The Fire Inside

Hollywood has produced a number of boxing films in its history--certainly more films about baseball or football, but a number still. Typically they center on the male side of boxing, however, except for "Million Dollar Baby" back in 2004, "The Fire Inside" is the only other one that focuses on female boxing.

This film is the inspirational true story of Claressa "T-Rex" Shields (Ryan Destiny), arguably the greatest female boxer of all time. Claressa, a high school Junior from Flint, Michigan, aided by her tough-love coach, Jason Crutchfield (Brian Tyree Henry), pushes past all limitations to become the first American woman to win an Olympic gold metal in boxing at the summer Olympics in London, England in 2012. But even at the pinnacle of success, Claressa has to reckon with the fact that not all dreams are created equal, and the real fight has only just begun.

Others to round out the cast are Adam Clarke as Clarence, De'Adre Aziza as Mickey, Olunike Adeliyi as Jackie Shields, Claressa's mother, Lanette Ware as Coach Parker, Sekhai Smith as Peanut, Claressa's boyfriend, Richard Lewis as Bean, Sarah Allen as Nicole Thompson and Teanna Weir as Keisha. 

This was incredibly directed  well by a virtual newcomer to feature films, Rachel Morrison (TV) plus she has cinematography experience under her belt as well. Her ability to sequence, pace and stage this film was amazingly real, gritty and showcased this young actress well. Certainly her TV and cinematography experience has served her well and will undoubtedly create enough notice to be involved in helming another film. It was delineated well by writer Barry Jenkins ("Medicine for Melancholy" '08, "Moonlight" '16, "If Beale Street Could Talk" '18, "Charm City Kings" (story) '20) plus TV and shorts. Jenkins is quite the filmmaker in that he writes and directs film, such as he directed "Mufasa: The Lion King" which was released just recently. His work is concise, cohesive and always emulates a message we all can certainly learn. It was written in a way that, after a point, it seemed that the movie was going to end only to pick back up again. This happened a couple of times, however it was certainly planned undoubtedly. There were a couple of places that were a bit slow, but in this particular script, it didn't impede on the story line, so therefore it flowed effortlessly. The production values were spot on--Claressa's meager beginnings were definitely poverty level. And the production design and costumes and cinematography certainly showcased this. The roles played by Ryan Destiny as Claressa and that of Brian Tyree Henry as Crutchfield, her coach were realistic as they were riveting. What's more incredible is that Claressa Shields is, to date, the only female to win consecutive Olympic gold medals in boxing. 

If sports films are your liking, or even more to the point, boxing films, this is a movie you'll revel with. If you liked 2004's "Million Dollar Baby" you will definitely love this. It simply proves that the poor, people that are shunned from society can certainly make a difference in spite of their plight. This is definitely a stand up and cheer film, and don't we all need that more in our lives?

Out of 4 Stars: 4                                          Rated: PG-13                                         109mins.

A Complete Unknown

We've seen many biopics where the subject happens to fall on an infamous entertainer, whether it be a singer, songwriter or actor. Well, in "A Complete Unknown", we are offered 2 out of the 3. This film, otherwise known as 'The Bob Dylan Story' is about the eclectic singer/songwriter Bob Dylan whose life was quite the whirlwind obtaining friendships with Pete Seeger and Joan Baez. 

Bob Dylan (Timothee Chalamet) arrived in New York City in 1961 as a hitchhiking teenager from Minnesota with no money, connections or contacts. He was quickly embraced by Woody Guthrie (Scoot McNairy), Pete Seeger (Edward Norton), Joan Baez (Monica Barbaro) and others and became folk music's biggest star, crafting his own legacy as the ultimate mythmaker. The film follows Dylan, then in his early 20s, from 1961-65, culminating in his seminal, defiant and Joyful performance at the Newport Folk Festival--the moment that cemented his legacy as a songwriter and musician who changed culture and led him to become the global icon he is today. 

Others to round out the cast are Elle Fanning as Sylvie Russo, Joe Tippett as Dave Van Ronk, Eriko Hatsune as Toshi Seeger, Pete's wife, Dan Folger as Albert Grossman and Riley Hashimoto as Danny Seeger. 

This was directed with such fine dissection by the seasoned James Mangold ("Heavy" '95, "Cop Land" '97, "Girl, Interrupted" '99, "Kate & Leopold" '01, "Identity" '03, "Walk the Line" '05, "3:10 to Yuma" '07, "Knight & Day" '10, "The Wolverine" '13, "Logan" '17, "Ford v Ferrari" '19, "Indiana Jones and the Dial of Destiny" '23) plus TV. This filmmaker's ability to sequence his film made observing it effortless. This was a film where his actors were able to go into that place to convince us that they were the personas we were watching. If you like his brand of directing, his "Star Wars: Dawn of the Jedi" is in pre production. It was equally well penned by writers James Mangold ("Oliver & Company" (animation screenplay) '88, "Heavy" '95, "Cop Land" '97, "Girl, Interrupted" '99, "Kate & Leopold" '01, "Walk the Line" '05, "Logan" '17, "Indiana Jones and the Dial of Destiny" '23) plus TV and Jay Cocks ("Made in Milan" '90, "The Age of Innocence" '93, "Strange Days" '95, "Gangs of New York" '02, "De-Lovely" '04, "Silence" '16) plus TV, based on the book, "Dylan Goes Electric" by Elijah Wald. It assuredly was a stroke of genius to devote this story with the first four years of the beginning of Dylan's career so as to help keep the screenplay tighter to create more depth about this part of his life. Other than a couple of very small places of slowness in the script (about 5 minutes could've been cut), this was a spot on story. The dialect Chalamet acquired was amazing, but then again Tim Monich was his dialect coach who has trained the best of actors. And the fact that Chalamet sung all of the songs with a convincing dialect was brilliant acting. In fact, come Oscar time, I see both Chalamet copping a best actor nod as well as Norton receiving a supporting acting nod. We'll see. 

As biopics go, this was certainly one of the best, and considering it only covered four years of Dylan's life tells me that he has led an interesting life to say the least. This was a captivating film with great acting, directing and music and gives us an appealing look at Dylan--the man behind the music. 

Out of 4 Stars: 3.5                                       Rated: R                                          141mins.

Homestead

In recent years we've seen studios bring their TV shows to the big screen either after the TV show has been seasoned or if the film is to premiere the program. Just as "The Chosen" was remade as a film, the TV show"Homestead" has been made into a film as well. Is this an effective approach? Only if it succeeds.

A nuclear bomb is detonated off the shore of Los Angeles, and the nation devolves into unprecedented chaos. Ex-Green Beret Jeff Ericksson (Bailey Chase) and his family, including wife, Tara (Kearran Giovanni), son, Abe (Tyler Loftin), escape to The Homestead, an eccentric prepper's Ian Ross (Neal McDonough) and his wife Jenna (Dawn Olivieri) fortress nestled in the mountains. As violent threats and apocalyptic conditions creep toward their perimeter, the residents of The Homestead are left to wonder: how long can a group of people resist both the dangers of human nature and the bloodshed at the doorstep? 

Others to round out the cast are Susan Misner as Evie McNulty, Jesse Hutch as Evan Lee, Kevin Lawson as Tick, Currie Graham as Blake Masterson, Olivia Sanabia as Claire Ross, Grace Powell as Molly McNulty and Manny McCord as Bing. 

This was grippingly directed by Ben Smallbone ("Priceless" '16, "Steve McQueen: American Icon" '17, "A Rush of Hope: Find Answers to Life's Questions" '20, "Christmas with the Chosen: The messengers" '21, "Johnny Cash: The Redemption of an American Icon" '22, "Fame: Fortunes, Failure, and Faith" '23, "Stoned Cold Country" '23) plus TV, music videos and shorts. This director was certainly able to get his actors to truly emulate their respective characters in which they portrayed, especially that of McDonough and Chase. Smallbone's staging and pacing were also spot on as well. It was effectively written by Jason Ross, based on his story as well. It being an upcoming  TV show, it was created by Ben Kasica and Jason Ross, based on the book, "Black Autumn" by Jeff Kirkham and Jason Ross. Considering Ross has no other writing experience in the feature film or TV platform, this was engaging and carried the premise that this could very easily happen in our near future which makes it that much more chilling. There were a few places of slowness and disjointedness around the middle of the film, but once that hurdle passed, it definitely became the film it was meant to be. This is the prelude of the TV show of the same name which should be starting soon--so it should, if they can keep up the momentum, be interesting, or will it evolve into another nighttime soap opera like so many shows out there?

If you're an apocalyptic film junkie, you'll revel with this movie. No, it doesn't show people wretching because of the radiation--I guess that hasn't kicked in yet, but does give a look at how people cannot handle any of their conveniences being cut off even if they know what's happening. It speaks of faith that needs to be tapped into at a time like this, if they have any chance of survival whether from the radiation or each other's chaotic behavior.

Out of 4 Stars: 3                                 Rated: PG-13                              112mins.

     

Mufasa: The Lion King

When Disney released the original animated version of "The Lion King" back in 1994, little did we, if not them as well, realize the phenomena it would become. Certainly Disney copies a plethora of their own work, however even with that aspect, they truly know how to create a great rendition of the story. This film, "Mufasa: The Lion King" is basically a prequel to its predecessor.

As a cub, Mufasa (Aaron Pierce) shows hints of the confident and courageous king he will one day become. But he's faced with unimaginable tragedy early in his life that leaves him all alone--far away from his family and everything he's ever known. Befriended by another lion cub, Taka (Kelvin Harrison Jr.), Mufasa finds brotherhood and, eventually, purpose when he's once again thrust from his home, forced on a life-changing journey. This all being told as a flashback by Rafiki (John Kani) with an audience including Pumbaa (Seth Rogen )and Timon (Billy Eichner), it takes us back to Mufasa who became the Lion King. 

Others to round out the cast are Tiffany Boone as Sarabi, Mads Mikkelsen as Kiros, Thandie Newton as Eshe, Lennie James as Obasi, Keith David as Masego, Donald Glover as Simba, Kagiso Lediga as young Rafiki and Blue Ivy Carter as Kiara. 

This was beautifully sequenced well by director Barry Jenkins ("Medicine for Melancholy" '08, "Moonlight" '16, "If Beale Street Could Talk" '18) plus TV, shorts and a video. He hasn't a great amount of experience under his belt, but what he's created is exceptional. The live-action edited with the CGI were dissected with precision and carried this production. It was able to showcase Lin-Manuel Miranda's original songs in a story that seamed effortless. It was executed well by writer Jeff Nathanson ("For Better or Worse" '95, "Fenway" (TV movie) '96, "Speed 2: Cruise Control" '97, "The 900 Lives of Jackie Frye" (TV movie) '98, "Rush Hour 2" '01, "Catch Me If You Can" '02, "Terminal" '04, "The Last Shot" '04, "Rush Hour 3" '07, "New York, I Love You" '08, "Tower Heist" '11, "Pirates of the Caribbean: Dead Men Tell No Tales" '17, "The Lion King" '19, "Young Woman and the Sea" '24) plus TV and a video game, based on characters by Linda Woolverton, Irene Mecchi and Jonathan Roberts. This script excelled more at the beginning and about the middle until the end. There were a few areas of slowness in the story that I questioned of their importance, but otherwise it was concise, cohesive and exciting especially nearing the end when it starts reaching its climatic moments. Certainly, no one can argue about the production values i.e. photography, editing, music and the visual effects predominately created by MPC (Moving Pictiure Company). Being a prequel, it did give us a look of how Rafiki's staff came into being, how the huge famous ledge came into being as well as how Scar got his name--it's interesting bits of trivia for sure.

If you are a 'Lion King' or even a Disney aficionado, this will certainly check all the boxes. The music and lyrics by the comparable Lin-Manuel Miranda truly fit the story and cleverly created. Will there be another 'Lion King'? Only if Disney can make a truck load of money will it have any chance at all. 

Out of 4 Stars: 3                                         Rated: PG                                                    118mins.

The Order

Ever since the popularity of religious cults in our country, there have been follow up films about the rise and ultimate fall of them--whether they be based in fact or fiction. One such case was that of the 1983 situation of a sect that were criminals, but not necessarily religiously as much as they were bent on over-throwing the federal government of the United States simply called "The Order".

In 1983, a series of increasingly violent bank robberies, counterfeiting operations and armored car heists frightened communities throughout the Pacific Northwest. As baffled law enforcement agents including officer Jamie Bowen (Tye Sheridan), and FBI agent Joanne Carney (Jurnee Smollett) scrambled for answers, a lone FBI agent Terry Husk (Jude Law), stationed in the sleepy, picturesque town of Coer d'Alene, Idaho, came to believe the crimes were not the work of traditional, financially motivated criminals but a group of dangerous domestic terrorists, inspired by a radical, charismatic leader, Bob Mathews (Nicholas Hoult), along with followers, Bruce Pierce (Sebastian Pigott), Gary Yarbrough (George Tchorton), David Lane (Phillip Forest Lewitski) and others, plotting a devastating war against the federal government of the United States. 

Others to round out the cast are Mark Maron as Alan Berg, Sean Tyler Foley as Tony Bentley, Bradley Stryker as Sam Stinson, Philip Granger as Sheriff Loftlin, Daniel Doheny as Walter West, Alison Oliver as Debbie Mathews and Morgan Holmstrom as Kimmy Bowen. 

This was helmed using an interesting treatment of 'cat and mouse' by Justin Kurzel ("The Snowtown Murders" '11, "Macbeth" '15, "Assassin's Creed" '16, "True History of the Kelly Gang" '19, "Nitram" '21, "Ellis Park" '24) plus music videos and a short. This filmmaker has a true ability to encourage his actors to dig deep in order to bring that particular character to the surface so we become convinced that they are the person they are portraying, especially that of Hoult. This film simply showcased the talent of this actor as a convincing whacked out terrorist leader. Kurzel's sequencing, pacing and staging were consummate. It was equally well penned by Zach Baylin ("King Richard" '21, "Creed III" '23, "Gran Turismo" '23, "Bob Marley: One Love" '24, "The Crow" '24) plus a short, based on the book, "Silent Brothers" by Gary Gerhardt and Kevin Flynn. The way this writer wrote the script in a way where the action slowly creeped up into the climax it then met was an effective way to build the suspense in the story where the story culminated in a fight between Mathews and Agent Husk. This really kept the audience on their respective seats certainly from the middle of the story until the end. The performances by Jude Law and Nicholas Hoult were amazing, especially that of Hoult, although he has the tendency to be a chameleon when it comes to choosing the roles he accepts. 

If you like stories based on fact or screenplays that have that cat-and-mouse feel to them, this film is directed toward you. It's gritty, intense, suspenseful all rolled up in a story based in fact. The writing, directing and acting is consummate as it is riveting. 

Out of 4 Stars: 4                                        Rated: R                                          116mins.

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Kraven the Hunter

Many of the Marvel creations have been quite popular whereas most people have heard of them even before their respective films. When "Kraven the Hunter" was in production, there wasn't a plethora of buzz about it as with Marvel's other films. So when this film was released, it must've been a bit of a surprise for even the ardent Marvel fan. 

This is the action-packed, standalone story of how one of Marvel's most iconic villains came to be. Aaron Taylor-Johnson plays Sergei 'Kraven' Kravinoff, a man whose complex relationship with his ruthless gangster father Nikolai Kravinoff (Russell Crowe), starts him down a path of vengeance with brutal consequences, motivating him to become not only the greatest hunter in the world, but also one of its most feared. Kraven has to leave his home and tells his younger brother Dmitri (Fred Hechinger) that he will return, but their father is impeding Kraven of what he needs to do. 

Others to round out the cast are Ariana BeBose as Calypso Ezili, Alessandro Nivola as Aleksei Sytsevich, Christopher Abbott as The Foreigner, Levi Miller as young Sergei, Billy Barratt as young Dmitri, Diaana Babnicova as young Calypso, Yuri Kolokolnikov as Semyon Chorney and Tom Reed as Bert. 

This was directed with plenty of grit and intensity by J.C. Chandor ("Margin Call" '11, "All is Lost" '13, "A Most Violent Year" '14, "Triple Frontier" '19) plus a short. This filmmaker was certainly able to sequence a fairly graphic film into something that completely holds one's attention. Of course, with Johnson in the title role, he simply made this character into the raw, vibrant and lethal man he could be, and that is talented directing. It was equally well penned by writers Richard Wenk and writing partners, Art Marcum and Matt Holloway, based on a story by Richard Wenk, which is based on a Marvel comic with characters created by Stan Lee and Steve Ditko. Usually if there is more than two writers on any given film, the script has a tendency to become bogged down with confusion with little cohesion. But, since all these writers are seasoned pros in the biz, it's no wonder that this was as exhilarating and compelling as it was. Really, other that a couple of places that were a little disjointed, this script simply rocked! The stunts, visual effects and special effects makeup were incredible as well. 

Certainly if you're a Marvel fan, you'll revel with this. I personally am not in love with the 'comic book films', however this was captivating and much to the credit of Johnson as Kraven. He was believable as he was incredible of how he handled his presence of this character, Kraven. It leaves open-ended, so will there be a number 2? If it makes a ton of money, it will assuredly happen. If you're into IMAX, it's also presented in that format as well. 

Out of 4 Stars: 3.5                                     Rated: R                                         127mins.

Flow

There have been a plethora of animated films during this calendar year, i.e. "Inside Out 2", "Moana 2", "Hitpig", "Piece by Piece", "The Wild Robot", "Transformers One", "The Garfield Movie", "Kung Fu Panda 4", and even films like "If" where there is part animation--the list is amazing. But, besides maybe "The Wild Robot", the cream of the crop this year for animation is that of "Flow".

The world seems to be coming to an end, teeming with the vestiges of human presence. Cat is a solitary animal, but as his home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this 'new world'.

This was directed with incredible pathos and compassion by Latvian filmmaker Gints Zibalodis ("Away" '19) plus shorts. Even though this filmmaker has only one feature film to his credit, he has a plethora of shorts under his belt as well, that assuredly served him well in the direction he took with this film. His sequencing, staging and pacing were second to none. After this film, he will be involved in more work. It was creatively and wonderfully written by Matiss Kaza ("Raganu Menesis" '12, "My Family Tree" '13, "One Ticket Please" '17, "The Wanderers" '20, "Kind un mes" '20, "Wild East" '21, "The Taste of Water" '22, "Neon Spring" '22) plus shorts and Gints Zibalodis ("Away" '19) plus shorts. I believe that what makes this film stand out above most other animated films is that there is no dialogue, however this film speaks volumes, and that is a monumental task in and of itself, another aspect of this film as a standout is that not only was there any dialogue, but even the sounds of the animals were actually real sounds of a cat, lemur, dog, etc that were recorded prior and then edited into the principal photography in post production. There was no cast at all. This film was cohesive, concise and simply was amazingly captivating for the 86 minute running time. The cinematography, visuals and music absolutely made this film that much more captivating.

If you're into the genre of animation, this is definitely the film for the ardent film aficionado. This film and "The Wild Robot" are probably the best in animation this year, if not in general. This film is stunning on more than one level. The message to this film is one we can all learn from--when we are put in a situation with others that we don't find likable, somehow we must be able to work together for the sake of survival and to become a people that can love others whether we're in a difficult situation or not...just like these animals in this remarkable film!

Out of 4 Stars: 4                                        Rated: PG                                               86mins.

Werewolves

Horror films are about as old as dirt when it comes to Hollywood producing them, so when "Werewolves" was released, the writer decided to make this something other than a typical horror flick. As like with "World War Z", this story was presented with the premise that those who became werewolves was due to a medical condition. 

In this story, a supermoon event has triggered a latent gene in every human on the planet, turning anyone who entered the moonlight into a werewolf for that one night. Chaos ensued and close to a billion people died. Now, a year later, the supermoon is back. Two scientists, Wesley Marshall (Frank Grillo) and Amy Chen (Katrina Low) attempt to stop this mutilation in order to curb yet another devastating event. Can they do this before so many end up succumbing to the same fate as the year prior? 

Others to round out the cast are Ifenesh Hadera as Lucy, James Michael Cummings as Cody Walker, Lou Diamond Phillips as Dr. Aranda, Kamdynn Gary as Emma, Lydia Styslinger as Reagan, Daniel Fernandez as Evan, James Kyson as Myles, Betzaida Landin as Dr. Vasquez and Sam Daly as Walter. 

This was intensely directed with grit by Steven C. Miller ("Automation Transfusion" '06, "Scream of the Banshee" (TV movie) '11, "The Aggression Scale" '12, "Under the Bed" '12, "Silent Night" '12, "Extraction" '15, "Submerged" '16, "Marauders" '16, "Arsenal" '17, "First Kill" '17, "Escape Plan 2: Hades" '18, "Line of Duty" '19, Margaux '22) plus shorts and a video. Certainly this filmmaker was in his comfort zone considering his resume, but he was able to get his actors to emit the emotions that were needed to convince the audience of the perpetual danger these people were up against. If you like this form of directing, his "Under Fire" is in post production. It was executed well by writer Matthew Kennedy ("Inheritance" '20, "Canary Black" '24). Even though this writer doesn't carry a plethora of experience, this was certainly a strong premise and execution. As aforementioned, this does remind me of "World War Z" back in 2013, in that this treated the condition of becoming a werewolf as a medical issue as did "World War Z" treated becoming a zombie as a global virus infecting many. The fact that these films were handled as a medical issue instead of them being a horrific fantasy made it almost palatable story wise. There were a few places where certain aspects were questionable, such as some people became werewolves quickly whereas others took longer. And some were only in the light and became werewolves, whereas others didn't until they happened to actually look at the moon, etc. But with more work and honing his talent, I feel he will become a talented writer. The special effects makeup were by Alec Gillis and Tom Woodruff, Jr, who also created the special effects makeup for John Carpenter's "The Thing" (1983) which were as creative. 

Certainly if you liked "World War Z" you'll love this since it was handled in a way that treated it as though becoming a werewolf was a medical problem because of a latent gene in all people--it truly made it far more interesting. It is rather gruesome so be prepared, however, when was the last time one saw a werewolf film that wasn't gruesome?

Out of 4 Stars: 3                                      Rated: R                                          94mins.

            

Moana 2

When Disney released "Moana" back in 2016, I'm sure they never realized the hit they had in their midst. And since it brought in a truckload of money, Disney started developing a sequel appropriately titled "Moana 2". Disney, always the company that imitates itself, has been working on a live version of "Moana" due to release in 2026. Hey, why develop something original when copying a project you've already produced will due nicely?

3 years on from the events of the first film, this film takes audiences on an expansive new voyage with Moana (Auli'i Cravalho), Maui (Dwayne Johnson) and a brand-new crew of unlikely seafarers including Loto (Rose Matafeo), Moni (Hualalai Chung) and Keke (David Fane) alongside her pig, Pua and Rooster Heihei. After receiving an unexpected call from her wayfinding ancestors, Moana must journey to the far seas of Oceania and to dangerous lost waters for an adventure unlike anything she's ever faced. Moana's ancestor tells her that there is a storm god called Nalo (Tofiga Fepulea'i) who desires to have power over all mortals and so people have since grown detached from the ocean. Nalo then sinks a magic island called Motufetu to the bottom of the ocean. Then, realizing that that was a mistake, so tells Moana that she needs to find a way to raise the island which then enters Maui. So he and others are in search of Motufetu.

Others to round out the cast are Awhimai Fraser as Matangi, Khaleesi Lambert Tsuda as Simea, Temuera Morrison as Chief Tui, Nicole Scherzinger as Sina, Rachel House as Gramma Tala, Alan Tudyk as Heihei, Jermaine Clement as Tamatoa and Gerald Faitala Ramsey as Tautai Vasa.

This was steadily directed by not one, not two, but three directors namely Jason Hand (Animation and Art Dept.), Dana Ledoux Miller (TV) and David G.Derrick (Animation and Art Dept,). Considering each and every one of these directors have no feature film experience behind the camera, I am amazed that this was helmed and sequenced as well as it was. There were a couple of small places that jumped a bit, but overall, the effort paid off. Certainly their combined experience didn't hurt. And if you liked this brand of directing, Miller's "Moana" (live version) has a 2026 release date. It was executed well by Jared Bush ("Zootopia" '16, "Moana" '16, "Encanto" '21) plus TV and a video game and Dana Ledoux Miller (TV), based on a story by Jared Bush, Dana Ledoux Miller and Bek Smith. Also additional screenplay material was provided by Bryson Chun. The main issue I felt this film experienced was that it started feeling like a rehash of the original "Moana"--just a different sea, but fraught with peril and Moana and Maui, of course, saved the day. Sound familiar? However, after approximately when the film reached about midway, the story did in fact pick up and truly became the film they and we were looking for. Certainly, the more experience these writers handle, the more talented I believe they will become--just have patience. Of course, after 2026, we will probably be Moanaed out since the live version will be released in that year with Dwayne Johnson reprising his role as Maui, and if you wait through this film's end credits, it provides a small snippet of the sheer possibility of yet a Moana 3? Can you say Ca-Ching?

If you like this franchise, you'll revel with this. And as aforementioned, if you want more than animation, not to worry; Disney will provide a live version as well--anything to add to the Disney coffers. If you want that up, close and personal feeling, this is also presented in an IMAX format as well. Have fun!

Out of 4 Stars: 3                                       Rated: PG                                             99mins.

Wicked

When L. Frank Baum wrote "The Wonderful Wizard of Oz" which was published in 1900, I'm sure he had no idea of the phenomena he started. Subsequently, a film by the name of "The Wizard of Oz" was released in 1939 and after a number of decades, was released on TV as a yearly telecast. We've seen other films since based on the franchise, and now we have "Wicked" based on the musical of the same name which is originally based on Baum's story.

A vivid reimagining of the classic "The Wizard of Oz", "Wicked" spotlights the untold stories of Oz's most famous (or infamous) characters, namely The Wicked Witch of the West or Elphaba (Cynthia Erivo) and her unlikely friend Glinda (Ariana Grande), The Good Witch. The film follows green-skinned star Elphaba from birth to college and through the life-changing events which eventually label her 'wicked', introducing spoiled rich girl Glinda, local prince and heartthrob Fiyero (Jonathan Bailey) and even the Wizard of Oz  (Jeff Goldblum) himself, a troubled man very unlike the one you may remember. As Elphaba, a passionate political activist if there ever was one, fights injustice and seeks to undo the mistakes of the past, dark secrets, and personal tragedies shape the history of Oz, paying homage to the classic 'Wizard of Oz' story while simultaneously changing fans' understanding of it forever. A cautionary tale about love, friendship, and trust, "Wicked" effortlessly reveals that there are indeed two sides to every story. 

Others to round out the cast are Michelle Yeoh as Madame Morrible, Ethan Slater as Boq, Marissa Bode as Nessa, Peter Dinklage as Dr. Dillamond (voice of), Andy Nyman as Governor Thropp, Courtney Mae-Briggs as Mrs. Thropp, Bowen Yang as Pfannee, Bronwyn James as Shenshen, Aaron Teoh as Avaric, Shawn Prendergast as Shiz President and Keala Settle as Miss Coddle

This was brilliantly directed with such whimsical flair by Jon M. Chu ("Step Up 2: The Secrets" '08, "Step Up 3D" '10, "Justin Bieber: Never Say Never" '11, "G. I. Joe: Retaliation" '13, "Justin Bieber's Believe" '13, "Jem and the Holograms" '15, "Now You See Me 2" '16, "Crazy Rich Asians" '18, "Triage" (TV movie) '20, "In the Heights" '21) plus other films, TV, shorts and music videos, Considering there was a great deal of story involved with the screenplay, this filmmaker was able to sequence this story with such pathos, finesse and passion all in a film that was very entertaining. If you like this director's brand of work, his "Wicked: Part 2" is in post production for a 2025 release. Yes, there will be a Part 2-a continuation if you will. It was also equally written with excitement and adventure by Winnie Holzman ("'Til There Was You" '97) plus TV and a short and Dana Fox ("The Wedding Date" '05, "What Happens in Vegas" '08, "Couples Retreat" '09, "How to Be Single" '16, "Isn't It Romantic" '19, "Cruella" '21, "The Lost City" '22) plus TV, based on the musical book by Winnie Holzman, which is based on the novel by Gregory Maguire, which is based on characters created by L. Frank Baum. This was a clever look at the story considering it's about the meeting and subsequent friendship of Elpaba and Glinda well before Dorothy et.al. converged in Oz. The effort that went into the birth and the ultimate entering college for Elphaba made the story that much more compelling. The script was concise, cohesive and kept the audience's attention for the entire 160 minute running time. As aforementioned, this is Part one of a two part film released in 2025. Hopefully this won't become yet another franchise like so many other films. A two parter I get to tell the complete story, but after that, it simply risks getting old. The visual effects predominantly created by ILM (Industrial, Light & Magic) and Framestore were seamless and definitely added to the story. And the cinematography by Alice Brooks asc was breathtaking. And even though I knew nothing about the music of this production, the music and lyrics by Stephen Schwartz were amazing. And the two leads in Erivo and Grande were superb and could possible be in the running come Oscar time.

Certainly if you enjoyed the Broadway production or any other production of "Wicked" you will revel with this film. It's a fresh, original update of the story that all should see. The message? Don't judge a book by its cover, because you will probably be quite surprised. Enjoy!

Out of 4 Stars: 4                                         Rated: PG                                               160mins.

 

Gladiator II

It simply amazes me that the original film, "Gladiator" was released 24 years ago! Where has the time gone? Although this film's predecessor was an amazingly well crafted movie, "Gladiator II" was every bit as well crafted. I believe waiting for almost a decade only served this film, and the fact that both films were directed by Ridley Scott didn't hurt.

16 years after witnessing the death of Maximus at the hands of his uncle, Marcus Acacius (Pedro Pascal), Lucius (Paul Mescal) must enter the Colosseum after the powerful emperors of Rome, Emperor Geta (Joseph Quinn) and Emperor Caracalla (Fred Hechinger) conquer his home. With rage in his heart and the future of the empire at stake, he looks to the past to find the strength and honor needed to return the glory of Rome to its people. 

Others to round out the cast are Connie Nielsen as Lucilla, Denzel Washington as Macrinus, Derek Jacobi as Gracchus, Lior Raz as Viggo, Alexander Karim as Ravi, Matt Lucas as Master of Ceremonies, Rory McCann as Tegula, Peter Mensah as Jubartha, Yuval Gonen as Arishat and Tim McInnerny asThraex. 

As with "Gladiator", this film was also brilliantly directed with amazing grit and intensity by the incomparable Ridley Scott ("The Duelists" '77, "Alien" '79, "Blade Runner" '82, "Thelma & Louise" '91, "White Squall" '96, "Gladiator" 2000, "Black Hawk Down" '01, "Matchstick Men" '03, "American Gangster" '07, "Prometheus" '12, "The Martian" '15, "All the Money in the World" '17, "House of Gucci" '21, "Napoleon" '23) plus other films, TV, a TV movie, videos and shorts. Certainly as time goes by Scott just gets more and more talented as he is obviously in a field of endeavor that he was born to do. His sequencing was presented in an almost effortless way. His cohesiveness and clarity in how he maneuvers his actors is second to none. He, like Spielberg and Nolan, has commanded a trustworthiness from his audience. It was equally well penned by writer David Scarpa (""The Last Castle" '01, "The Day the Earth Stood Still" '08, "All the Money in the World" '17, "Napoleon" '23) plus TV, based on a story by Peter Craig and David Scarpa which is based on characters created by David Franzpni. This writer was able to delineate the characters in this film with such finesse and clarity that I believe, along with the directing, it helped create a more chilling screenplay. And actually, the only issue I had with this script was that there were a couple of places of slowness in the story, but considering this was basically a two and a half hour running time that moved right along, this was a small infraction. The visual effects by ILM (Industrial, Light & Magic) and Framestore were amazing as they were incredibly effective. The sound effects editing by Matthew Collinge and Paul Massey were simply amazing and I noticed that almost immediately. 

It you liked the original "Gladiator", you'll love this. Between Ridley Scott's directing and Paul Mescal and Pedro Pescal's acting, this movie was amazing. FYI: this is rated 'R' for a reason--the gratuitous violence is evident as is is here so all can see. Hey, the Roman Empire days were ruthless and very violent. Enjoy!

Out of 4 Stars: 3.5                                   Rated: R                                       148mins.

Small Things Like These

There are films produced in Hollywood that range many genres, and even though there are many choices in which to make to enjoy ones' movie adventure, even if you break down the genres to just drama, there are several different categories under that. There are light drama, musical drama, a combination of comedy and drama and then there's a penetrating drama, where the story is so intense and in your face that the film becomes a tough sit. This is the case of "Small Things Like These".

This story takes place over Christmas in 1985 Ireland, when devoted father and husband to Eileen (Eileen Walsh) and coal merchant Bill Furlong (Cillian Murphy) inadvertently discovers startling secrets kept by the convent head up by one Sr. Mary (Emily Watson) in his town, along with some shocking truths of his own. The film reveals truths about Ireland's Magdalene laundries--horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform "fallen young women". These tactics were only to advocate the Catholic Church for their benefit and kept it from public knowledge. 

Others to round out the cast are Patrick Ryan as Pat, Giulia Doherty as Joan Furlong, Rachel Lynch as Sheila Furlong, Helen Behan as Mrs. Kehoe, Michelle Fairley as Mrs. Wilson, Mark McKenna as younger Ned, Zara Devlin as Sarah Redmond and Louis Kirwan as young Bill Furlong.

This was directed with stark reality by Tim Mielants ("Patrick" '19, "Nobody Has to Know" '21, "Wil" '23) plus TV and shorts. As I mentioned in the preface, there are seriously realistic dramas, such as "Schindler's List", "Revolutionary Road", "Belfast" "Sophie's Choice" and others that, when viewing them, one feels like they're eavesdropping into people's lives. This film absolutely falls into the same category. The intensity of each character in this, especially that of Murphy and Watson, was heart-pounding and kept its audience glued to the screen. It was interestingly written by Enda Walsh ("Disco Pigs" '01, "Hunger" '08, "Chatroom" '10, "The Last Hotel" (TV movie) '16, "Weightless" '17, "Lazarus" '18, "The House" '22) plus TV and shorts, based on the book by Claire Keegan. This film is actually based on a fictional novel of the same name, however the story of the book is based on these happenings where young women were forced in slavery by the then all powerful Roman Catholic Church up until 1996. The film was almost written in the style of it being 'based on a true story', but doesn't negate the truth that these practiced events weren't happening. It was brilliantly photographed in a very cold, austere way with an underlying depressing presence, which simply adding to the seriousness of this story that much more. There were a couple of places of disjointedness where the past and the present weren't as obvious as they could've been, otherwise is was an incredible well delineated and concise film. 

If you are into well crafted films, this is the film for you: fine directing, acting, cinematography and even writing, but if you're in the mood for something more uplifting and fun, I'd pass on this one. Of course, assuming you know the premise to this film, you will realize what you're walking into. 

Out of 4 Stars: 3.5                                   Rated: PG-13                                     99mins.

Red One

Every year Hollywood sets out to bring us a number of Christmas films around this time of year. Hohoho! Like past Christmas films i.e. "It's a Wonderful Life", "Home Alone", "Miracle on 34th Street", "Elf", "The Santa Claus" and the most recent, "The Best Christmas Pageant Ever', we now have "Red One" in the offing to rev up our anticipation of that time of year. 

After Santa 'Nick' Claus--Code Name: RED ONE (J. K. Simmons)--is kidnapped a witch named Gryla (Kiernan Shipka), the North Pole's Head of Security, Callum Drift (Dwayne Jonson) must team up with his director Zoe (Lucy Liu) and the world's most infamous bounty hunter or tracker, Jack O'Malley (Chris Evans) in a globe-trotting, action-packed mission to save Christmas. Considering that Jack is a definite skeptic of the whole Santa Claus thing, this mission is going to take some convincing by Callum and Zoe to get him to acquiesce since time is of the essence. 

Others to round out the cast are Bonnie Hunt as Mrs. Claus, Kristofer Hivju as Krampas, Mary Elizabeth Ellis as Olivia, Wesley Kimmel as Dylan, Nick Kroll as Ted, Wyatt Hunt as young Jack and Marc Evan Jackson as Uncle Rick.

This was uproariously directed by Jake Kasdan ("Walk Hard: The Dewey Cox Story" '07, "Bad Teacher" '11, "Spring/Fall" (TV movie) '11, "Sex Tape" '14, "Jumanji: Welcome to the Jungle" '17, "Jumanji: The Next Level" '19) plus TV and a short. By his very resume, it was evident that Kasdan was simply within his comfort zone and we are the positive recipients of his talent. This had just the right amount of action, humor, drama, and great visuals to truly enjoy this film. His sequencing was spot on which made the story incredibly fluid. And all the cast were believable in their respective roles. It was equally well written by seasoned Chris Morgan ("Cellular" '04, "The Fast and the Furious: Tokyo Drift" '06, "Wanted" '08, "Connected" '08, "Fast & Furious" '09, "Fast Five" '11, "Fast & Furious 6" '13, "47 Ronin" '13, "Furious 7" '15, "The Fate of the Furious" '17, "Fast & Furious Presents: Hobbs & Shaw" '19,  "Shazam! Fury of the Gods" '23) plus TV and a short, based on a story by Hiram Garcia. Obviously this is an updated version of the whole Santa Claus legend replete with high tech equipment, computer generated graphics, and almost  done in a military style all with wit and a ton of action. Obviously this is basically the 'Fast & Furious' writer which certainly allowed to be more adept at penning this screenplay. I must say, the cinematography by Dan Mindel asc/bsc was amazing in that as the action scenes unfolded, the way the camera followed the sleigh as though you were on the sleigh itself, was a stroke of genius. And the visual effects predominantly designed by SPI (Sony Pictures Imageworks) and Rodeo VFX were seamless and certainly added hugely to the story. 

If you're into 'Santa Claus' films, this will do well for you. It has wit, action and light drama all with a great message of looking within and attempt to reconnect with those that one might have issues with--definitely heartwarming. It should go down in film history as a holiday classic like so many others. You be the judge. 

Out of 4 Stars: 4                                     Rated: PG-13                                        123mins.

The Best Christmas Pageant Ever

Through the decades we've seen a plethora of Christmas films that span many different genres: drama, comedy, musical, even fantastical, but when I viewed "The Best Christmas Pageant Ever", it was a film that not only celebrated the real story of Christmas, but did it in a very learning and entertaining way. 

The Herdmans are absolutely the worst kids in the history of the world--which is how the story begins. They lie, they steal, they bully...and now they've hijacked the town of Emmanuel's Christmas pageant. This story follows six siblings, including Imogene Herdman (Beatrice Schneider), Ralph (Mason Nelligan), Ollie (Essek Moore), Leroy (Ewan Matthys-Wood), Claude (Matthew Lamb) and Gladys (Kynlee Heiman), who sneak into church searching for snacks and ultimately walk away with the lead roles in the town pageant. Grace (Judy Greer) is directing the play for the very first time; she and her daughter Beth (Molly Belle Wright) and husband Bob (Pete Holmes) are in over their heads especially against a town that wants to kick the Herdmans out of the play. But the play's mischievous stars might unwittingly teach a community the true meaning of Christmas. 

Others to round out the cast are Lorelei Olivia Mote as Alice, Sebastian Billingsley-Rodriguez as Charlie, Lauren Graham as Adult Beth, Stephanie Sy as Mrs. Thomas, Kirk B.R. Woller as Reverend Hopkins, Mariam Bernstein as Mrs. Armstrong and Jenni Burke as Miss. Graebner. 

This was directed with wit and heart by Dallas Jenkins ("Midnight Clear" '06, "What If..." '10, "Live Worship from Vertical Church" '12, "The Resurrection of Gavin Stone" '17, "Christmas with the Chosen: Holy Night" '23) plus TV and shorts. This story certainly is within this filmmaker's comfort zone considering his inspiration film experience. Jenkins was the creator of the TV series "The Chosen" which has gained much popularity, so directing this comedy was evidently an easy task. No matter the character in this film, they came across realistic and believable and just what anyone would expect to see in a small town in the year 1972, and this is effective directing. It was wonderfully written by Ryan Swanson, Platte Clarke and Darin McDaniel, based on the novel by Barbara Robinson. Even though these writers don't have an abundance of experience, what they brought to the writing table was surely enough to write an amazing screenplay. Swanson had worked on the 'Chosen' series with Jenkins so his input certainly had to be pivotal. When I saw the trailer on this film, I personally wasn't impressed--the trailer doesn't sell this film, it goes much deeper than the trailer depicts. These six siblings however are hellish, they are seemingly the ones that, after a point, start gravitating to this story of Christmas which they've never experienced. Just like in the bible where the religious were pious and the tax collectors and prostitutes were hungry for info about God, the same goes here: the religious are pious (the townspeople) where these unloving, delinquent kids seem to be more hungry about knowing more about this Christmas story. They 'fight' these feelings, but as they hang around certain people, especially Grace, they slowly wonder if there's more to life. It's an interesting process, since it would be so easy to cast these kids to the wayside, but Grace saw more to them. 

If you see this, the message is amazing. According to Grace in this film, Jesus was born and died for all of us--not just the lovable and acceptable, so we should extend a hand to these people as well, and isn't this the reason the the holiday of Christmas? 

Out of 4 Stars: 4                                       Rated: PG                                       99mins.

Hitpig

Typically animated films are released either in the summer or around the end of the year, but the makers of "Hitpig" decided to release this animated flick in the middle of autumn--not sure why, but hopefully it will bode well for them. Designed by an animated company which isn't familiar--Talecraft Animation Studios, this is presented well and the animation is well thought out.

Hitpig (Jason Sudeikis) is a pig hired by humans to bring back their escaped animals. It's not easy, but it's a living. His latest hit is Pickles (Lilly Singh), a naive but vivacious elephant who had escaped the clutches of an evil Vegas showman, Leapin Lord of the Leotard (Rainn Wilson). Though Hitpig initially sets out to capture the perky pachyderm for big cash, the unlikely pair find themselves on an unexpected adventure criss-crossing the globe that brings out the best in both of them. Set in a futuristic cyberpunk world, Hitpig proves sometimes what we want isn't necessarily what we need. 

Others to round out the cast are Anitta as Leticia, RuPaul as Polecat, Lorraine Ashbourne as Bertha, Andy Serkis as Newscaster, Charlie Adler as Super Rooster, Flavor Flav as Chef Emcee, Dave Rosenbaum as Janitor and Hannah Gadsby as Lola. 

This was directed with humor and clarity by David Feiss ("The Body Electric" (TV movie) '85, "A Cool Like That Christmas" (TV movie) '93, "Open Season: Scared Silly" '15) plus TV, shorts, videos and a TV short, and Cinzia Angelini (short). With the experience Feiss has including all the TV and shorts, it's no wonder why this film was sequenced well and delineated with crispness. Alrhough Feiss has the lion's share of the directing, certainly Angelini was pivotal with input that was needed. It was written well by Berkeley Breathed, Dave Rosenbaum and Tyler Werrin, based on a screen story by Berkeley Breathed, which is based on the book "Pete and Pickles" by Berkeley Breathed. This is a film that is geared toward kids, but all can leave the theater feeling better about themselves and others. And because its demographic is primarily for kids, it does have a tendency to be a bit predictable in its plot. This was probably purposed, however it would've been a bit more captivating if there were somewhat stronger challenges with these characters even it being a comedy. Although I've never heard of Talecraft Animation Studios--the company that drew this, its design was effective as it was original and as talented a company as Disney, Pixar, Dreamworks, Blue Sky and the like. 

If you like animation and a heartwarming, witty story, this is the film for you. As aforementioned, this is primarily geared to kids, but adults can revel as well--I did enjoy it. It is a bit predictable, however not really enough to take away from this story based on the classic book.  

Out 4 Stars: 3.5                                     Rated: PG                                          85mins.

Here

Robert Zemeckis has given us a plethora of films that utilize a certain look or effect that he attempts to accentuate his films with, and I must say, these techniques are a very powerful way to convince his audience of the story. We've seen "Who Framed Roger Rabbit?", "Back to the future", "Death Becomes Her", "Forrest Gump", "The Polar Express" and "The Walk" where he has showcased these effects. So now, he has given us "Here" whereas he again has implemented those effects with concise delineation.

"Here" is an original film about multiple families and a special place they inhabit. The story travels through generations, capturing the most relatable of human experiences. Robert Zemekis directs from a screenplay by Eric Roth and himself. Told much in the style of the acclaimed graphic novel by Richard McGuire on which it is based, Tom Hanks as Richard and Robin Wright as Margaret star in a tale of love, loss, laughter and life, all of which happens here.

Others to round out the cast are Paul Bettany as Al, Richard's father, Kelly Reilly as Rose, Richard's mother, Michelle Dockery as Pauline Marter, Ophelia Lovibond as Stella Beekman, Beau Gadsdon as Young Elizabeth and Jonathan Aris as Earl Higgins. 

This was directed with heart and deep feelings by the incomparable Robert Zemeckis ("I Wanna Hold Your Hand" '78, "Used Cars" '80, "Back to the Future" '85, "Who Framed Roger Rabbit?" '88, "Death Becomes Her" '92, "Forrest Gump" '94, "Contact" '97, "Cast Away" '2000, "The Polar Express" '04, "Flight" '12, "The Walk" '15, "Allied" '16, "Pinocchio" '22) plus other films, TV, shorts and videos. Whether Zeneckis utilizes special effects or not in order to effectively direct a film, he is typically a well-honed, caliber filmmaker. His ability to encourage his actors to exude the emotions they need to be convincing is their respective roles is amazing, and this film is no exception. If you like this director's brand of filmmaking, his "The King" is in development. It was wonderfully written by Eric Roth ("The Nickel Ride" '74, "The Concorde...Airport '79" '79, "Suspect" '87, "Forrest Gump" '94, "The Insider" '99, "Ali" '01, "Munich" '05, "Lucky You" '07, "The Curious Case of Benjamin Button" '08, "A Star is Born" '18, "Dune: Part One" '21, "Killers of the Flower Moon" '23) plus other films, TV and a short, and Robert Zemeckis ("1941" '79, "Used Cars" '80, "Back to the Future" '85, "Trespass" '92, "The Polar Express" '04, "A Christmas Carol" '09, "The Walk" '15, "Welcome to Marwen" '18, "Pinocchio" '22) and other films, TV, shorts videos and video games, based on the graphic novel by Richard McGuire. The film was presented in an almost play format because the camera was set up in the living room and facing the front bay window, and then implemented split screen effects within the plot which helped in allowing this film to progress in a more rapid way, otherwise I could see this film running in excess of two and half hours. It did jump from family to family and time period to time period, but there was definitely a connection within the different scenes so it became cohesive. It was shot in a heartwarming and enduring way 'looking' into different families' lives. It has some interesting aspects such as the home across the street was a house Benjamin Franklin lived in and one of the families in the house invented the Lazy-Boy recliner which made it interesting. The performances by both Tom Hanks and Robin Wright were exquisite and a delight to see them reunite from "Forest Gump" in which they co-starred. And the musical score by Alan Silvestri, basically Zemeckis' music composer, flowed incredibly well throughout the production. The cinematography by Don Burgess asc was incredibly original and even though the camera was set up in one position, it still kept ones' attention, and lastly, the visual effects predominantly designed by Double Negative were stunning and went hand in hand with the story. 

If you are a Zemeckis fan, you'll love this. It is heartwarming, funny, dramatic, redeeming in that families are healed emotionally. It's original presentation of the premise is entertaining as it is captivating. I'm perplexed that other critics have panned this film--I feel that they perhaps didn't or couldn't 'feel' this film. For this to happen, one must allow themselves to feel the film. This is a gem!!

Out of 4 Stars: 4                                           Rated: PG-13                                      104mins.

Conclave

Religious films have become a mainstay in the creation of movies made in Hollywood, and with that we have seen just about every religion represented: Christianity, Catholicism, Judaism, Hinduism, Buddhism, etc. So, when viewing "Conclave", this is about the process of choosing a new Pope after the existing one has died, hence the title of the film. 

Cardinal Thomas Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church's most powerful leaders, including Aldo Bellini (Stanley Tucci), Tremblay (John Lithgow), Adeyemi (Lucian Msamati), Woznial (Jacek Koman) and others have gathered from around the world and are sequestered together in the Vatican halls, Lawrence uncovers a trail of deep secrets which could shake the foundations of the Church.

Others to round out the cast are Isabella Rossellini as Sister Agnes, Brian F. O'Byrne as O'Malley, Sergio Castellitto as Tedesco, Thomas Loibl as Mandorff, Rony Kramer as Mendoza, Valerio Da Silva as Father Haas and Carlos Diehz as Vincent Benitez. 

This was intensely and passionately directed by Edward Berger ("Strait-Jacket" '92, "Wanderbread" '95, "Windland" (TV movie) '07, "A Good Summer" (TV movie) '11, "Jack" '14, "All My Loving" '19, "All Quiet on the Western Front" '22) plus other films, another TV movie and TV. Combined with tight editing, sound effects and a riveting musical score, this director was able to pull these talented actors together and interact them with each other in order to convey to his audience that believability that these characters are real. It was creatively written by Peter Straughan ("Sixty Six" '06, "The Men Who Stare at Goats" '09, "Tinker Tailor Soldier Spy" '11, "Frank" '14, "The Snowman" '17, "The Goldfinch" '19) plus other films, TV and a short, and Robert Harris ("D-Day to Berlin: Newsnight Special" (TV movie) '85, "Fatherland" (TV movie) '94, "Archangel" (TV movie) '05, "The Ghost Writer" '10, "An Officer and a Spy" '19) plus other films and TV. I'm not a Catholic, but this was a compelling film of what could happen as a conclave is in progress, and that can be captivating for many people. As the process of this conclave is proceeding, certain deep secrets end up coming to light which is a good thing, but the complexities of this process simply kept arising.These seasoned writers were able to intertwine these issues into the meat of the story where Lawrence was being driven crazy to keep this conclave in one piece. It was sequenced well and amazingly concise in its script. Other that a couple of areas of slowness in story, this screenplay was riveting, especially as the story started picking up. 

No spoilers, but the end is quite the shocker--I did not see it coming, so it ends bittersweetly. Whether you are Catholic or not, this is a captivating film with solid directing, writing, acting, especially that of Fiennes, music, editing and photography. 

Out of 4 Stars: 3.5                                  Rated: PG                                       120mns.

Venom: The Last Dance

When the original "Venom" premiered back in 2018, I felt it was going to be a total waste of celluloid. But, after seeing it, I felt it was a hoot! Not only were the visual effects amazing, but you knew that, but the story was fascinating in that the 'superhero' was inside of the hero played brilliantly by Tom Hardy--he was Venom. Well, after a second go around, we now have the end of the trilogy--"Venom: The Last Dance" to sink our teeth into.

In this next installment, Tom Hardy returns as Venom once again, one of Marvel's greatest and most complex characters, for the final film in the trilogy, Eddie Brock (Tom Hardy) and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance. Will they win, or will the alien nemesis beat them at their own game? Not sure, but the ring side seat known as the theater will be first rate.  

Others to round out the cast are Chiwetel Ejiofor as General Rex Strickland, Juno Temple as Dr. Payne, Stephen Graham as Detective Mulligan, Rhys Ifans as Martin, Peggy Lu as Mrs. Chen, Hala Finley as Exho and Alanna Ubach as Christmas. 

This was masterfully directed with excitement by Kelly Marcel. Since this film was written by her and the story was based on hers and Hardy's idea, and she has written all the films would certainly lend her an advantage in being effective behind the camera. This being the only credit in the directing category, it is still amazing that she was able to harness a certain amount of humanity from her actors to prove they are capable of more than being military or studying things in a lab. This was also written with great sequencing by Kelly Marcel ("Saving Mr. Banks" '13, "Fifty Shades of Grey" '15, "Venom" '18, "Cruella" (story) '21, "Venom: Let There Be Carnage" '21) plus TV, based on a story by Tom Hardy and Kelly Marcel, which is based on the Marvel Comics. Even though this film dealt with some multi-universe aspects, Marcel was able to construct the screenplay so it made more sense as compared to other films delving into multi-universe aspects. Since this writer wrote the three different scripts for this franchise, I really did appreciate the amount of wit and humor she injected in the story. It more humanizes the story instead of it being a straight drama. There were only a couple of very slow places within the screenplay, however not enough to detract from the story at hand. And, of course, the visual effects predominantly designed by ILM (Industrial, Light & Magic) and Double Negative were seamless and actually enhanced the more comedic moments of the film. 

If you liked the first two installments of this franchise, you'll certainly like this one as well, especially since it was written by the same writer. This film is supposed to be the third and last installment, hence the 'last dance' part of the title, however it does leave opened-ended. There are a couple of small videos within the end credits if that is telling. Certainly if this makes a truck-load of money, another will likely return, otherwise probably not. It is also presented in a nifty IMAX format if you wish. Enjoy, I know I did.

Out of 4 Stars: 3.5                                       Rated: PG-13                                       108mins.

Goodrich

Remember the days when Michael Keaton would star in roles where he became involved in a family dilemma and the more he attempted to 'fix it', the worse it got? well, he's starred in some interesting films since, however with "Goodrich" he is seemingly going back to that type of film, at least with this film. 

Andy Goodrich's (Michael Keaton) life is upended when his wife, Naomi (Laura Benanti) and mother of their nine-year-old twins, Moses (Jacob Kopera) and Billie (Vivien Lyra Blair) enters a 90-day rehab program for prescription meds addiction, leaving him on his own with their young kids. Thrust into the world of modern parenthood, Goodrich leans on his daughter, Grace (Mila Kunis) from his first marriage, all the while his art gallery is having financial woes. As Grace and Andy get to know one another again, he ultimately evolves into the father Grace never had. 

Others to round out the cast are Michael Urie as Terry, Danny Defarrari as Pete, Grace's husband, Andie MacDowell as Ann, Andy's ex-wife, Carmen Ejogo as Tully, Andrew Leeds as Greg, Kevin Pollack as Sy, Nico Hiraga as Jonny and Kimberly Condict as Cecile. 

This was directed with wit and heart by Hallie Meyers-Shyer ("Home Again" '17). This being only the second film she has directed makes this an amazing movie. I've seen seasoned directors that weren't as effective in being able to get their actors to truly dig deep in how they were able to convince the audience of their respective hurt and issues involved. She will certainly go far. This was also written with amazing pathos and humor by Hallie Meyers-Shyer ("Homw Again" '17). Certainly when a director writes their own film, it has a tendency to excel since they know about each and every character that's involved in the production. Although, even with this in mind, since she has only one other film to her credit, I still went to see this film with great trepidation. And after viewing it, I came to the conclusion that the formula of director/writer concept still holds true. Although, this wasn't a perfect film--it was a bit choppy in a couple of places, it certainly wasn't enough to take away from the effectiveness this filmmaker was attempting to convey. Michael Keaton gave his usual steadfast reliable performance that we all have come to love, and with this, it's a film that will have us nostalgic for his past films. 

Definitely if you're a Keaton fan, you'll revel. It's a great expose of the progression of how a blended family can co-exist in spite of their different issues. Emotionally, this film runs the gambit: humor, sorrow, despair, confusion and redemption all rolled up in a tight and bold script.

Out of 4 Stars: 3.5                                       Rated: R                                           110mins.

We Live in Time

Hollywood has produced a fair amount of romance films: "The Vow", "The Notebook", "Dear John", "The Lucky One" and the like, and although they certainly have their specific demographic--young single females, depending on how the film is structured, can obtain other fans as well. With "We Live in Time", it can hold either gender's attention equally it too being a romance.

An up and coming chef, Almut (Florence Pugh) and a recent divorcee, Tobias (Andrew Garfield) find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance. As they embark on a path challenged by the limits of time, they learn to cherish each moment of their unconventional love story. With the several obstacles in their way to making a harmonious home life, their challenge of continuing to stay in the relationship as the obstacles unfold, becomes more and more stressful and unclear.

Others to round out the cast are Adam James as Simon Maxson, Amy Morgan as Leah, Niamh Cusack as Sylvia, Lee Braithwaite as Jade, Douglas Hodge as Reginald, Lucy Briers as Dr. Kerri Weaver, Nikhil Parmar as Sanjaya and Kerry Godliman as Jane. 

This was directed with heart and pathos by John Crowley ("Intermission" '03, "Celebration" (TV movie) '07, "Boy A" '07, "Is Anybody There?" '08, "Closed Circuit" '13, "Brooklyn" '15, "The Goldfinch" '19) plus TV and a short. The emotions, especially those of Garfield and Pugh were raw, honest and truly became pivotal to the story. This film was basically hinged on the chemistry of the two lead stars and it definitely worked and this is talented directing. It was interestingly written by Nick Payne ("The Sense of an Ending" '17, "The Last Letter from Your Lover" '21) plus TV and a short. I believe that Nick Payne is a talented writer, however with this film, it became rather disjointed. The different scenes played out in a seemingly disheveled way, however I believe this was purposed so as to piece the scenes together, after a point, in order to make the film continuous with a flow. This style has been performed by other writers successfully, however Payne took too long to piece the scenes together, so by the time the story started making sense,it became a little too much, a little too late. Once the pieces were optimal, the story really did pick up, and then became the story this writer was looking for. The premise was interesting--it just needed to come to a fluid place sooner, otherwise this was a good story and, like I said, an interesting film. The performances by both Garfield and Pugh was stunning and they worked well off of one another. 

If you're into romance, fine acting and effective directing, you'll revel with this, however if one is looking for a tight, cohesive script, this will be frustrating for you. I feel that Nick Payne is talented, and maybe his "Midwinter Break" which is in post production will prove it better than this did. We'll have to see. 

Out of 4 Stars: 2.5                                            Rated: R                                          107mins.

Super / Man: The Christopher Reeve Story

Documentaries have become quite the mainstay of Hollywood for a number of decades. We've seen many that teach us, entertain us, lecture us and inform us, yet I'm hard-pressed to see one that is anything but fluid with an abundance of quality, which "Super / Man: The Christopher Reeve Story" is the epitome of. 

Christopher Reeve's rise to becoming a film star, mostly due to the popularity of 1978's "Superman: The Movive", follows with a near-fatal horse-riding accident on May 27, 1995 that left him paralyzed from the neck down. After the accident, with the help of Dana Reeve (his wife), and friends Robin Williams, Michael Manganiello, Will Reeve and Matthew Reeve (his sons), he became an activist for spinal cord injury treatments and disability rights. Through his efforts, many are walking today with the help of special medical treatments all because he cared so much for people. 

Others interviewed were Glenn Close, Jeff Daniels, Brooke Ellison, Richard Donner, Steven Kirschblum MD, Whoopi Goldberg, Kevin Johnson, Gae Exton, Alexandra Reeve Givens (his daughter), John Kerry and Laurie Hawkins. 

This was directed with a plethora of sobriety and heart by Ian Bonhote ("Alleycats" '16, "McQueen" '18, "Rising Phoenix" '20) plus shorts, and music videos, and Peter Ettedgui ("McQueen" '18, "Rising Phoenix" '20). The exhausting amount of research it took to pull this all together was insurmountable. This actually spans from the early 70's to the passing of Dana Reeve's death in March of 2006. Odd, that Christopher Reeve passed away only two years prior to Dana's death in October of 2004. This film was sequenced perfectly and kept the audience on the edge of their seats. I basically followed Reeve's situation, and I still was able to learn so much more than I ever thought I would receive from this documentary. It was brilliantly written by Peter Ettedgui (" The Temptation of Franz Schubert" (TV movie) '97, "Vigo" '98, "Onegin" '99, "Everything or Nothing" (co-writer) '12, "Listen to Me Marlon" (co-writer) '15, "McQueen" '18) plus TV, and co-written by Ian Bonhote and Otto Burnham. Again, the incredible research these writers obtained was thorough and exhaustive. Their ability to sequence the footage and interviews spanning the better part of four decades, was heart-pounding and sobering. I was in awe of the way this documentary simply fell into place so we can have a whole new look at what this man had to go through, especially when he was a spinal cord advocate. 

This film will undoubtedly be nominated come Oscar time for the rawness and heart and thoroughness this documentary carried. This film should be seen by all to experience what this man went through and endured for, not only for his family, but for all people as well. People left the theater very quiet and thoughtful as this film affected them immeasurably. 

Out of 4 Stars: 4                                           Rated: PG-13                                           104mins.

Saturday Night

For a show that was actually doomed to fail out the gate, "Saturday Night" was and has been an amazing success considering it has lasted 49 years. As this film unfolds, it becomes difficult to believe that this show would last a year, much less approximately 5 decades. Unfortunately, the show has suffered through the years where a different cast hasn't served the producers well.

At 11:30 pm on October 11, 1975, a ferocious troupe of young comedians, including Chevy Chase (Cory Michael Smith), Gilda Radner (Ella Hunt), Dan Aykroyd (Dylan O'Brien), John Belushi (Matt Wood), Garrett Morris (Lamorne Morris) and others and writers changed television--and culture--forever. "Saturday Night" is based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live. With the creator and producer Lorne Michaels (Gabriel LaBelle) at the helm, or trying to be, it's 'all hell breaks loose time wondering if this show will ever air. Full of humor, chaos, and the magic of a revolution that almost wasn't, we count down the minutes in real time until we hear those famous words: "Live from New York, it's Saturday Night!".

Others to round out the cast are Rachel Sennott as Rosie Shuster, Emily Fairn as Loraine Newman, Kim Matula as Jane Curtin, Finn Wolfhard as NBC page, Nicholas Braun as Andy Kaufman and Jim Henson, Andrew Barth Feldman as Neil Levy, Nicholas Podany as Billy Crystal, Tommy Dewey as Michael O'Donoghue, Jon Batiste as Billy Preston and J.K. Simmons as Milton Berle. 

This was brilliantly directed with frenzy and raw humor by Jason Reitman ("Thank You for Smoking" '05, "Juno" '07, "Up in the Air" '09, "Young Adult" '11, "Labor Day" '13, "Men, Women & Children" '14, "Tully" '18, "The Front Runner" '18, "Ghostbusters: Afterlife" '21) plus TV, shorts and a video. As with his "Thank You for Smoking", this is a dark comedy which Reitman surely excels well with. Considering he hasn't a plethora of experience, considering his years in the biz, he obviously chooses his projects carefully and this has served him well. His late father, the famed director Ivan Reitman definitely passed the directing baton to Jason since this filmmaker is assuredly a consummate pro. His ability to sequence his work is phenomenal, and the way he directed this with a frenetic feel certainly added to the amazement of this show and how it ever got off the ground. It was creatively written by Gil Kenan ("Ghostbusters: Afterlife" '21, "A Boy Called Christmas" '21, "Ghostbusters: Frozen Empire" '24) and Jason Reitman ("Thank You for Smoking" '05, "Up in the Air" '09, "Labor Day" '13, "Men, Women & Children" '14, "The Front Runner" '18, "Ghostbusters: Afterlife" '21, "Ghostbusters: Frozen Empire" '24) plus shorts. Again, Jason Reitman received that writing gene from his father, Ivan since Ivan Reitman also wrote a fair amount of his films. He has written many films with Gil Kenan so they are basically a writing team. Other than a couple of very small slow places in script, this screenplay soared. It was humorous, frenetic, irreverent (these artists had many issues) and concise, all in a well thought out story. 

Certainly if you're a SNL fan, you'll love this since it leads its audience, in real time, how this show was able to get off the ground and become the iconic show it has been for almost 50 years. With all the chaos, star stroking, writing, sound, set and time restrictions, you'll see it all if you can only get through all the frenzy involved!

Out of 4 Stars: 3.5                                        Rated: R                                         109mins.