetime, the unlikely trio must figure out how to survive the jungle AND each other in order to make it out alive. 

Others to round out the cast are Alice Eve as Mason's wife, Marton Csokas as Rebel Leader, Julianne Arrieta as Avery Alderson, Molly McCann as Casey, Mason's daughter, Sebastian Eslana as Jorge, Daniel Toro as Jorge's aide and Roberto Cano as Lavato. 

This was helmed by director Pierre Morel ("District B13" '04, "Taken" '08, "From Paris with Love" '09, "The Gunman" '15, "Clan of the Cave Bear" (TV movie) '15, "Peppermint" '18, "The Ambush" (TV movie) '21) plus TV, and observing his resume, is surely within his comfort zone. His staging and pacing were delivered in a way that gave the audience that feel of what to expect next. The emotions ran the gambit with his actors, but, then again, they were supposed to. If you appreciate this filmmaker's brand of directing, his "Canary Black" is in post production. This was surprisingly well written by relative newcomerTJacob Lentz (TV). Even though this film is Lentz's debut for feature films, this was incredibly well penned. Was it an Oscar contender? Absolutely not. Was it terrible? Absolutely not. Considering the lack of feature film experience that Lentz has, he certainly has proven that with more work given him, he will improve with each project he writes--this was an amazing start. Some of this was a bit predictable, and there were a couple of very small areas of choppiness, but, all in all, it was a film that kept one's attention. Both Cena and Pablo Raba were cast amazingly well and gave believable performances. I realize that this film has been panned, but after viewing this, I'm not sure what those other critics were looking for. This was fun, entertaining and a great way to spend the better part a 2 hours. 

If you are an action junkie, this is the film for you. This was humorous, entertaining all the while the heroes are attempting to save the day. It has an underlying message of family and priorities which we all could think about a bit more in our lives. It's a great popcorn film, so have fun with this. I sure did. 

Out of 4 Stars: 3                                        Rated: R                                            109mins.

Killers of the Flower Moon

So much of the time films based on a true story can be stranger than fiction, and "Killers of the Flower Moon" definitively proves that. One would think that this being based in the 1920's, a certain amount of morals and values would reign certainly more than in today's society. Undoubtedly there was more of a morality back then as compared to present day, but this story brings out a certain amount of evil that looks shocking by even today's standards. 

Based on David Gann's broadly lauded book, "Killers of the Flower Moon" is set in 1920's Oklahoma depicts the serial murder of members of the oil wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror. William K.Hale (Robert De Niro), who is a prominent local figure reunites with Ernest Burkhart (Leonardo DiCaprio) after Burkhart's stint in WWI attempting to unravel what's happening to the Osage Indians back then--who is committing these murders and why? Burkhart subsequently marries Mollie Brown (Lily Gladstone), a member of the Osage Nation, only putting that relationship into compromise. Ultimately a federal agent, Tom White (Jesse Plemons) comes out there to investigate the continued murders when beseeched  from Mollie to come to Oklahoma to help her people. 

Others to round out the cast are Jason Isbell as Bill Smith, John Lithgow as Prosecutor Leaward, Brendan Fraser as W. S. Hamilton, Cara Jade Myers as Anne Kyle Brown and Tantoo Cardinal as Lizzie Q. 

This was consummately directed by Martin Scorsese ("New York City...Melting Point" '66, "Mean Streets" '73, "Alice Doesn't Live Here Anymore" '74, "Taxi Driver" '76, "Raging Bull" '80, "The King of Comedy" '82, "The Color of Money" '86, "Goodfellas" '90, "Cape Fear" '91, "Casino" '95, "Gangs of New York" '02, "The Aviator" '04, "The Departed" '06, "Shutter Island" '10, "Hugo" '11, "The Wolf of Wall Street" '13, "The 50 Year Argument" '14, "The Irishman" '19) and many others, plus a TV movie, shorts and videos. This director seizes to amaze me with his innate ability to extract just the most effective emotions to bring these characters to life, His relationship with his longtime editor, Thelma Schoonmaker ace is one that should never be split up since she simply knows how to cut his films with expertise and clarity. It was effectively written by veteran writer Eric Roth ("To Catch a Pebble" '70, "The Drowning Pool" '75, "The Concorde...Airport '79" '79, "The Onion Field" '79, "Memories of Me" '88, "Forrest Gump" '94, "The Postman" '97, "The Insider" '99, "Ali" '01, "Munich" '05, "Lucky You" '07, "The Curious Case of Benjamin Button" '08, "A Star is Born" '18, "Dune" '21) and others, plus TV movies, TV and shorts and Martin Scorsese ("New York City...Melting Point" '66, "Mean Streets" '73, "Goodfellas" '90, "Casino" '95, "My Voyage to Italy" '99, "A Letter to Ella" '10, "Silence" '16) plus TV movies, TV and shorts, based on the book by David Gann. The exhaustive research in the recreating of this film about the Osage Nation was incredibly delineated, which definitely added to the realism of the story. Other than a couple of very small places of slowness and some very small continuity issues, this script was extraordinary. The running time was almost three and a half hours and simply moved right along and allowed the audience to see what this people went through. 

Certainly if you're a Scorsese fan, this is quintessential Scorsese replete with, not only De Niro, but DiCaprio as well. And if you have to see this up, close and personal, it is also presented in an IMAX format as well. If you are a person that has a tough time sitting for a while, you might want to rethink in seeing this in the theater. 

Out of 4 Stars: 3.5                                        Rated: R                                   206mins.

She Came to Me

When it comes to romantic comedies, Hollywood is king, even though they are often predicable and unoriginal. However, given the same genre to an independent film company, and unoriginal and predictability takes a back seat. "She Came to Me" is actually a drama/comedy, but still has that romcom feel to it. This project coming out of an independent company allows quality to trump the usual formulaic format. 

This is a truly modern romantic comedy, a multi-generational love story set against the iconic backdrop of New York City. Composer Steven Lauddem (Peter Dinklage) is creatively blocked and unable to finish the score for his big comeback opera. At the behest of his wife, Patricia (Anne Hathaway), formally his therapist, he sets out in search of inspiration, which he finds after a chance encounter with an unusual woman, one, Katrina Trento (Marisa Tomei), and what he discovers is much more than he bargained for or imagined. Then this is intertwined with a couple of bright teenagers who fight to prove to their parents that young love can last forever. And for a successful therapist who seemingly has it all, love arrives in the most unexpected of ways. 

Others to round out the cast are Evan A. Ellison as Julian Jessop, Harlow Jane as Tereza Szyskowski, Brian d'Arcy James as Trey Ruffa, Chris Gethard as Carl, Joanna Kulig as Magdalena and Dale Soules as Aunt Moxie. 

This was soulfully directed with pathos and with underlying emotions by Rebecca Miller ("Angela" '95, "Personal Velocity" '02, "The Ballad of Jack and Rose" '05, "The Private Lives of Pippa Lee" '09, "Maggie's Plan" '15, "Arthur Miller: Writer" (TV movie) '17). For the many decades that this filmmaker has been producing movies, there isn'r necessarily a plethora of experience, however, she has a definitive amount of quality. Interesting that it took her six years to release this film from the last release, but the pandemic could've played into that. She definitely know how to encourage her actors to emit the emotions needed for any certain scene involved. This was also written by Rebecca Miller (see above resume plus "Proof" '05). Assuredly the characters in which Miller created were written purposely to coincide with the premise, however, other than the two young teenagers, the rest of the characters were deeply troubled. It was extremely difficult to feel sorry for anyone else. The issues they all obtained were stunning, but, then again, this had to be purposed in order to have a film. There was a bit of choppiness in the script--such as having a bit more polish when connecting all of the relationships in the script, and it did have a small amount of continuity issues, otherwise it was interesting. The best aspect of this was the fact that the premise was much more original than that of the typical romcom fare. 

As stated prior, if you're into romcoms, this definitely is more meaty that what a typical Hollywood romcom could come close to producing. It's original, unpredictable, quirky and, in some places, a bit bizarre. The actors certainly were believable in their respective roles, however nothing Oscar worthy. But,then again, it probably wasn't made to win a best picture award, and that's fine with me. 

Out 4 Stars: 2.5                                  Rated: R                                         102mins.

Shelter in Solitude

Through the course of decades of prison films that have come out of Hollywood, there have been ones based on a true story and those strictly written as fiction. "Shelter in Solitude" is one such film based in fiction, however is created with a feel that it could have been based on a true story or person. 

The year is 2020, just as the covid-19 pandemic is just starting. With only 10 days left until his execution, a prisoner Jackson (Peter Macon) on death row reluctantly develops a bond with a washed up country singer turned prison guard Val Fagan (Siobhan Fallon Hogan) and the warden Dwayne Fagan (Robert Patrick), who also happens to be Val's brother. Since the pandemic shut her local bar, she was desperate to work, so as one of the guards resigned, she decided to take his place, little did she know about what it's like working on a death row section of a prison. Val's persistence finally breaks the ice with Jackson and she learns so much more than meets the eye. 

Others to round out the cast are Dan Castellaneta as Sam, Peter Munson Hogan as Ofc. Chris Sullivan, Michael Oberholtzer as Kevin, Patricia Scanlon as Clara and Sinead Hogan as Jenny, the hippy.

This was directed with such reality and soberness by Vibeke Muasya ("Levinden" (TV movie) '04, "The Take-Away Bride" '05, "Lost in Africa" '10, "A Dog's Life" (TV movie) '13, "Rushed" '21, "Grethe Meyer: The Queen of Danish Design" (fiction scenes directed) '22, "Twisted" '22) plus shorts. This filmmaker definitely knows how to stage and pace his actors in achieving a realistic look at people who are in a difficult situation, whether it be capital punishment, the starting of covid-19 pandemic and certain bias'involved. It was delineated with such precision by a relative newcomer to the writing realm, Siobhan Fallon Hogan ("Rushed" '21) plus TV. The remarkable aspect of this writer is that besides the one and only other film she has written, she has only worked for one other TV series for a limited amount of episodes. This film was constructed in a concise, cohesive and sequenced in a way where the fluidity of the script seemed effortless. Hogan is clearly a natural and will definitively go far as a screenwriter. Even though she is an actor, writing is a much a talent with Hogan. I can't wait to see what she writes next, and there will definitely be a next. 

Even though there was an element of humor in this film, the message was clear and sobering. The writing, directing and acting was consummate. It's sad that we can't see more of these films that are artistically crafted well, but this being an independent film automatically equates with a well-honed movie. Whatever side one is on when talking about capital punishment, this is a film that will cause all to think about their position.

Out of 4 Stars: 4                                         Rated: R                                         92mins.

The Creator

I've said it before and I'll say it again, why are the apocalyptic films so grim? I realize that something that is apocalyptic isn't going to be a bed of roses, however, they can be expressly depressing. As with, "The Creator", which is set in the 2060's to the 2070's, it's about the very survival of mankind--aren't they all. 

This is an epic sci-fi action thriller set amidst a future war between the human race and the forces of AL (Artificial Intelligence). Sgt. Joshua Taylor (John David Washington), a hardened ex-special forces agent grieving the disappearance of his wife, Maya (Gemma Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war...and mankind itself. Joshua and his team, including Drew (Sturgill Simpson), Shipley (Robbie Tann), Daniels (Ian Verdun), McBride (Marc Menchaca) and others, of elite operatives journey across enemy lines, into the dark heart of AI occupied territory...only to discover the world-ending weapon he's been instructed to destroy is an AI in the form of a young child, Alphie (Madeleine Yuna Voyles). 

Others to round out the cast are Allison Janney as Colonel Howell, Ken Watanabe as Harun, Ralph Ineson as General Andrews, Amar Chadha-Patel as Omni, Michael Esper as Captain Cotton, Veronica Ngo as Kami and Daniel Ray Rodriguez as Hardwick. 

This was directed as though a bomb was ticking feverishly by Gareth Edwards ("End Day" (TV movie) '05, "Monsters" '10, "Godzilla" '14, "Rogue One: A Star Wars Story" '16) plus TV and a short. Obviously, this filmmaker is right in his comfort zone with this--look at his resume. He certainly knows his way around, not only with large film productions, but his ability to extract the emotions from his actors to bring his audience to the edge of their seats is amazingly effective. It was cleverly written by Gareth Edwards ("End Day" (TV movie) '05, "Monsters" '10) plus a short and Chris Weitz ("Antz" '98, "Nutty Professor II: The Klumps"2000, "About a Boy" '02, "The Golden Compass" '07, "Cinderella" '15, "Rogue One: A Star Wars Story" '16, "The Mountain Between Us" '17, "Pinocchio" '22) Plus TV, based on a story by Gareth Edwards. Interesting that Edwards received top billing between the writers with much less experience. But, considering that this film was Edwards 'baby', Weitz must have given him that billing slot even though Weitz clearly has the lion's share of the experience here. Actually, other than a section where two of the pivotal characters are killed in a bomb-related incident and seemingly survived it, and there were a couple of choppy areas of script, this was an interesting concept. The one film I could loosely compare it to would be that of "The Terminator" '84--what with the machines and mankind killing one another. Gareth Edwards decided to take a different approach with the visuals and talked a virtual reality studio into letting him film without green screen,and filming on-location, using smaller cameras, using  guerrilla-filming techniques, employing ILM (Industrial, Light & Magic) and then adding in the sci-fi elements later.  This not only made the visuals more realistic, but also more effective. 

If you like sci-fi films where the premise is definitely fighting the clock--you can almost hear the ticking, then this is the film for you. Washington's performance as Joshua is his usual very effective, but since he's the son of Denzel, it's no wonder. If you like that up, close and personal feeling, this is in an IMAX format as well.

Out of 4 Stars: 3.5                                 Rated: PG-13                                          134mins.