Hpw to Train Your Dragon

When Dreamworks Animation released "How to Train Your Dragon" back in 2010, I actually thought it would be one film and that would be the end of it. However, it produced two sequels, and, after enough years, it was then made into a live version. This version "How to Train Your Dragon" has been so popular, a sequel of this live version is in pre production for a 2027 release.

As an ancient threat endangers both Vikings and dragons alike on the isle of Berk, the friendship between Hiccup (Mason Thames), an inventive Viking, and Toothless, a Night Fury dragon, becomes the key to both species forging a new future together. Hiccup clearly doesn't have the heart to kill a dragon, like a good Viking much to the chagrin of his forceful father, the chief of the tribe, Stoick (Gerard Butler). So, in order to attempt to convince his dad to understand him, he enlists other Vikings namely Astrid (Nico Parker) and Gobber (Nick Frost) to help convince.

Others to round out the cast are Gabriel Howell as Snotlout, Julian Dennison as Fishlegs, Brownwyn James as Ruffnut, Harry Trevaldwyn as Tuffnut, Murray McArthur as Hoark, Peter Serafinowicz as Spitelout, Naomi Wirthner as Gothi, Ruth Codd as Phlegma and Andrea Ware as Burnheart. 

This was directed with familiarity with a  recognizable style by Dean DeBlois ("Lilo & Stitch" '02, "Sigur Ros: Heima" '07, "How to Train Your Dragon" '10,"How to Train Your Dragon 2" '14, "How to Train Your Dragon: The Hidden World" '19, "Ten" '22) plus a video. I say familiarity due to the fact that this director also directed the animated version, so the similarity followed suit.This certainly was helpful in order to keep that same feel with this version which made it that much easier to follow. It was also written by Dean BeBlois ("How to Train Your Dragon" '10, "How to Train Your Dragon 2" '14, "How to Train Your Dragon: The Hidden World" '19, "Lilo & Stitch" '25) plus TV, video games, a video and a short, based on Dreamworks Animation's "How to Train Your Dragon" by Will Davies, Dean DeBlois and Chris Sanders, which is based on the book by Cressida Cowell. Again, the writing was, obviously, familiar, but this is positive, especially since it's been a while since the last sequel. The casting was credible, especially that of Thames as Hiccup and Butler as Stoick. The sweeping music by John Powell was engaging and captivating. And, of course, the visual effects by Framestore were seamless and truly added to the story. It was shot and presented in IMAX, but you can view it on a traditional screen as well. 

If you liked and appreciated Dreamworks Animation's version of this story, you'll love this version. It will be interesting to see the sequel of this in 2027. It's the quintessential summer flick, so grab the popcorn with this. What a Ride!

Out of 4 Stars: 4                                      Rated: PG                                          125mins.

The Phoenician Scheme

When it comes to the world of Wes Anderson, one has to conclude that a film is going to be original--unlike so many films out there. Another very original filmmaker out there is M. Night Shyamalan whereas everyone of his films are original. Original doesn't always equate with quality or likability, however original is something Hollywood has all but abandoned. We now have been handed "The Phoenician Scheme" and again, it's quirky and weird, but original.

Wealthy businessman Zsa-zsa Korda (Benicio Del Toro) appoints his only daughter, Liesl, (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins. There are some that attempt in assisting him, such as Bjorn (Michael Cera), Leland (Tom Hanks) and Marty (Jeffrey Wright), but is there assistance simply a ploy in order to rid of Korda? He's constantly in plane crashes and seemingly never dies, so who, if anyone, is responsible for that? The story is laid out in particular segments showcasing all these individuals in cahoots to bring Kurda down. 

Others to round out the cast are Bryan Cranston as Reagan, Mathieu Amalric as Marseille Bob, Richard Ayoade as Segio, Scarlett Johansson as Cousin Hilda, Benedict Cumberbatch as Uncle Nubar, Rupert Friend as Excalibur, Hope Davis as Mother Superior, Bill Murray as God, Stephen Park the pilot and Willem Dafoe as Knave. 

This was directed with originality and weirdness by Wes Anderson ("Bottle Rocket" '96, "Rushmore" '98, "The Royal Tenenbaums" '01, "The Life Aquatic with Steve Zissou '04, "The Darjeeling Limited" '07,"Fantastic Mr. Fox" '09, "Moonrise Kingdom" '12, "The Grand Budapest Hotel" '14, "Isle of Dogs" '18, "The French Dispatch" '21, "Asteroid City" '23) plus shorts, videos and music videos. Anderson certainly has that distinct style to his films with not only the photography, but the production design and even the acting where his actors implement a 'dead pan' look to themselves as they say their lines. His staging and pacing is spot on and is again, similar from film to film. This film was also executed well by writer Wes Anderson (See above resume), based on a story by Wes Anderson and Roman Coppola. Anderson, like Shyamalan, and others, write their own films which creates more continuity and strength. I'm not expressly an Anderson fan, however I can surely respect his work in that it is fresh and original. A fair amount of his storylines are odd and bizarre, hence the originality, and they are bent with paranoid characters, but certainly I have appreciated many of his works. This had some places of slowness and inconsistencies which made it a bit difficult to wade through. 

It is evident that when these actors convene to make any Anderson film, they come across as though they are truly enjoying themselves, and this comes across to the audience in spades. Surely, Anderson has a strong following and that is encouraging, because this means that there are moviegoers that are into something different than the typical sequels, prequels, remakes, reboots, franchises, installments and the like, and that is definitively encouraging. 

Out of 4 Stars: 3                                      Rated: PG-13                                    101mins.

From the World of John Wick: Ballerina

When the first 'John Wick' waltzed into theaters back in 2014, I really thought it wouldn't ignite certainly enough to produce the many films that it did. Since then, I have been intrigued with the franchise mostly because of Keanu Reeves and its director Chad Stahelski--a well renown stunt coordinator. Now, we have "From the World of John Wick: Ballerina" to grasp a hold of.

Taking place during the events of "John Wick: Chapter 3 - Parabellum", the film follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma. Before all this, she is protected by her father, Javier (David Castaneda) since he was entrenched in a tribe (almost a cult) of assassins. He did not want his daughter to belong to it, so he attempted to leave while being followed. The daughter, young Eve (Victoria Comte) unfortunately witnessed his death and subsequently was enlisted by Winston (Ian McHane) to be trained. She, as an adult, goes on a killing spree to avenge the death of her father only after the Director of the organization (Anjelica Huston) attempts to get her to stand down since she and the leader of the tribe she's after, the Chancellor (Gabriel Byrne) have an understanding of not interfering into each other's personal affairs. So the Director hires John Wick (Keanu Reeves) to find her and gets her to stop even if her death has to be an option. What happens now?

Others to round out the cast are Catalina Sandino Moreno as Lena, Ava McCarthy as Ella, Norman Reedus as Daniel Pine, Juliet Doherty as Tatiana, Lance Reddick as Charon, Sharon Duncan-Brewster as Nogi and Robert Maaser as Dex. 

Even though Chad Stahelski didn't direct this installment, it was still directed with intense grit by Len Wiseman ("Underworld" '03, "Underworld: Evolution" '06, "Live Free or Die Hard" '07, "Total Recall" '12) plus TV, videos and music videos. Certainly by reading this filmmaker's resume, one could come to the realization that he was in his comfort zone. Being one of the producers of this film, Stahelski certainly held on to his creative control, but it was still Wisemans' expertise to provide to his audience the similar feel of the characters that were created, and this isn't easy to do. The energy was electric and defining. It was also well written by Shay Hatten ("John Wick: Chapter 3 - Parabellum" '19, "(Future) Cult Classic" '19, "Army of the Dead" '21, "Army of Thieves" '21, "Shift" '22, "John Wick: Chapter 4" '23, "Rebel Moon - Part One: A Child of Fire" '23, "Rebel Moon - Part 2: The Scargiver" '24), based on characters created by Derek Kolstad. One of the best aspects of this franchise is to implement many of the same people to produce each installment so as to create fluidity from one film to the next. Even though Wick supposedly died in the last film, this, as the plot indicates, takes place during installment three, so it makes this possible. The only issue I might have with is that it was just a bit too long-in-the-tooth. And there were a couple of places where it would've made more sense to do something another way, but then the movie would be considerably shorter, otherwise this film simply rocked. The stunts by supervising stunt coordinator Stephen Dunlevy were incredible and precise in every way. 

Certainly if you liked the previous 'John Wick' films, you'll revel with. It is fairly predictable, but so is the character of  Wick. It has it all: drama, high-adrenaline, explosiveness and even some humor to round out the story and add some comic relief. It's also offered in an IMAX format as well for that up close and personal feel. 

Out of 4 Stars: 3.5                                       Rated: R                                          125mins.

Karate Kid: Legends

For a franchise that has lasted for 41 years starting with "The karate Kid" in 1984, "Karate Kid: Legends" is yet another film continuing with a new generation that is as entertaining as the original. There have been other sequel films and a TV series since, but this film was delineated with the kind of precision one would certainly hope for. 

This film unites the iconic martial arts masters of the most beloved film franchises of all time to tell a completely new story full of action and heart. When kung fu prodigy Li Fong (Ben Wang) relocates to New York City with his mother, Dr. Fong (Ming-Na Wen) to attend a prestigious new school. He finds solace in a new friendship with a classmate, Mia Lupani (Sadie Stanley) and her father, Victor Lupani (Joshua Jackson). But his newfound peace is short-lived after he attracts unwanted attention from a formidable local karate champion, Conor Day (Aramis Knight). Driven by a desire to defend himself, Li embarks on a journey to enter the ultimate karate yearly competition. Guided by the wisdom of his kung fu teacher, Mr. Han (Jackie Chan) and the legendary Karate Kid, Daniel LaRusso (Ralph Macchio), Li merges their unique styles to prepare for an epic martial arts showdown. 

Others to round out the cast are Wyatt Oleff as Alan Federman, Nicolas Carella as Fat Jerry, Shaunette Renee Wilson as Ms. Morgan, Tim Rozon as O'Shea and Yankei Ge as Bo Fong, Li's brother. 

This was directed with just the right amount of action and heart by Jonathan Entwistle ("Mulligatawny" '10) plus TV, shorts and music videos. This filmmaker certainly has the ability to stage and pace his actors well, and simply captured the same feel of Macchio's character from the other 'Karate Kid' films. With only one other feature film to his credit behind the camera, his TV and shorts experience served him well. Typically this is the mark of a smart director to hone their talent in TV, etc before taking the leap into the feature film biz. It was equally well written by Rob Lieber ("Alexander and the Terrible, Horrible, No Good, Very Bad Day" (screen story) '14, "Peter Rabbit" (screen story) '18, "Goosebumps 2: Haunted Halloween" '18) plus TV, based on characters created by Robert Mark Kamen. May I start with the trailer doesn't sell this film? When I saw my first trailer, I felt that it didn't look like a movie to waste my time, however not terrible, but certainly nothing great. After reviewing this, it was far better than the trailer led on. Was it without flaws? Definitely not. It started out as just "The Karate Kid" x 2-- the next generation coupled with a yawn. However, as the film progressed, it suddenly became the film that this writer meant it to be. It wasn't a sentimental, maudlin drama, but it carried the audience to a place where different techniques were implemented that Han and Daniel found that would work instead of us presuming that everything was going to be tied up with a nice bow--it became more real, and this spoke volumes.

As with the original, this was the quintessential underdog film replete with reexamining Li's past in order to help his present and hopefully his future. It has action, heart, redemption and enough humor to give it that sense of reality. And aren't these types of films the reason why we go to the theater so as to escape?

Out of 4 Stars: 3.5                                    Rated: PG-13                                   104mins.

                                     

Mission: Impossible - The Final Reckoning

When I used to see the TV series of Mission: Impossible, it was considered a cutting edge show when it came to 'stinging' the bad guys by shows' end. Now that the film franchise has been in existence for 29 years, we now have been offered the eighth installment appropriately titled "Mission: Impossible - The Final Reckoning" as the follow up to the 2023, "Mission: Impossible - Dead Reckoning". 

Ethan Hunt (Tom Cruise) and the IMF team including Luther Stickell (Ving Rhames), Benji Dunn (Simon Pegg), Grace (Hayley Atwell) and Paris (Pom Klementieff) continue their search for the terrifying AI known as the Entity--which has infiltrated intelligence networks all over the globe--with the world's governments and a mysterious 'ghost', Gabriel (Esai Morales) from Ethan's past on their trail. Joined by new allies including Capt. Bledsoe (Tramell Tillman) and armed with the means to shut the Entity down for good, Hunt is in a race against time to prevent the world as we know it from changing forever. 

Others to round out the cast are Henry Czerny as Kittridge, Holt McCallany as Serling, Angela Bassett as President Erika Sloane, Janet McTeer as Walters, Nick Offerman as Gen. Sidney, Hannah Waddingham as Adm. Neely, Shea Whigham as Briggs and Greg Tarzan Davis as Deeds.

This was directed with the same precision and expertise as with the many other 'Mission Impossible' films we've all seen by Christopher McQuarrie ("The Way of the Gun" 2000, "Jack Reacher" '12, "Mission: Impossible - Rogue Nation" '15, "Mission: Impossible - Fallout" '18, "Mission: Impossible - Dead Reckoning" '23). McQuarrie actually got his start in writing screenplays and ultimately graduated to behind the camera with much success. He sequences well and his staging, pacing and ability to handle a large production simply is second to none. If you like his form of directing, his "The Gauntlet" is in pre production. It was well penned by seasoned writers Christopher McQuarrie ("Public Access" '93, "The Usual Suspects" '95, "The Underworld" (TV movie) '97, "The Way of the Gun" 2000, "Valkyrie" '08, "The Tourist" '10, "Jack Reacher" '12, "Jack the Giant Slayer" '13, "The Mummy" '17, "Top Gun: Maverick" '22, "Mission: Impossile - Dead Reckoning Part One" '23) plus other films and TV, and Erik Jendresen ("Deadlocked" (TV movie) 2000, "Crazy as Hell" '02, "Sublime" '07, "The Big Bang" '10, "Ithaca" '15, "Mission: Impossible - Dead Reckoning Part One" '23) plus other TV movies, based on the TV series created by Bruce Geller. These writers gave an incredible send up for this films' closure--replete with a graduated story that builds slowly and then all hell breaks loose. For a film that runs almost three hours, this movie certainly moved. There was a couple of very small slow places about two-thirds the way through, but otherwise was a great popcorn flick. The visual effects predominantly designed by ILM (Industrial, Light & Magic) were seamless and the realism was off the charts. Both Cruise and McQuarrie produced this film and they certainly knew what the audiences wanted and they produced.

If you're a Mission: Impossible fan (whether the TV series or the films), this is the film for you! It has it all: drama, explosions, adrenaline, and even humor which makes for that perfect summer flick where we all can go and escape into. Grab the popcorn--this is quite the roller coaster ride!

Out of 4 Stars: 3.5                                       Rated: PG-13                                       170mins.

The Last Rodeo

Who doesn't like or respect a good 'underdog' film? We've seen many of them i.e. "American Underdog", "Invincible", "Rudy", "Seabuscuit", "42", plus many others. "The Last Rodeo" is certainly the quintessential underdog film if ever seen, and probably the most incredible comeback movie released in some time. 

To save his grandson, Cody Wainwright (Graham Harvey), a retired three time rodeo star, Joe Wainwright (Neal McDonough) decides to enter a high-stakes bull-riding competition in order to help finance a delicate brain surgery his grandson must endure. Along the way, through his friend Charlie Williams (Mykelti Williamson) and his daughter, Sally Wainwright (Sarah Jones), he confronts his past, discovers faith, and proves that true courage lives in family.

Others to round out the past are Christopher McDonald as Jimmy Mack, Daylon Ray Swearingen as Billy Hamilton, Irene Bedard as Agisa Williams, Matt West as Carl Thompson, Clint Adkins as commentator Bryan Buck, Gabriel Sousa as Marco Lockwood, Kamen Kasey as Cooper Duke, Ruve McDpnough as Rose Wainwright, Kaden Taylor as Dee Jones as Brook Banks as Vicky.

This was directed with compassion, passion and heart by Jon Avnet ("Between Two Women" (TV movie) '86, "Fried Green Tomatoes" '91, "The War" '94, Up Close & Personal" '96, "Red Corner" '97, "Uprising" (TV movie) '01, "Conviction" (TV movie) '05, "88 Minutes" '07, "Righteous Kill" '08, "Bunker Hill" (TV movie) '09,"Three Christs" '17) plus other TV movies, TV and a video. The way these actors came across in a way that didn't depend on sentimentality and leaned much more on realism was not only effective acting, but directing as well. It could've became maudlin and wallow in sentiment, but one felt that they had to be watching real people in real situations. It was effectively written by Jon Avnet, Neal McDonough and Derek Presley. I'm not sure why Presley was listed last in the writing billing, him having more experience, except that since Avnet directed the film and McDonough starred in it could've been a weighing factor. As with the directing, this writing didn't become bogged down with sentimentality which created realism. It was sequenced well, and paced and staged well. There were, however, a couple of places of slowness and choppiness, but not enough to detract from the intensity of the story. It was well cast, especially that of McDonough in the starring role. He came across as a character, although was obviously beyond his prime, but was still believable in convincing the audience that he could possibly pull this off. 

If you like rodeo films, you will revel with this.There are real bull riders who had roles in this. as well. Also, this being produced by Angel Studios ("Sound of Freedom", "Sight"), it simply made this viewing more real and meaningful. We need more studios like Angel that are willing to produce more wholesome, good, faith based films instead of those that are riddled with gratuitous violence, sex and 4-letter words. 

Out of 4 Stars: 3.5                                        Rated: PG                                       116mins.

Shadow Force

As many espionage films that are out there, there are, at least, as many or more of the special forces/black ops films in this particular genre. Whether these films are based in the military or are civilian run, there's something a film goer can sink their teeth into. "Shadow Force" is one of those films that pits the bad guys with ones that have branched off at total odds with each other. 

In this story, Kydah Owens (Kerry Washington) and Isaac Sarr (Omar Sy) were once the leaders of a multinational special forces group called Shadow Force. They broke the rules by falling in love, and in order to protect their son, Ky Sarr (Jahleel Kamara). they go underground. With a huge bounty on their heads by leader, Jack Cinder (Mark Strong), and the vengeful Shadow Force hot on their trail, one family's fight becomes an all-out war. Will they be able to keep one step ahead of Cinder in order to survive?

Others to round out the cast are Da 'Vine Joy Randolph as Marvella or 'Auntie', Cliff 'Method Man' Smith as Avery or 'Unc', Marshall Cook as Patrick, Ed Quinn as Parker, Yoson An as Varjo, Jenel Stevens as Anino, Marvin Jones III as Cysgod, Sala Baker as Scath and Natalia Reyes as Moriti.

This film was directed with grit and tenacity by seasoned Joe Carnahan ("Blood, Guts, Bullets and Octane" '98, "Narc" '02, "Smokin' Aces" '06, "Faceless" (TV movie) '06, "The A-Team" '10, "The Grey" '11, "Stretch" '14, "Boss Level" '20, "Battle Ready" (TV movie) '20, "Copshop" '21) plus TV, shorts and a video. By his very resume, Carnahan certainly has perfected the drama and intensity of those in war and the political realm and does so unapologetically. The intensity between Sy and Washington was gritty all the while that they wholeheartedly believe in family and ultimately made that their mainstay, and this represents talented directing. If you like this filmmaker's brand, both his "Not Without Hope" and "RIP" are completed and in post production respectively for a 2025 release date. It was equally well penned by writers Joe Carnahan ("Karate Raider" '95, "Narc" '02, "Smokin' Aces" '06, "Pride and Glory" '08, "The Grey" '11, "Stretch" '14, "Death Wish" '18, "Bad Boys for Life" '20, "Copshop" '21) plus other films, TV, shorts and a video and Leon Chills (TV). This being predominantly written by a seasoned writer (Carnahan), it certainly kept the audience's attention while these two special force ops were balancing their impossible jobs while attempting to raise their child. The only issue with this was that somewhere after about a quarter the way through the film, it started to slow down and was a bit choppy in those places, otherwise it was thrilling and taught as a film of this caliber should be. The supporting cast was strong, especially Mark Strong as the baddie which he plays so well. even though Leon Chills has only TV to his credit, it must have served him well. 

If this particular genre is a favorite, this will serve you with much action, intensity and adrenaline. It has a good cast and fine filmmakers working on it. For a film that didn't receive much press like the new Jurassic World or F1: The Movie, this will certainly keep you glued to the screen while entertaining you as well. 

Out of 4 Stars: 3                                        Rated: R                                           104mins.

Fight or Flight

Most films that are of the genre, thriller, are typically fraught with serious drama laced with high tension, but then we have "Fight or Flight" which is anything but.  Another film that is a thriller that has similar elements of humor is that of "Bullet Train" (2022). Otherwise most other thrillers are basically what one would expect. 

Exiled American agent Lucas Reyes (Josh Hartnett) is given one last chance to redeem himself--The assignment is to track down and identify a mysterious, international high-value asset known only as The Ghost (Charithra Chandran) on a flight from Bangkok to San Francisco. Complicating matters, the plane is filled with assassins from around the globe who are assigned to kill them both. The pair must work together in a fight for their lives. At 37,000 feet, the stakes have never been higher. 

Others to round out the cast are Katee Sackhoff as Katherine Brunt, Julian Kostov as Aaron Hunter, Marko Zaror as Cayenne, Danny Astok as Royce, JuJu Chan Szeto as Master Lian, Hughie O'Donnell as Garrett, Jyuddah Jaymes as Agent Kyle Robinson, Willem van der Vegt as Agent Paul Simmons, Sanjeev Kohli as Pilot and Declan Baxter as co-Pilot.

This was uproariously and intensely directed by a virtual newcomer to feature films James Madigan (TV). The way this filmmaker edited from one scene to another in rapid speed, which added to the frenzy of the interior plane shots, simply added to the gripping tension as the film was unfolding. Even though he only has TV as his source of experience, this plethora of TV experience has served him well, and with that, he will receive more work. It was executed well by writers Brooks McLaren ("How It Ends" '18) and D.J. Cotrona. If I were to akin this film to one other of similarity, it would be that of "Bullet Train" in 2022 with Brad Pitt. Even though each film held its own story line, the fact that it was about a mercenary or agent on a form of travel--one on a train; the other on a plane, and each were high-adrenaline while very funny plots, the similarity was evident. I loved "Bullet Train", so I definitely had fun with this. The only issue with this was that closer to the early part of the film, it jumped around a bit, but as it realized its footing, it clearly moved right along. The editing by Ben Mills and photography by Matt Flannery were amazing and assuredly added to the frenetic aspect of the film. 

As with "Bullet Train", if you like pure escapism laced with rather dark humor, this is the film for you. I'm certainly happy to see Josh Hartnett back to making films again, and where he is choosing his projects much more carefully. Not to spoil, but this does end with the possibility of a sequel? Not sure, but you be the judge. 

Out of 4 Stars: 3.5                                     Rated: R                                          103mins.

Thunderbolts*

 

Well, as the summer film season is off and running, what a better, if not expected, film to entertain us is that of Marvel's :Thunderbolts". The summer is typically reserved for big-budget, high adrenaline fare or animated flicks. After viewing this, with an already plugged in audience, it should rake in the bucks. 

"Thunderbolts*" assembles an unconventional team of antiheroes--Yelena Belova (Florence Pugh), Bucky Barnes (Sebastian Stan), Red Guardian (David Harbour), John Walker (Wyatt Russell), and others. After finding themselves ensnared in a death trap set by Valentina Allegra de Fontaine (Julia Louis-Dreyfus), these disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts. Will this dysfunctional group tear themselves apart, or find redemption and unite as something much more before it's too late?

Others to round out the cast are Lewis Pullman as Bob Reynolds, Hannah John-Kamen as Ava Starr, Olga Kurylenko as Antonia Dreykov, Geraldine Viswanathan as Mel, Wendell Pierce as Congressman Gary, Chris Bauer as Holt, Violet McGraw as Young Yelena, Alexa Swinton as Anya and Eric Lange as Houston. 

This was directed with grit and a refreshing amount of humor by Jake Schreier ("Robot & Frank" '12, "Paper Towns" '15, Chance the Rapper's Magnificent Coloring World" '21) plus TV, music videos and shorts. His pacing and staging was spot on and it definitely kept the audience on the edge of their seats. It was similar to that of "Guardians of the Galaxy" in that the humor that was utilized was refreshing and actually worked in this--interesting that both films were about antiheroes which tells me that that can and is an effective element in allowing the humor to work in the story, It was written well by seasoned Eric Pearson ("Thor: Ragnarok" '17, "Godzilla vs. Kong" '21, "Black Widow" '21, "Transformers One" '24) plus TV and videos, and Joanna Calo ((TV), based on a story from Eric Pearson, which is based on the Marvel comics. I found that the issue with this script is that it had a difficult time getting started in that it was exciting in one scene, then it seemed a bit boring thereafter, and then that pattern would happen again. But then, after a short while, the story started to pick up and it became the film it was meant to be. The different aspects of the story started to congeal and I then really enjoyed it. And, of course, the visual effects by ILM (Industrial, Light & Magic) and Digital Domain predominantly, were stunning, but one must realize this before entering the theater. Pearson certainly knows his way around a big-budget film and this proves it, and even though Calo only had TV to her credit, it definitely served her well. 

I really don't think it's going to be a spoiler, but this film will continue (I know, what a shock!), but considering the meaty character development, it should do well also. If you do like that up, close and personal feel, this is presented in an IMAX format as well. Grab the popcorn and enjoy the pure form of escapism. 

Out of 4 Stars: 3                                        Rated: PG-13                                             127mins.

The Legend of Ochi

When it comes to films that are fantastical, they are typically made with quality and audiences usually love them, considering how entertaining they can be. The genre of fantasy has virtually no limits and this is a filmmaker's dream. So, when "The Legend of Ochi" came along, the premise and how the story was treated intrigued me. 

In a fictional remote village on the island of Carpathia within the Black Sea, a shy farm girl named Yuri (Helena Zengel) is raised by her over-bearing father, Maxim (Willem Dafoe) to fear an elusive animal species known as ochi. But when Yuri discovers a wounded baby ochi has been left behind, she escapes from the clutches of her father on a quest to bring him home. Her quest includes others who attempt to help her such as Dasha (Emily Watson) and Petro (Finn Wolfhard). 

Others to round out the cast are Razvan Stoica as Ivan, Carol Bors as Oleg, Andrei Antoniv Anghel as Vlad, David Andrei Baltatu as Gleb, Eduard Oancea as Pavel, Tomas Otto Ghela as Tudor and Paul Manalatos as The Ochi.

This was directed with pathos with the ability of being heartfelt by a virtual newcomer to feature films, Isaiah Saxon (shorts, music videos and videos). This was stunning in how this film delved into the possible connection of animal and human, although through a challenging process. Saxon's ability to pace and stage his actors were amazing and seemed like he's a real pro. Considering this film was a Sundance Film Festival favorite, it's no wonder that it was pushed to be released in theaters. It was also well executed by Isaiah Saxon (TV, shorts and music videos). Surely his experience in the TV and music video realm has worked for this writer and this film proves it in spades. The only problem I had with this movie was with the sound editing such as near the beginning where Yuri is narrating, it was difficult, at times, to understand all that she was saying due to the fact that the music was a bit overly powerful. And also there were a couple of places that were a bit choppy, but otherwise it was a spot on script. The special effects by John Nolan in the design of the ochi were stunning indeed. 

This is a little bit like a dark, gritty "E.T. The Extra Terrestrial" even though this was not an alien. But since the creature is within the fantasy realm, it had that flavor. Certainly in seeing this, it showed us that we can, with patience and a bit of understanding, co=exist, whether it is a fantastical beast or other human beings, all the while presented in an entertaining way. 

Out of 4 Stars: 3.5                                        Rated: PG                                           95mins.

The Accountant 2

Political films have been produced from Hollywood for decades and since there is an incredible fascination with them, they will always be offered. We saw "The Accountant" back in 2016 and it was a gripping, well honed story, so, a mere nine years later, we have "The Accountant 2" to sink our teeth into. 

Christian Wolff (Ben Affleck) has a talent for solving complex problems. When an Old acquaintance, Ray King (J.K. Simmons) is murdered, leaving behind a cryptic message to "find the accountant" written on his leg, Wolff is compelled to solve the case. Realizing more extreme measures are necessary, Wolff recruits his estranged and highly lethal brother Braxton (Jon Bernthal), to help in partnership with U.S.Treasury Deputy Marybeth Medina (Cynthia Addai-Robinson), they uncover a deadly conspiracy, becoming targets of a ruthless network of killers who will stop at nothing to keep their secrets buried. 

Others to round out the cast are Daniella Pineda as Anais, Alison Wright as Justine (voice of), Robert Morgan as Burke, Allison Robertson as Justine, Grant Harvey as Cobb, Andrew Howard as Batu, Yael Ocasio as Alberto, Lombardo Boyar as Tomas and Michael Tourek as Ike Sudio. 

This was directed effortlessly by Gavin O'Connor (" Comfortably Numb" '95, "Tumbleweeds" '99, "Murphy's Dozen" (TV movie) '11, "Miracle" '04, "Pride and Glory" '08, "Warrior" '11, "Cinnamon Girl" (TV movie) '13, "Only Human" (TV movie) '14, "The Prince" (TV movie) '15, "Jane Got a Gun" '15, "The Accountant" '16, "The Way Back" '20) plus TV and a short. It was brilliant to use the same director as with the original so the similar feel of the two films will be evident. O'Connor did such an exemplary job of "The Accountant" that helming the sequel gave an effortless appeal. He was able to pull off these two brothers as though they were like the quintessential 'odd couple'--Affleck being the controlling autistic savant that is amazingly intelligent and Benthal pulling off the role of someone that's a loose cannon, totally over the top, very dramatic that it became humorous and added a light sibling rivalry to this. If you like his brand of directing, his "Fast" is in pre-production. It was equally well written by Bill DuBuque ("The Judge" '14, "A Family Man" '16, "The Accountant" '16) plus TV, based on characters created by Bill DuBuque. Since the original ended up being the surprise hit of the summer of 2016, a sequel by the same writer was an obvious next step. What's surprising is that it took nine years to finally produce the follow up. And with this outing, this new film is every bit as well directed and written and acted as its predecessor. The only issues I felt with this was that I felt that it had a couple of very small places of disjointedness and confusion, but otherwise, the screenplay soared. Again, Affleck's role as the mathematical, practically autistic savant accountant was stunning and he could possibly see a nod come Oscar time. If you appreciate this writing DuBuque's "The Six Billion Dollar Man" is in pre-production. 

This was so entertaining that if the makers of this film decided to make a "The Accountant 3", it would be welcomed. Of course, like with other films, it is dependent of how much money is raked in the box office. I'm usually not into sequels, but with this, I'm willing to make the exception.

Out of 4 Stars: 3.5                                       Rated: R                                         133m.

The Ballad of Wallis Island

As we are about to enter the summer film season, we are typically offered smaller, indie films that often times don't fair well economically because of all the huge, CGI driven films that are bigger than life. So, we are offered a small film called "The Ballad of Wallis Island" that is quirky as it is entertaining.

This film follows Charles Heath (Tim Key), an eccentric lottery winner who lives alone on a remote island and dreams of getting his favorite musicians, Herb McGwyer / Nell Mortimer (Tim Basden and Carey Mulligan) respectively, back together. His fantasy turns into reality when the bandmates, who were former lovers, accept his invitation to play a private show at his home on Wallis Island. Old tensions resurface as Charles tries desperately to salvage his dream gig. 

Others to round out the cast are Sian Clifford as Amanda, Akemnji Ndifornyen as Michael, Steve Marsh as Peter, Luka Downie as Marcus, Kerrie Thomason as Marie and Arron Long as Tour Guide. 

This was directed with dry wit and quirkiness by James Griffiths ("Royal Wedding" (TV movie) '10, "Cuban Fury" '14, "Charity Case" (TV movie) '16, "Delilah" (TV movie) '20) plus TV and a short. Even though this director only has one other feature film to his credit, his list of TV movies and other TV has certainly served him well. His staging and pacing is spot on as is ability to encourage his actors to strive to 'find' their characters with conviction. It was equally written with heart and humor by Tom Basden ("Brave Young Men" (TV movie) '09, "Very Few Fish" (TV movie) '13, "Plebs: Soldiers of Rome" (TV movie) '22) plus TV and a short, and Tim Key (TV and shorts). Neither writer has any feature film work when it comes to writing, however, they have enough TV movies and other TV and shorts between them to make up the difference. Certainly since these writers were the two main stars in this movie, it definitely caused this to be more powerful than otherwise. If this is their first feature film, I would like to see what they could do with writing another feature film, since this was well thought out and was moving and forced these individuals to dig deep in coming to realize their past in order to obtain a happier present. The only issue with this was that there were a couple of areas that were slightly disjointed, but otherwise was amazing. The acting by all three of the lead stars, and even the supporting cast was effective and endearing

If you're into small, independent films, this is the film for you. This was well written, directed and acted with compassion, passion and style all the while bringing humor in the form of dry wit and was amazingly entertaining. 

Out of 4 Stars: 3.5                                           Rated: PG-13                                        99mins.

The King of Kings

At this time of year two things occur: the summer film season is ramping up and it is the time for the Easter season. And with "The King of Kings" being released, it's an animated film which is typically a favorite form of film during the summer, and, it being an Easter film, it falls into theaters during this time as well. For movie companies, it's the best of both worlds. 

A father, in this case is Charles Dickens (Kenneth Branagh), tells his son, Walter (Roman Griffin Davis) the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus (Oscar Isaac), witnessing His miracles, facing His trials, and understanding His ultimate sacrifice on the cross. "The King of Kings" invites us to rediscover the enduring power of hope, love and redemption through the eyes of a child. 

Others to round out the cast are Pierce Brosnan as Pontius Pilate, Uma Thurman as Catherine Dickens, wife of Charles, Mark Hamill as King Herod, Forest Whitaker as Peter, Ben Kingsley and High Priest Caiaphas, Jim Cummings as James the Greater/Pharisee Hillel, Dee Bradley Baker as Willa the Cat and Fred Tatasciore as Pharisee Eleazar. 

This film was compassionately directed by Seong-ho Jang (visual effects). Even though this filmmaker has no feature film experience--certainly none in the direction realm, he absolutely pulled this off. With his passion and sensitive handling of the subject matter, he took this story and produced a movie that all could envision and could take something from it. It was also well written by Seong-ho Jang (visual effects) as well. Additional writing was actually commissioned by Rob Edwards ("Treasure Planet" '02, "The Princess and the Frog" '09, "Captain America: Brave New World" '25, "Sneaks" '25) plus TV, a short and a video game and Jamie Thomason. Now, was this writing as talented as it was because of Jang's work or because of the two individuals who provided the additional writing? Not sure, however the resume of that of Edwards would conclude in most peoples' hearts that Edwards had a huge influence. But either way, the culmination of writers certainly brought us a powerful script. It actually followed the sequences in the bible extremely well which tells me that there were Christians involved in this, and it would need to happen, otherwise the story very likely would become convoluted. 

Certainly if you're a Christian, this will be very easy to follow along with the story, but even if you're not, it is a film that will speak volumes to one's heart. It is a film for all to see, but even though it's seen through the eyes of a child, kids will gravitate to this, after all, it is the greatest story ever told. 

Out of 4 Stars: 4                                          Rated: PG                                            104mins.

The Amateur

Hollywood and espionage films have been about as common, for many decades, as John Wayne and westerns. We've seen many through the years, i.e. "All the President's Men", "The Day of the Jackal", "Three Days of the Condor", "Tinker Tailor Soldier Spy", "Body of Lies", the James Bond franchise and others, and now we have yet another one where it centers around someone that's not even a spy.

Charlie Heller (Rami Malek) is a brilliant, but deeply introverted decoder for the CIA working out of a basement office at headquarters in Langley whose life is turned upside down when his wife, Sarah (Rachel Brosnahan) is killed in a London terrorist attack, When his supervisors, Chief Moore (Holt McCallany) and Caleb (Danny Sapani) refuse to take action, he takes matters into his own hands, embarking on a dangerous trek across the globe to track down those responsible.  Along with a trusted decoding source, Inquiline (Caitriona Balfe) and on again, off again Agent Henderson (Laurence Fishburne), and his intelligence, this intelligence serves as the ultimate weapon for eluding his pursuers and achieving his revenge. 

Others to round out the cast are Jon Bernthal as The Bear, Nick Mills as Finn, Jullianne Nicholson as Director O'Brien, Adrian Martinez as Carlos, Evan Milton as Slater, Tiffany Gray as Esther and Kate Sumpter as Anchor. 

This was brilliantly directed with grit and intensity by James Hawes ("The Earth in Balance" (TV movie) '90, "A Line in the Sand"(TV movie) '04, "The Lift" (TV movie) '07,  "The 39 Steps" (TV movie) '08, "Enid" (TV movie) '09, "Pulse" (TV movie) '10, "The Challenger Disaster" (TV movie) '13, "One Life" '23). This filmmaker's staging and pacing of this film was incredibly tight considering the movie was shot in many different countries where keeping the project all together can deem daunting. It was easy to follow along with each scene and Malek's presence is amazingly captivating and this is incredible directing, even though Malek is a consummate actor. It was well executed by writers Ken Nolan ("Black Hawk Down" '01, "Dawn" (TV movie) '16, Transformers: The Last Knight" '17, "Only the Brave" '17) plus TV and a short, and Gary Spinelli ("Stash House" '12, "American Made" '17) plus TV, based on the novel by Robert Littrell. As aforementioned, considering this was shot in many countries, this was held together very well. It was tight, concise and definitely kept one's attention. The only issue with this is that there were a few areas of slowness in the script, and maybe an area of a bit of choppiness in the middle of the story, but otherwise, it simply excelled. 

Certainly if you like espionage films, you'll revel with this, but the captivating aspect of this is clearly that of Malek. He is quite the chameleon when it comes to acting--he will play any role as long as it's challenging and gripping. This is the sign of a true artist. It's a great way to escape into this two hour running time. 

Out of 4 Stars: 3.5                                    Rated: PG-13                                            123mins.

Warfare

When it comes to war films, and more to the point, Middle East war films, we've seen a plethora of them, but not quite to the extreme intensity of "Warfare". This film cuts to the chase with no lead in, character development or message of it except to survive. This gives a one two punch that aims for the juggler. 

November 19, 2006. Iraq. "Warfare" embeds audiences with a platoon of American Navy SEALs on a surveillance mission gone wrong in insurgent territory. A visceral boots-on-the-ground story of modern warfare and brotherhood, told like never before in real time and based on the memory of the people who lived it. This unit of men consisting of Erik (Will Poulter), Ray (D'Pharaoh Woon-A-Rai), Elliott (Cosmo Jarvis), Sam (Joseph Quinn), Lt. MacDonald (Michael Gandolfini), John (Finn Bennett) and others, not only were calibrating men, but also were 'brothers', looking out for one another especially when things went awry. 

Others to round out the cast are Aaron Mackenzie as Kelly, Evan Holtzman as Brock,Jo Macauley as Mo, Laurie Duncan as Pete, Jake Lampert as Ted, Aaron Deakins as Bob. Kit Connor as Tommy, Henrique Zaga as Aaron, Taylor John Smith as Frank and Alex Brockdorff as Mikey.

This was directed with stunning reality by Ray Mendoza (Upcoming TV) and Alex Garland ("Ex Machina" '14, "Annihilation" '18, "Men" '22, "Civil War" '24) plus TV. It certainly shows that this film was produced through the eyes of Middle East war veterans since the story was laced with as much intensity and stunning acts of soberness and camaraderie. The fact that it was shot in real time showed it was almost like a documentary. It was also incredibly well penned by writers Ray Mendoza (Upcoming TV) and Alex Garland ("28 Days Later" '02, "Sunshne" '07, "Never Let Me Go" '10, "Dredd" '12, "Ex Machina" '14, "Annihilation" '18, "Men" '22, "Civil War" '24) plus TV, video games and novels. The writing in this film was obviously from the heart with these writers--them being war vets, and the way this script played out, it was incredibly gut-wrenching that, at times, it was difficult to keep watching it. It was amazingly sobering and simply drained its audience through the key hole many times over. Intensity wise, it reminded me of the film, "United 93", about the doomed airliner that crashed in rural Pennsylvania post 9-11-2001. That film was so painstakingly realistic that it became difficult to watch. I believe these types of films are films people should see ever so often to remind us that our lives, as compared to these lives we're witnessing on the screen, are nearly as fraught with impending doom. The writing, even though the lion's share was that of Garland, was riveting and captivating. 

Although this film was incredibly well written, directed and acted, this film was not made with the mass audience appeal in mind since the story is so shockingly volatile and intense. I was squirming in my seat more than once and afterward, I cried in the car due to what these guys were put through in this wartime hell. "War is hell" is what the selling slogan of this film should be. If you're into this genre, but more to the point, this intensity, you'll be at home. 

Out of 4 Stars: 4                                         Rated: R                                         95mins.

Drop

There are slasher films and there are whodunnit thriller films, and typically never the twain would meet. However, with "Drop", we have a little of both--mostly it being a thriller. The thriller whodunnit is a winning combination as this film showcases. It's short and definitely cuts to the chase. 

Violet Gates (Meghann Fahy), is a widowed mother on her first date in years, who arrives at an upscale restaurant where she is relieved that her date, Henry Campbell (Brandon Slkenar) is more charming and handsome than she expected. But their chemistry begins to curdle as Violet begins being irritated and then terrorized by a series of anonymous drops to her phone. She is instructed to tell nobody and follow instructions or the hooded figure she sees on her home security cameras will kill Violet's young son, Toby (Jacob Robinson) and babysitting sister Jen (Violett Beane). Violet must do exactly as directed or everyone she loves will die, Her unseen tormentor's final directive? Kill her date, Henry,

Others to round out the cast are Reed Diamond as Richard, Gabrielle Ryan as Cara, Jeffery Self as Matt, Ed Weeks as Phil, Travis Nelson as Connor, Michael Shea as Blake, Sarah McCormack as Hostess and Ben Pelletier as Bearded/Masked man. 

This was rivetingly directed with grit and suspense by Christopher Landon ("Burning Palms" '10, "Paranormal Activity: The Marked Ones" '14, "Scouts Guide to the Zombie Apocalypse" '15, "Happy Death Day" '17, "Happy Death Day 2U" '19, "Freaky" '20, "We Have a Ghost" '23) plus TV and a short. By his very resume, this filmmaker has certainly kept within his comfort zone, but when a certain genre works for you and you excel well, why not? The way he built the tension in this through Violet seemed realistic and more gripping. His pacing of the plot was amazing and also added to the calamity involved. It was written with grit and intensity by Jillian Jacobs ("Truth or Dare" '18, "Fantasy Island" '20) and Chris Roach ("Non-Stop" '14, "Truth or Dare" '18, "Fantasy Island" '20) plus TV. As aforementioned, this story builds slowly so as to let us see how much peril we see Violet is getting involved in and what makes that even more challenging is that she can't say anything lest her loved ones will die. Her facial expressions are so real as is Henry' s concern for her. Neither writer has a plethora of experience, but with this outing, they undoubtedly will receive more work. Lastly, considering the chemistry between Violet and Henry was strained in certain places of the story, they were still able to display an amazing chemistry throughout the film. If you like Roach's writing, his "Run" is in pre-production. 

If you like whodunnits or thrillers, this is a film you'll be right at home with. It's short, concise, with a tight script and engaging cast. It's tense, thrilling, riveting and definitely keeps you on the edge of your proverbial seat. Grab the popcorn for escapism at its best. 

Out of 4 Stars: 4                                      Rated: PG-13                                           96mins.

The Friend

Hollywood has a fascination with incorporating animals in their films and TV shows, i.e. "Lassie", "Marley and Me", "Old Yeller", "The Red Pony", "My Friend Flicka", "Dog", "Rin Tin Tin", and although there are a plethora of them, they never seem to get old with audiences. They typically profit, so in this day and age of finding profitable films, it's no wonder that "The Friend" has come along to continue that tradition. Hopefully as with the other films, this will also profit as well.

In this story, writer and teacher, Iris (Naomi Watts) finds her comfortable solitary New York life thrown into disarray after her closet friend and mentor, Walter (Bill Murray) commits suicide and bequeaths her his beloved 150 lb Great Dane. The regal yet intractable beast, named Apollo (Bing), immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones, his looming presence constantly reminding her of her friend's choice to take his own life. Yet as Iris finds herself unexpectedly bonding to the animal, she begins to come to terms with her past, her lost friend, and her own creative inner life.

Others to round out the past are Sarah Pidgeon as Val, Carla Gugino as Elaine, Constance Wu as Tuesday, Noma Dumezweni as Barbara, Ann Dowd as Marjorie, Owen Teague as Carter, Carrie Vu as Viv, Annie Fox as Jenna, Sue Jean Kim as Blossom and Gary Littman as Grant.

This was directed with a clear, concise delineation of drama and comedy by Scott McGehee and David Siegel ("Suture" '93, "The Deep End" '01, "Bee Season" '05, "Uncertainty" '08, "What Maisie Knew" '12, "Montana Story" '21) plus a short and a music video. The transformation that Watts had to endure was subtle yet incredibly moving, and this isn't just fine acting, but amazing directing as well. Their staging and pacing were second to none. It was equally well penned by writers Scott McGehee and David Siegel ("Suture" '93, "The Deep End" '01, "Uncertainty" '08, "Montana Story" '21) plus TV and a short, based on a novel by Sigrid Nunez. Obviously these filmmakers are both a directing and writing team which typically creates a unity that other films with different directors and writers don't have as much. The continuity is refreshingly fluid and certainly one can see why they stick together professionally. The only issue I could see with this film is that it took a while for the film to find itself and become the film that it was looking to be. Once it found itself, the story simply took off and was a gripping and captivating film. The more the story unfolds, the more we come to realize that, through taking care of this dog, Iris realizes more about the relationships that she had been confused about, so it became an epiphany in her life. 

This is an interesting film in that it speaks volumes about relationships and the confusion around them using this dog as the centerpiece in which those involved could find their answers to questions they didn't even know they had. The performance by Watts was amazing with the subtleties she brought to this role. If you're into 'dog' films, this is for those people for sure.

Out of 4 Stars: 3                                      Rated: R                                        120mins.

Audrey's Children

Anymore in Hollywood, films based on true stories seems to be the staple of films made in lieu of fictional movies. Even though I can understand considering how many true and intriguing stories there are out there, it would be nice to experience something of pure fiction. Until that time, we are offered an interesting film based on a true story that will pull ones' heartstrings.

Philadelphia. 1969. Based on the incredible true story, British physician, Dr. Audrey Evans (Natalie Dormer), is newly recruited to a world-renowned children's hospital and ends up battling sexism, medical conventions, and the subterfuge of her peers to develop revolutionary treatments, purchase of the first Ronald McDonald House for families of patients and ultimately impact the lives of millions of children around the world.With her help from Dr. Dan D'Angio (Jimmi Simpson), Dr. Brian Faust (Brandon Micheal Hall) and the reluctant help from Dr. C. Everett Koop (Clancy Brown), she was able to convince skeptics in her field of her unorthodox methods. 

Others to round out the cast are Ben Chase as Dr. Jeremy Lewis, Evelyn Giovine as Kate Watson, Julianna Layne as Mia McAlister, Stephen Burgi as Boardroom Doctor, Joe Pistone as Distraught Dad of Mia, Maggie Toomey as Young Audrey and Tony Robine as Tech A. 

This was poignantly and compassionately directed by Ami Canaan Mann ("Morning" '01, "Texas Killing Fields" '11, "Jackie & Ryan" '14) plus TV and a video. The way this director was able to encourage Dormer to truly dig deep so as to bring out the compassion, the passion and the amazing concern for these kids of this doctor was captivating. This is a true ability of fine directing. She doesn't have a plethora of feature film experience, but with her TV work, this has served her well. It was well written by virtual newcomer to feature films, Julia Fisher Farbman (TV). This film was handled well in that the scenes were well thought out and the medical techniques were explained with clarity. There were a couple of scenes that were slightly disjointed, but considering the limited experience, this writer excelled. Her TV experience certainly was pivotal in her screenwriting. More work is what this writer needs to hone her talents. 

Since this is about the different cancers these children are experiencing, there are some scenes that will pull the heartstrings, especially considering some of these kids are babies. Natalie Dormer as Dr Evans was the perfect casting in that her performance was riveting and compelling.This is a must see, not just to see a gripping story, but to experience a little of what the families go through having their children so vulnerable.

Out of 4 Stars: 3,5                                   Rated: PG                                         116mins.

A Working Man

While most action-packed films are typically fraught with a plethora of similarities and can be predictable, they are still entertaining and are constant in righting wrongs, which most people can appreciate. Schwarzenegger, Stallone, Statham and the like have made a fortune in these types of films. Surely, if you saw Jason Statham in "The Beekeeper", you will feel right at home with him in "A Working Man". 

Levon Cade (Jason Statham) left his "profession" behind to live a simple life working construction and spending time with his daughter. But when his boss, Joe Garcia's (Michael Pena) teenager daughter, Jenny (Arianna Rivas) vanishes, he's called upon to re-employ the skills that made him a legendary figure in the shadowy world of black ops, Levon's hunt for the missing college student takes him to the heart of a sinister criminal conspiracy creating a chain reaction that will threaten his new way of life. 

Others to round out the cast are Jason Flemyng as Wolo Kolisnyk, Merae Ninioze  as Yuri, Maximilian Osinski as Dimi Kolisnyk, Cokey Falkow as Dougie, David Harbour as Gunny Lefferty, Noemi Gonzalez as Carla Garcia, wife of Joe, Isle Gie as Merry Cade, Levon's daughter, Emmett J Scanlan as Viper and Eve Mauro as Artemis. 

This was directed by the action king David Ayer ("Harsh Rimes" '05, "Street Kings" '08, "End of Watch" '12, "Sabotage"'14, "Fury" '14, "Suicide Squad" '16, "Bright" '17, "The Tax Collector" '20, "The Beekeeper" '24) plus TV, music videos and a video. By his very resume, one can see that this filmmaker is right in his comfort zone. His heroes/anti-heroes are always cold and austere--almost steely, and truly not into being chatty. But this is why we like them so much--a kind of 'make my day' kind of character just there to beat the bad guys and save the day, and Ayer is simply king at this. It is written with intensity, grit and laced with explosive energy by Sylvester Stallone ("Rocky" '76, "F.I.S.T." '78, "Rocky II" '79, "Rocky III" '82, "First Blood" '82, "Rocky IV" '85, "Cobra" '86, "Rocky V" '90, "Cliffhanger" '93, "Driven" '01, "Rocky Balboa" '06, "Rambo" '08, "The Extendables" '10, "The Expendables 2" '12, "Homefront" '13, "The Expendables 3" '14, "Creed II" '18, "Rambo: Last Blood" '19) plus other films, TV, videos and video games, and David Ayer ("U-571" 2000, "The Fast and the Furious" '01, "Training Day" '01, "Dark Blue" '02, "S.W.A.T." '03, "Harsh Times" '05, "End of Warch" '12, "Sabotage" '14, "Fury" '14, "Suicide Squad" '16, "The Tax Collector" '20) plus TV and a short, based on the book, "Levon's Trade" by Chuck Dixon. Even though Kurt Wimmer wrote "The Beekeeper", this film has some fairly similar traits to the formats involved. As aforementioned, these films can be similar, but they are a great form of escapism at its finest. Considering these two writers are consummate in their being able to write an amazing action yarn is incredible--but it helps considering their plethora of writing experience. 

Certainly if you liked "The Beekeeper", you'll love this. A similar format as 'Beekeeper', but the the script was cohesive, tight, and sure-footed. I'm not sure, but, assuming this film makes a ton of money, there could be a sequel out of this. We'll see. Lots of money--sequel, not enough money--no sequel. This is true escapism replete with explosions, adrenaline and even some humor.

Out of 4 Stars: 4                                        Rated: R                                         117mins.

The Penguin Lessons

As time goes by, we are offered more and more films based on true stories, hence the expression, "truth is stranger than fiction". So, since that seems truthful, why not, since there is much truth to that expression? This time we are offered a very endearing, funny, dramatic and heartfelt story called "The Penguin Lessons".

This poignant dramedy is the inspired true story of a disillusioned Englishman, Tom Michell (Steve Coogan) who went to work as an English teacher in a school in Buenos Aires, Argentina in 1976. Expecting an easy ride, Tom discovers a divided nation on the brink of a coup and a class of unteachable students. However, after Tom rescues a penguin from an oil spill and left on the beach, his life is turned upside down. 

Others to round out the cast are Bjorn Gustafsson as Tapio, David Herrero as Diego, Jonathan Pryce as Timothy, Aimar Miranda as Ernesto, Vivian El Jaber as Maria, Alfonsina Carrocio as Sofia, Hugo Fuertes as Ramiro, Nicanor Fernandez as Igor, Joaquin Lopez as Victor and Miguel Alejandro as Walter. 

This was poignantly directed by Peter Cattaneo ("Loved Up" (TV movie) '95, "The Full Monty" '97, "Lucky Break" '01, "Opal Dream" '06, "The Rooker" '08, "Diana and I" (TV movie) '17, "Military Wives" '19) plus TV, shorts and a video. This filmmaker certainly knows how to transition his actors, specifically Coogan, from this cold, very cautious and calculating individual to this caring and thoughtful man in the most subtle of ways. Even though Coogan is a consummate actor, it still takes fine directing for this transition to occur without the audience catching on. It was effectively written by Jeff Pope ("Fool's Gold: The Story of the Brink's--Mat Robbery" (TV movie) '93, "The Magician" (TV movie) '95, "Christmas Lights" (TV movie) '04, "Pierrepoint: The Last Hangman" '05, "The Security Men" (TV movie) '13, "Philomena" '13, "Stan & Ollie" '18, "The Lost King" '22) plus other TV movies and TV. based on the book by Tom Michell. This was similar to last year's "My Penguin Friend" in that it was also based on a true story, however the stories were different showing how their respective penguins were able to get them through their difficult moments. This story, although heartwarming and captivating of how a penguin's presence can change many people, took about 20 minutes to find the film, but once it did, it simply took off. Once the film took off, it was captivating and engrossing absolutely holding my attention. 

Certainly, if you liked "My Penguin Friend", you'll feel right at home with this. It is humorous, captivating, dramatic, and heartfelt all rolled up in the crowd-pleasing story. It has some really interesting shots and video at the end of the actual people and penguin to cap off the film.

Out of 4 Stars: 3.5                                       Rated: PG-13                                        111mins.

Locked

When a film is produced with a minimal cast, it typically is a well crafted film, i.e. "Alien", "Slingshot", "Arcadian", Brightburn", "Locke", "Flight Risk"  and the like. So, when I saw my first trailer of "Locked", I felt this was yet another film with a minimal cast, which caused me to think that this too could be an interesting film. As I was watching the film, it, like the rest of the aforementioned films was truly well written and directed.  

This is a relentless horror, psychological-thriller where luxury becomes deadly. When Eddie (Bill Skarsgard) breaks into a luxury SUV, he steps into a deadly trap set by William (Anthony Hopkins), a self-proclaimed vigilante delivering his own brand of twisted justice. With no means of escape, Eddie must fight to survive in a ride, where escape is an illusion, survival is a nightmare, and justice shifts into high gear. 

Others to round out the cast are Ashley Cartwright as Sarah Barrish, Eddie's daughter, Navid Charkhi as Butter, Michael Eklund as Karl, Emma Kombe as Little Girl and Sofia Tesema as Lipstick Woman. 

This film was directed with amazing grit, intensity, and adrenaline by David Yarovesky ("The Hive" '14, "Brightburn" '19, "Nightbooks" '21) plus TV, shorts, music videos, a video and a video game. Practically, the fast-paced aspect kicked in early on--talking about cutting to the chase--pun intended. At the beginning,the audience certainly gets a look at how Eddie is the way he is, however, we don't find out about why and how William turns out the way he is, but as the film, unfolds, we ultimately see the issues in which William has right along with Eddie's issues that he brings to this story. The way that this director was able to take us on this roller coaster ride so we see how this verbal cat-and-mouse game plays out is exhausting, but exhilarating. It was equally well penned by writer Michael Arlen Ross ("Turistas" '06, "The Throwaways" '15, "Fallen" '16, "Oracle" '23), based on the film, "4 x 4" by Mariano Cohn and Gaston Duprat. This film was written with about the same velocity of that of the film "Speed", where every frame was utilized to achieve the maximum effect. Will this film be nominated for an Oscar come that time? Probably not, but I believe this wasn't written for that reason as much as it was written for the suspense and the adrenaline aspect of it, and these filmmakers succeeded in spades. 

If you like action-packed, adrenaline-filled films, this is the film for you. It metaphorically drags one through that keyhole. It's only 95 minutes long, but I feel this is all one can handle given the intensity and sheer thrilling factor. Hold on to your seats, this is quite the ride!

Out of 4 Stars: 4                                  Rated: R                                           95mins.

The Last Supper

Well, it's the season of Easter, and with that, the religious, inspirational and thought-provoking films are to be released. As with the many aspects of Jesus Christ's life and ministry on Earth, "The Last Supper" chronicles the time Jesus spends with His disciples before He is then betrayed by Judas Iscariot. This is part of "The Chosen" TV presentation as with others that have been theatrically released. 

In the days leading to betrayal, a gathering of disciples including Peter (James Oliver Wheatley), John (Charlie MacGechan), Judas (Robert Knepper) and others, unravels into a web of secrets and hidden motives. As tensions simmer beneath the surface, trust is tested, and loyalty is questioned. "The Last Supper" it seems, at every glance, hides a deeper truth. With the politics against that of Jesus Christ (Jamie Ward) and His disciples increases, the more impossible it seems for the disciples to grasp what's really going on, even though Jesus is fully in control and knows exactly what's happening. This becomes a true test of the disciples' faith.

Others to round out the cast are James Faulkner as Caiaphas, Henry Garrett as Nicodemis, Nathalie Rapti Gomez as Mary Magdalene, Daniel Fathers as Joseph of Arimathea, Marie-Batoul Prenant as Rachel, Mayssae El Halla as Mother Mary and Harry Anton as The Zealot. 

This was directed with such pathos, compassion yet passion by Mauro Borrelli ("Goodbye Casanova" 2000, "Branches" '04, "Haunted Forest" '07, "The Ghostmaker" '12, "The Recall" '17, "WarHunt" '22, "Mindcage" '22) plus shorts. This filmmaker was the perfect director for this considering the rapidity of the emotions that were used since this is about the savior of the world. And Borrelli's innate ability to have his actors to 'dig deep' when emitting the different emotions that simply needed to take place was genius. I was captivated! It was also equally well written by Mauro Borrelli ("Goodbye, Casanova" 2000, "Branches" '04, "Haunted Forest" '07, "The Ghostmaker" '12, "The Recall" '17, "WarHunt" '22, "Mindcage" '22) plus shorts, and John Collins ("Under the Stadium Lights" '21). Obviously Borrelli has the lion's share of the experience, but surely Collins' input was pivotal. The timeline chronicling of this script was certainly down to the biblical one, which tells me that these writers definitely did their homework. The characters, especially that of Ward as Jesus and Wheatley as Peter were believable in their performances as well as their ability to convince the audience with the conviction used here. 

If you are into inspirational and religious type films, you'll revel with this. Other than "The Passion of the Christ" back in 2004, this has got to be one of the closet depictions of the last supper historically. This is one all needs to see especially with Easter right around the corner. It depicts Jesus to be the humble, peaceful servant many believers have come to know. Be prepared to be moved emotionally. 

Out of 4 Stars: 4                                        Rated: PG-13                                  114mins.

Mickey 17

When Hollywood produces comedies, they don't have a tendency to delve into dark or satirical comedies which I believe are far funnier. Films like "Thank You for Smoking", "State and Main" "Parasite"and others often don't make it to the silver screen. I personally love the darker more satirical comedies since they are more original. So now, we have "Mickey 17" so we can enjoy that dark side of the genre.

Adapted from the novel "Mickey 7" by Edward Ashton, this stars Robert Pattinson as Mickey Barnes who signs up as an 'expendable'--a disposable member on a space mission along side of crew Nasha Barrage (Naomi Ackie), Timo (Steven Yeun), Kai Katz (Anamaria Vartolomei) and others, selected for dangerous tasks because he can be renewed if his body dies, with his memories and personality largely intact. With one regeneration, though, things go very wrong, whereas the new regeneration, called Mickey 18 has a totally different personality which ensues many problems. 

Others to round out the cast are Mark Ruffalo as Kenneth Marshall, Toni Collette as Ylfa, his wife, Patsy Ferran as Dorothy, Stephen Park as Zeke, Ian Hanmore as Darius Blank and Daniel Henshall as Preston. 

This was brilliantly directed with incredible wit and originality by Boon Joon Ho ("Barking Dogs Never Bite" 2000, "Memories of Murder" '03, "The Host" '06, "Tokyo!" (segment--"Shaking Tokyo") '08, "Mother" '09, "Snowpiercer" '13, "Okja" '17, "Parasite" '19) plus shorts. This filmmaker has the innate ability to encourage his actors to 'dig deep' when it comes to convincing the audience of their respective characters, especially in the case of Pattinson. He had to play two entirely different roles looking identical, but with personalities that were as different as night and day, and this is talented directing. Of course, Pattinson gets better with every film he does, this was equally exemplary for him. It was also equally well written by Boon Joon Ho ("Motel Cactus"'97, "Phantom: The Submarine" '99, "Barking Dogs Never Bite" 2000, "Memories of Murder" '03, "Antarctic Journal" '05, "The Host" '07, "Tokyo!" (segment--"Shaking Tokyo") '08, "Mother" '09, "Snowpiercer" '13, "Sea Fog" '14, "Okja" '14, "Parasite" '19) plus shorts, based on the novel "Mickey 7" by Edward Ashton. As with the filmmaker M. Night Shyamalan, this filmmaker is similar in that both are quirky and odd and with that, produce work that is definitely original. Boon Joon Ho doesn't produce mundane, trite, remakes, reboots, franchises, etc. This story definitively puts the 'W' in weird, however was a well crafted film. In fact, if I was pushed to notice any flaws in this, they were that there were a couple of scenes that were slightly disjointed where it became a little blurred when fading from one scene to another, otherwise the script rocked. 

If you are a fan of this director, you will revel with this film, however, I believe that he didn't write the movie for the mass audience appeal. This isn't for everyone in that not all like a dark, satirical, and odd film. But if these adjectives turn your crank, grab the popcorn, because it is a very funny, but dark humored film. 

Out of 4 Stars: 3.5                                           Rated: R                                             137mins.