Jurassic World: Rebirth

Ever since this franchise started back in 1993 with "Jurassic Park", Hollywood and fans alike have had a fascination, if not an obsession with the films. "Jurassic World: Dominion" was supposed to end the 'World' trilogy. However, because of the fans and the fact that this franchise has made well past a billion bucks, Universal Pictures and Amblin Entertainment decided to "do it again" with "Jurassic World: Rebirth". 

Five years after the events of "Jurassic World: Dominion", the planet's ecology has proven largely impossible to dinosaurs. Those remaining exist in isolated equatorial environments with climates resembling the one in which they once thrived. The three most colossal creatures within that tropical biosphere hold the key to a drug that will bring miraculous life-changing benefits to humankind. Corporate, Martin Krebs (Rupert Krebs) commissions Zora Bennett (Scarlett Johansson), whereas she hires scientist, Dr. Henry Loomis (Jonathan Bailey), Duncan Kincaid (Mahershala Ali), and others to go to this island and to extract DNA from three different dinosaurs to use toward this new drug to help people, Can they succeed and leave the island before they succumb to the dinosaurs left?

Others to round out the cast are Manual Garcia-Rulfo as Reuben Delgado, Luna Blaise as Teresa Delgado, Ed Skrein as Bobby Atwater, David Iacono as Xavier Dobbs, Audrina Miranda as Isabella Delgado, Bechir Sylvain as LeClerc and Adam Loxley as Williams

This was intensely directed with grit by Gareth Edwards ("End Day" (TV movie) '05, "Monsters" '10, "Godzilla" '14, "Rogue One: A Star Wars Story" '16, "The Creator" '23) plus TV and a short. This filmmakers doesn't have a plethora of experience behind the camera, but what he does have proves he can certainly handle a large, high-adrenaline film (check his resume). His staging and pacing are delineated well with tight timing. He was very much excited to direct this and he's proven he was definitely ready to do so. It was penned by seasoned writer David Koepp ("Apartment Zero" '88, "Toy Soldiers" '91, "Death Becomes Her" '92, "Jurassic Park" '93, "The Paper" '94, "Mission: Impossible" '96, "The Lost World: Jurassic Park" '97, "Stir of Echoes" '99, "Panic Room" '02, "Spider-Man" '02, "Secret Window" '04, "War of the Worlds" '05, "Indiana Jones and the Kingdom of the Crystal Skull" '08, "Premium Rush" '12, "Jack Ryan: Shadow Recruit" '14, "Inferno" '17, "The Mummy" '17, "Presence" '24, "Black Bag" '25) plus other films, TV, video games, a TV short and a short, based on characters created by Michael Crichton. Koepp certainly created an interesting premise for this installment--doctors, scientists and thrill seekers being drawn back to the island where the studying for the new Jurassic Park took place. This island housed the dinosaurs they needed the DNA from. Since Koepp wrote the original script for "Jurassic Park" and subsequent "Lost World: Jurassic Park", it's no surprise that this would be smartly and deftly written. Was it flawless? No, there were a couple of very small slow places, but surely not enough to detract from the story at hand. It was presented in IMAX and 4DX for your viewing pleasure--I decided to see it in 4DX and it rocked. And the visual effects were designed predominantly by ILM (Industrial, Light & Magic) and, as usual, were seamless. 

Certainly if you like the Jurassic franchise, this film will give you that fix and then some. It had it all: high-adrenaline, explosives, grit, intensity and even some humor to break up the tenseness. You must see this on the large screen in order to fully enjoy the grandiose of it.  When I left the theater, I was totally drained--wow, what a rush!! Grab the popcorn and enjoy this ride. 

Out of 4 Stars: 4                                        Rated: PG-13                                        133mins.

F1: The Movie

Hollywood and fans have had a fascination with racing, whether it be car, horse or person, for decades of making films; the list is endless, however when seeing my first trailer of "F1: The Movie"I knew it was going to be a film to contend with--and I was right. This quintessential underdog film ultimately becomes the stand up and cheer film which we all love.

Dubbed "the greatest that never was", Sonny Hayes (Brad Pitt) was FORMULA 1's most promising phenom of the 1990s until an accident on the track nearly ended his career. Thirty years later, he's a nomadic racer for hire when he's approached by his former teammate Ruben Cervantes (Javier Bardem), owner of a struggling FORMULA 1 team that is on the verge of collapse. Ruben convinces Sonny to come back to FORMULA 1 for one last shot at saving this team and being the best in the world. He'll drive alongside Joshua Pearce (Damson Idris), the team's hotshot rookie intent on setting his own pace. But as the engines roar, Sonny's past catches up with him and he finds that in FORMULA 1, your teammate is your fiercest competition--and then the road to redemption is not something you can travel alone. 

Others to round out the cast are Kerry Condon as Kate McKenna, a race car designer, Tobias Menzies as Peter Banning, Sarah Niles as Bernadette Pearce, Joshua's mom, Samson Kayo as Cash, Kim Bodnia as Kaspar Smolinski, Will Merrick as Nickleby, Joseph Balderrama as Fazio, Callie Cooke as Jodie, Abdul Salis as Dodge and Simon Kunz as Don Cavendish. 

This was directed with grit, excitement all at a grandiose pace by Joseph Kosinski ("Tron: Legacy" '10, "Oblivion" '13, "Only the Brave" '17, "Top Gun: Maverick" '22, "Spiderhead" '22) plus videos, music videos and a short.  After his stint on the film "Top Gun: Maverick", I clearly had no doubt of this director's ability to direct this film. His sequencing, cohesiveness and his ability to keep a large production in check is amazing. Of course, the film is part based on his story, this was still helmed in such a way that the film was incredibly fluid. It was equally well penned by seasoned writer, Ehren Kruger ("Killed in the House" (TV movie) '98, "Arlington Road" '99, "New World Disorder" '99, "Scream 3" 2000, "Reindeer Games" 2000, "Impostor" '01, "The Ring" '02, "The Ring Two" '05, "The Skeleton Key" '05, "The Brothers Grimm" '05, "Blood and Chocolate" '07, "Transformers: Revenge of the Fallen" '09, "Transformers: Age of Extinction" '14, "Tin Man" (TV movie) '14, "Ghost in the Shell" '17, "Dumbo" '19, "Top Gun: Maverick" '22) plus TV and videos, based on a story by Joseph Kosinski and Ehren Kruger. What makes this writer so prolific is that one cannot pigeon-hole him since his resume is as diverse as it is. The sequencing in this film was amazing and the the story simply fell into place like a jigsaw puzzle. It exceeded two and a half hours, and I didn't even feel it--it absolutely moved right along. As aforementioned, this was an underdog flick, replete with characters coming to grips with their issues and finding redemption through them, trials, success and much more. The cinematography by Claudio Miranda asc ("Life of Pi" '12, "Tomorrowland" '15, "Only the Brave" '17, "Top Gun: Maverick" '22) and others, was crisp and concise--certainly one professional Kosinski has used more than once.

What also made this film rock was that I also viewed it in the 4DX process--where the seats shake and there's wind synchronized together to give one quite the ride, and it was filmed in IMAX, although you can view it on a regular screen. This film rocked. It was the reason we go to see films in the theater so as to be entertained!!

Out of 4 Stars: 4                                          Rated: PG-13                                        156mins.

The Unholy Trinity

Back in the day, the western genre was very popular--many were made, but as the decades unfolded, so did the genre's popularity. Then, as certain things recycle, the genre became a 'thing' back in the late 80s to early 90s. We've seen a number of them--some good and others not so good. Of recent , westerns have waned a bit, but if something comes along, it could be profitable. "The Unholy Trinity" has been fairly panned, however after seeing it, I felt it truly worked more than others gave it credit. 

This story promises to deliver an exciting blend of action, suspense and western grit with an all-star ensemble ready to capture audiences this summer. A tale of revenge, dark secrets and buried treasures, the film is set against the turbulent backdrop of the 1888 Montana Territory. It picks up in the moments before the execution of Isaac Broadway (Tim Daly), as he gives his estranged son, Henry (Brandon Lessard), an impossible task: murder the man who framed him for a crime he didn't commit. Intent on fulfilling his promise, Henry travels to the remote town of Trinity, where an unexpected turn of events traps him in town, and leaves him caught between Gabriel Dove (Pierce Brosnan), the town's upstanding new sheriff, and a mysterious figure named St. Christopher (Samuel L. Jackson).

Others to round out the cast are Veronica Ferres as Sarah Dove, the sheriff's wife, Gianni Cabaldi as Gideon, Q'orianka Kilcher as Running Club, Katrina Bowden as Julia, Beau Knapp as Asa Benton, Ethan Peck as Sam Scarborough, David Arquette as Father Jacob and Paris Brosnan as Thomas.

This was directed with grit and realism by Richard Gray ("Fish Out of Water" (TV movie) '07, "Summer Coda" '10, "Mine Games" '12, "Blinder" '13, "The Lookalike" '14, "Sugar Mountain" '16, "Broken Ghost" '17, "Robert the Bruce" '19, "Murder at Yellowstone City" '22) plus TV and shorts. The way this filmmaker was able to put his actors in such compromising situations was brilliant and gave that feeling as though we were seeing real life instead of a film. His pacing and staging was certainly strong as was the photography by Thomas Scott Stanton. It was executed well by writer Lee Zachariah ("Election 2007: Countdown to a Letdown" (TV movie) '07) plus TV and shorts. Even though this writer has limited experience, especially this being his first feature film in the writing category, it was still a suspenseful and amazingly gritty story surely to hold the audience's attention. The way that there were a couple of different subplots involved, by films end they did ultimately connect whereas it made one wonder beforehand. Was it flawless? No, there were a couple of places of continuity issues and some cohesiveness issues as well, but certainly not enough to detract from the interest this film had. This writer has potential given he is handed more work to hone his talent. 

If you can appreciate or even love westerns, this will be the film for you. The performances by Brosnan, Jackson and Lessard were well cast and strong. Certainly Jackson must've yawned through this role since he does many of these types of characters: nice guy, but proves to be untrustworthy in the end--a sort of anti-hero. And I personally have never heard of Lessard--possibly does TV which I typically don't keep up with, but was very convincing. This is definitely worth the price of admission for sure!

Out of 4 Stars: 3.5                                      Rated: R                                               95mins.

28 Years Later

When "28 Days Later" was released back in 2002, it was one of those many apocalyptic films that was fairly popular for its day, although Danny Boyle directing, simply made the film sing. Well, it's now been 22 years later and we are offered "28 Years Later" which was equally well directed by the incomparable Danny Boyle.

It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. When two of the group leaves the island, Jimmy (Aaron Taylor-Johnson) and his son, Spike (Alfie Williams), on a mission into the dark heart of the mainland, they discover secrets, wonders and horrors that have mutated not only the infected but other survivors as well. After a point, young Spike decides to take his sick mom, Isla (Jodie Comer) to see if he can find a doctor he's heard of on the mainland, Dr Kelson (Ralph Fiennes) to see if he can heal his mom, without the knowledge of anyone, including his dad. And they end up getting more than they bargained for. 

Others to round out the cast are Rocco Haynes as young Jimmy, Jack O'Connell as Sir Jimmy Crystal, Edvin Ryding as Erik, Christopher Fulford as Sam, Haley Flaherty as Jimmy's aunty and Harriet Taylor as Jimmy's cousin Delilah.

This was clearly well dissected and delineated by director Danny Boyle ("Shallow Grave" '94, "Trainspotting" '96, "A Life Less Ordinary" '97, "The Beach" 2000, "28 Days Later" '02, "Millions" '04, "Sunshine" '07, "Slumdog Millionaire" '08, "127 Hours" '10, "Trance" '13, "Steve Jobs" '15, "T2 Trainspotting" '17, "Yesterday" '19) plus TV, TV movies, a music video and a short. Considering this filmmaker's resume, it's no wonder that this was precisely directed with such intensity that crept up on the audience in such a subtle way that, after a point, it takes one by surprise. It was executed well by writer Alex Garland ("28 Days Later" '02, "Sunshine" '07, "Never Let Me Go" '10, "Dredd" '12, "Ex Machjna" '14, "Annihilation" '18, "Men" '22, "Civil War" '24, "Warfare" '25) plus TV, music videos and novels. Since this writer has been involved in other Boyle's projects, including this film, undoubtedly was the obvious choice to write this film. Certainly it was strongly written, but other than a couple of places that were slightly inconsistent and some issues of continuity, this was the film that anyone that is a fan of this franchise would expect. I really don't think that Boyle could get any other writer that could follow his way of thinking than Garland. Even though there was a good deal of gore (hey, it's a zombie film), it was still toned down a bit. In my opinion, I feel that creating this premise as being its root being a virus makes this even more 'believable', instead of it being just another horror film, kind of like "World War Z". 

Certainly if you like zombie films, or more to the point, this film's predecessor, you will revel with this next installment. It has all a fan would expect, and best of all, Danny Boyle directs. And with that, how bad could this be? Could there be a sequel? Not sure, but it does leave the audience with wondering.

Out of 4 Stars: 3.5                                          Rated: R                                         115mins.

Elio

When Pixar Animation Studios produced their first feature film completed designed by computer back in 1995, who knew that it would become the phenomena of the year. Actually, it has produced animated feature films for the past 30 years with an incredible track record. We've seen "Toy Story", "Monsters Inc.", "A Bud's Life", "Up", "Onward", "Brave", "Cars", "The Incredibles", "Inside Out" "WALL-E", "Soul" to mention a handful. So now we are offered "Elio" to revel with.

Elio Solis (Yonas Kibreab) is an 11-year old who doesn't feel like he fits in on Earth. He loves his Aunt Olga Solis (Zoe Saldana), and he knows she loves him too, but she doesn't really get him. Obsessed with space, Elio's favorite pastime is trying to make contact with with aliens. He desperately wants to get abducted, so he's over the moon, literally, when he's beamed up to a special place in space where planetary leaders convene. Mistaken for the leader of Earth, Elio will do anything to prove his worth, even if it means spearheading negotiations with a slightly crazed space warrior, Lord Grigon (Brad Garrett). As Elio attempts to negotiate with Grigon, Elio ends up meeting Grigon's young son, Gordon (Remy Edgerly) which he and Elio become fast friends, So, at least Elio feels he has some help. 

Others to round out the cast are Jameela Jamil as Ambassador Questa, Brandon Moon as Ambassador Helix, Dylan Gilmer as Bryce, Jake Getman as Caleb, Matthias Schweighoffer as Ambassador Tegman and Ana de la Reguera as Ambassador Turais.

This was incredibly well paced and staged by directors Madeline Sharafian ("2021 Oscar Nominated Short Films: Animation" '21), Domee Shi ("Turning Red" '22) plus a short and Adrian Molina ("Coco" (co-directed) '17) plus a short. This is where the more people involved, the better, since then they are able to cover effectively the many aspects of this animated marvel. There is so much going on that three directors are warranted. These filmmakers don't have a plethora of feature film experience, but they actually pulled this off. It was cleverly written by Julia Cho, Mark Hammer and Mike Jones, based on a story by Adrian Molina, Madeline Sharafian, Domee Shi and Julia Cho. As with the directors of this film, the writers also don't have extensive feature film experience, but what they lack in experience, they more than made up for quality. These writers will undoubtedly receive more work, In fact, not to give any spoilers, this movie leaves its audience with the possibility of a sequel, and we would be the victors for it. Their sequencing, cohesiveness and originality makes for great storytelling, and Pixar Studios animation is, as usual, remarkable. 

If you're a fan of Pixar, you'll love this. It has that amazing feeling one gets after seeing one of their films. It's original, fresh and just plain FUN. I've said it before and I'll say it again, how do those guys at Pixar do it?

Out of 4 Stars: 4                                        Rated: PG                                        98mins.

 

Hpw to Train Your Dragon

When Dreamworks Animation released "How to Train Your Dragon" back in 2010, I actually thought it would be one film and that would be the end of it. However, it produced two sequels, and, after enough years, it was then made into a live version. This version "How to Train Your Dragon" has been so popular, a sequel of this live version is in pre production for a 2027 release.

As an ancient threat endangers both Vikings and dragons alike on the isle of Berk, the friendship between Hiccup (Mason Thames), an inventive Viking, and Toothless, a Night Fury dragon, becomes the key to both species forging a new future together. Hiccup clearly doesn't have the heart to kill a dragon, like a good Viking much to the chagrin of his forceful father, the chief of the tribe, Stoick (Gerard Butler). So, in order to attempt to convince his dad to understand him, he enlists other Vikings namely Astrid (Nico Parker) and Gobber (Nick Frost) to help convince.

Others to round out the cast are Gabriel Howell as Snotlout, Julian Dennison as Fishlegs, Brownwyn James as Ruffnut, Harry Trevaldwyn as Tuffnut, Murray McArthur as Hoark, Peter Serafinowicz as Spitelout, Naomi Wirthner as Gothi, Ruth Codd as Phlegma and Andrea Ware as Burnheart. 

This was directed with familiarity with a  recognizable style by Dean DeBlois ("Lilo & Stitch" '02, "Sigur Ros: Heima" '07, "How to Train Your Dragon" '10,"How to Train Your Dragon 2" '14, "How to Train Your Dragon: The Hidden World" '19, "Ten" '22) plus a video. I say familiarity due to the fact that this director also directed the animated version, so the similarity followed suit.This certainly was helpful in order to keep that same feel with this version which made it that much easier to follow. It was also written by Dean BeBlois ("How to Train Your Dragon" '10, "How to Train Your Dragon 2" '14, "How to Train Your Dragon: The Hidden World" '19, "Lilo & Stitch" '25) plus TV, video games, a video and a short, based on Dreamworks Animation's "How to Train Your Dragon" by Will Davies, Dean DeBlois and Chris Sanders, which is based on the book by Cressida Cowell. Again, the writing was, obviously, familiar, but this is positive, especially since it's been a while since the last sequel. The casting was credible, especially that of Thames as Hiccup and Butler as Stoick. The sweeping music by John Powell was engaging and captivating. And, of course, the visual effects by Framestore were seamless and truly added to the story. It was shot and presented in IMAX, but you can view it on a traditional screen as well. 

If you liked and appreciated Dreamworks Animation's version of this story, you'll love this version. It will be interesting to see the sequel of this in 2027. It's the quintessential summer flick, so grab the popcorn with this. What a Ride!

Out of 4 Stars: 4                                      Rated: PG                                          125mins.

The Phoenician Scheme

When it comes to the world of Wes Anderson, one has to conclude that a film is going to be original--unlike so many films out there. Another very original filmmaker out there is M. Night Shyamalan whereas everyone of his films are original. Original doesn't always equate with quality or likability, however original is something Hollywood has all but abandoned. We now have been handed "The Phoenician Scheme" and again, it's quirky and weird, but original.

Wealthy businessman Zsa-zsa Korda (Benicio Del Toro) appoints his only daughter, Liesl, (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins. There are some that attempt in assisting him, such as Bjorn (Michael Cera), Leland (Tom Hanks) and Marty (Jeffrey Wright), but is there assistance simply a ploy in order to rid of Korda? He's constantly in plane crashes and seemingly never dies, so who, if anyone, is responsible for that? The story is laid out in particular segments showcasing all these individuals in cahoots to bring Kurda down. 

Others to round out the cast are Bryan Cranston as Reagan, Mathieu Amalric as Marseille Bob, Richard Ayoade as Segio, Scarlett Johansson as Cousin Hilda, Benedict Cumberbatch as Uncle Nubar, Rupert Friend as Excalibur, Hope Davis as Mother Superior, Bill Murray as God, Stephen Park the pilot and Willem Dafoe as Knave. 

This was directed with originality and weirdness by Wes Anderson ("Bottle Rocket" '96, "Rushmore" '98, "The Royal Tenenbaums" '01, "The Life Aquatic with Steve Zissou '04, "The Darjeeling Limited" '07,"Fantastic Mr. Fox" '09, "Moonrise Kingdom" '12, "The Grand Budapest Hotel" '14, "Isle of Dogs" '18, "The French Dispatch" '21, "Asteroid City" '23) plus shorts, videos and music videos. Anderson certainly has that distinct style to his films with not only the photography, but the production design and even the acting where his actors implement a 'dead pan' look to themselves as they say their lines. His staging and pacing is spot on and is again, similar from film to film. This film was also executed well by writer Wes Anderson (See above resume), based on a story by Wes Anderson and Roman Coppola. Anderson, like Shyamalan, and others, write their own films which creates more continuity and strength. I'm not expressly an Anderson fan, however I can surely respect his work in that it is fresh and original. A fair amount of his storylines are odd and bizarre, hence the originality, and they are bent with paranoid characters, but certainly I have appreciated many of his works. This had some places of slowness and inconsistencies which made it a bit difficult to wade through. 

It is evident that when these actors convene to make any Anderson film, they come across as though they are truly enjoying themselves, and this comes across to the audience in spades. Surely, Anderson has a strong following and that is encouraging, because this means that there are moviegoers that are into something different than the typical sequels, prequels, remakes, reboots, franchises, installments and the like, and that is definitively encouraging. 

Out of 4 Stars: 3                                      Rated: PG-13                                    101mins.

From the World of John Wick: Ballerina

When the first 'John Wick' waltzed into theaters back in 2014, I really thought it wouldn't ignite certainly enough to produce the many films that it did. Since then, I have been intrigued with the franchise mostly because of Keanu Reeves and its director Chad Stahelski--a well renown stunt coordinator. Now, we have "From the World of John Wick: Ballerina" to grasp a hold of.

Taking place during the events of "John Wick: Chapter 3 - Parabellum", the film follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma. Before all this, she is protected by her father, Javier (David Castaneda) since he was entrenched in a tribe (almost a cult) of assassins. He did not want his daughter to belong to it, so he attempted to leave while being followed. The daughter, young Eve (Victoria Comte) unfortunately witnessed his death and subsequently was enlisted by Winston (Ian McHane) to be trained. She, as an adult, goes on a killing spree to avenge the death of her father only after the Director of the organization (Anjelica Huston) attempts to get her to stand down since she and the leader of the tribe she's after, the Chancellor (Gabriel Byrne) have an understanding of not interfering into each other's personal affairs. So the Director hires John Wick (Keanu Reeves) to find her and gets her to stop even if her death has to be an option. What happens now?

Others to round out the cast are Catalina Sandino Moreno as Lena, Ava McCarthy as Ella, Norman Reedus as Daniel Pine, Juliet Doherty as Tatiana, Lance Reddick as Charon, Sharon Duncan-Brewster as Nogi and Robert Maaser as Dex. 

Even though Chad Stahelski didn't direct this installment, it was still directed with intense grit by Len Wiseman ("Underworld" '03, "Underworld: Evolution" '06, "Live Free or Die Hard" '07, "Total Recall" '12) plus TV, videos and music videos. Certainly by reading this filmmaker's resume, one could come to the realization that he was in his comfort zone. Being one of the producers of this film, Stahelski certainly held on to his creative control, but it was still Wisemans' expertise to provide to his audience the similar feel of the characters that were created, and this isn't easy to do. The energy was electric and defining. It was also well written by Shay Hatten ("John Wick: Chapter 3 - Parabellum" '19, "(Future) Cult Classic" '19, "Army of the Dead" '21, "Army of Thieves" '21, "Shift" '22, "John Wick: Chapter 4" '23, "Rebel Moon - Part One: A Child of Fire" '23, "Rebel Moon - Part 2: The Scargiver" '24), based on characters created by Derek Kolstad. One of the best aspects of this franchise is to implement many of the same people to produce each installment so as to create fluidity from one film to the next. Even though Wick supposedly died in the last film, this, as the plot indicates, takes place during installment three, so it makes this possible. The only issue I might have with is that it was just a bit too long-in-the-tooth. And there were a couple of places where it would've made more sense to do something another way, but then the movie would be considerably shorter, otherwise this film simply rocked. The stunts by supervising stunt coordinator Stephen Dunlevy were incredible and precise in every way. 

Certainly if you liked the previous 'John Wick' films, you'll revel with. It is fairly predictable, but so is the character of  Wick. It has it all: drama, high-adrenaline, explosiveness and even some humor to round out the story and add some comic relief. It's also offered in an IMAX format as well for that up close and personal feel. 

Out of 4 Stars: 3.5                                       Rated: R                                          125mins.

Karate Kid: Legends

For a franchise that has lasted for 41 years starting with "The karate Kid" in 1984, "Karate Kid: Legends" is yet another film continuing with a new generation that is as entertaining as the original. There have been other sequel films and a TV series since, but this film was delineated with the kind of precision one would certainly hope for. 

This film unites the iconic martial arts masters of the most beloved film franchises of all time to tell a completely new story full of action and heart. When kung fu prodigy Li Fong (Ben Wang) relocates to New York City with his mother, Dr. Fong (Ming-Na Wen) to attend a prestigious new school. He finds solace in a new friendship with a classmate, Mia Lupani (Sadie Stanley) and her father, Victor Lupani (Joshua Jackson). But his newfound peace is short-lived after he attracts unwanted attention from a formidable local karate champion, Conor Day (Aramis Knight). Driven by a desire to defend himself, Li embarks on a journey to enter the ultimate karate yearly competition. Guided by the wisdom of his kung fu teacher, Mr. Han (Jackie Chan) and the legendary Karate Kid, Daniel LaRusso (Ralph Macchio), Li merges their unique styles to prepare for an epic martial arts showdown. 

Others to round out the cast are Wyatt Oleff as Alan Federman, Nicolas Carella as Fat Jerry, Shaunette Renee Wilson as Ms. Morgan, Tim Rozon as O'Shea and Yankei Ge as Bo Fong, Li's brother. 

This was directed with just the right amount of action and heart by Jonathan Entwistle ("Mulligatawny" '10) plus TV, shorts and music videos. This filmmaker certainly has the ability to stage and pace his actors well, and simply captured the same feel of Macchio's character from the other 'Karate Kid' films. With only one other feature film to his credit behind the camera, his TV and shorts experience served him well. Typically this is the mark of a smart director to hone their talent in TV, etc before taking the leap into the feature film biz. It was equally well written by Rob Lieber ("Alexander and the Terrible, Horrible, No Good, Very Bad Day" (screen story) '14, "Peter Rabbit" (screen story) '18, "Goosebumps 2: Haunted Halloween" '18) plus TV, based on characters created by Robert Mark Kamen. May I start with the trailer doesn't sell this film? When I saw my first trailer, I felt that it didn't look like a movie to waste my time, however not terrible, but certainly nothing great. After reviewing this, it was far better than the trailer led on. Was it without flaws? Definitely not. It started out as just "The Karate Kid" x 2-- the next generation coupled with a yawn. However, as the film progressed, it suddenly became the film that this writer meant it to be. It wasn't a sentimental, maudlin drama, but it carried the audience to a place where different techniques were implemented that Han and Daniel found that would work instead of us presuming that everything was going to be tied up with a nice bow--it became more real, and this spoke volumes.

As with the original, this was the quintessential underdog film replete with reexamining Li's past in order to help his present and hopefully his future. It has action, heart, redemption and enough humor to give it that sense of reality. And aren't these types of films the reason why we go to the theater so as to escape?

Out of 4 Stars: 3.5                                    Rated: PG-13                                   104mins.

                                     

Mission: Impossible - The Final Reckoning

When I used to see the TV series of Mission: Impossible, it was considered a cutting edge show when it came to 'stinging' the bad guys by shows' end. Now that the film franchise has been in existence for 29 years, we now have been offered the eighth installment appropriately titled "Mission: Impossible - The Final Reckoning" as the follow up to the 2023, "Mission: Impossible - Dead Reckoning". 

Ethan Hunt (Tom Cruise) and the IMF team including Luther Stickell (Ving Rhames), Benji Dunn (Simon Pegg), Grace (Hayley Atwell) and Paris (Pom Klementieff) continue their search for the terrifying AI known as the Entity--which has infiltrated intelligence networks all over the globe--with the world's governments and a mysterious 'ghost', Gabriel (Esai Morales) from Ethan's past on their trail. Joined by new allies including Capt. Bledsoe (Tramell Tillman) and armed with the means to shut the Entity down for good, Hunt is in a race against time to prevent the world as we know it from changing forever. 

Others to round out the cast are Henry Czerny as Kittridge, Holt McCallany as Serling, Angela Bassett as President Erika Sloane, Janet McTeer as Walters, Nick Offerman as Gen. Sidney, Hannah Waddingham as Adm. Neely, Shea Whigham as Briggs and Greg Tarzan Davis as Deeds.

This was directed with the same precision and expertise as with the many other 'Mission Impossible' films we've all seen by Christopher McQuarrie ("The Way of the Gun" 2000, "Jack Reacher" '12, "Mission: Impossible - Rogue Nation" '15, "Mission: Impossible - Fallout" '18, "Mission: Impossible - Dead Reckoning" '23). McQuarrie actually got his start in writing screenplays and ultimately graduated to behind the camera with much success. He sequences well and his staging, pacing and ability to handle a large production simply is second to none. If you like his form of directing, his "The Gauntlet" is in pre production. It was well penned by seasoned writers Christopher McQuarrie ("Public Access" '93, "The Usual Suspects" '95, "The Underworld" (TV movie) '97, "The Way of the Gun" 2000, "Valkyrie" '08, "The Tourist" '10, "Jack Reacher" '12, "Jack the Giant Slayer" '13, "The Mummy" '17, "Top Gun: Maverick" '22, "Mission: Impossile - Dead Reckoning Part One" '23) plus other films and TV, and Erik Jendresen ("Deadlocked" (TV movie) 2000, "Crazy as Hell" '02, "Sublime" '07, "The Big Bang" '10, "Ithaca" '15, "Mission: Impossible - Dead Reckoning Part One" '23) plus other TV movies, based on the TV series created by Bruce Geller. These writers gave an incredible send up for this films' closure--replete with a graduated story that builds slowly and then all hell breaks loose. For a film that runs almost three hours, this movie certainly moved. There was a couple of very small slow places about two-thirds the way through, but otherwise was a great popcorn flick. The visual effects predominantly designed by ILM (Industrial, Light & Magic) were seamless and the realism was off the charts. Both Cruise and McQuarrie produced this film and they certainly knew what the audiences wanted and they produced.

If you're a Mission: Impossible fan (whether the TV series or the films), this is the film for you! It has it all: drama, explosions, adrenaline, and even humor which makes for that perfect summer flick where we all can go and escape into. Grab the popcorn--this is quite the roller coaster ride!

Out of 4 Stars: 3.5                                       Rated: PG-13                                       170mins.

The Last Rodeo

Who doesn't like or respect a good 'underdog' film? We've seen many of them i.e. "American Underdog", "Invincible", "Rudy", "Seabuscuit", "42", plus many others. "The Last Rodeo" is certainly the quintessential underdog film if ever seen, and probably the most incredible comeback movie released in some time. 

To save his grandson, Cody Wainwright (Graham Harvey), a retired three time rodeo star, Joe Wainwright (Neal McDonough) decides to enter a high-stakes bull-riding competition in order to help finance a delicate brain surgery his grandson must endure. Along the way, through his friend Charlie Williams (Mykelti Williamson) and his daughter, Sally Wainwright (Sarah Jones), he confronts his past, discovers faith, and proves that true courage lives in family.

Others to round out the past are Christopher McDonald as Jimmy Mack, Daylon Ray Swearingen as Billy Hamilton, Irene Bedard as Agisa Williams, Matt West as Carl Thompson, Clint Adkins as commentator Bryan Buck, Gabriel Sousa as Marco Lockwood, Kamen Kasey as Cooper Duke, Ruve McDpnough as Rose Wainwright, Kaden Taylor as Dee Jones as Brook Banks as Vicky.

This was directed with compassion, passion and heart by Jon Avnet ("Between Two Women" (TV movie) '86, "Fried Green Tomatoes" '91, "The War" '94, Up Close & Personal" '96, "Red Corner" '97, "Uprising" (TV movie) '01, "Conviction" (TV movie) '05, "88 Minutes" '07, "Righteous Kill" '08, "Bunker Hill" (TV movie) '09,"Three Christs" '17) plus other TV movies, TV and a video. The way these actors came across in a way that didn't depend on sentimentality and leaned much more on realism was not only effective acting, but directing as well. It could've became maudlin and wallow in sentiment, but one felt that they had to be watching real people in real situations. It was effectively written by Jon Avnet, Neal McDonough and Derek Presley. I'm not sure why Presley was listed last in the writing billing, him having more experience, except that since Avnet directed the film and McDonough starred in it could've been a weighing factor. As with the directing, this writing didn't become bogged down with sentimentality which created realism. It was sequenced well, and paced and staged well. There were, however, a couple of places of slowness and choppiness, but not enough to detract from the intensity of the story. It was well cast, especially that of McDonough in the starring role. He came across as a character, although was obviously beyond his prime, but was still believable in convincing the audience that he could possibly pull this off. 

If you like rodeo films, you will revel with this.There are real bull riders who had roles in this. as well. Also, this being produced by Angel Studios ("Sound of Freedom", "Sight"), it simply made this viewing more real and meaningful. We need more studios like Angel that are willing to produce more wholesome, good, faith based films instead of those that are riddled with gratuitous violence, sex and 4-letter words. 

Out of 4 Stars: 3.5                                        Rated: PG                                       116mins.

Shadow Force

As many espionage films that are out there, there are, at least, as many or more of the special forces/black ops films in this particular genre. Whether these films are based in the military or are civilian run, there's something a film goer can sink their teeth into. "Shadow Force" is one of those films that pits the bad guys with ones that have branched off at total odds with each other. 

In this story, Kydah Owens (Kerry Washington) and Isaac Sarr (Omar Sy) were once the leaders of a multinational special forces group called Shadow Force. They broke the rules by falling in love, and in order to protect their son, Ky Sarr (Jahleel Kamara). they go underground. With a huge bounty on their heads by leader, Jack Cinder (Mark Strong), and the vengeful Shadow Force hot on their trail, one family's fight becomes an all-out war. Will they be able to keep one step ahead of Cinder in order to survive?

Others to round out the cast are Da 'Vine Joy Randolph as Marvella or 'Auntie', Cliff 'Method Man' Smith as Avery or 'Unc', Marshall Cook as Patrick, Ed Quinn as Parker, Yoson An as Varjo, Jenel Stevens as Anino, Marvin Jones III as Cysgod, Sala Baker as Scath and Natalia Reyes as Moriti.

This film was directed with grit and tenacity by seasoned Joe Carnahan ("Blood, Guts, Bullets and Octane" '98, "Narc" '02, "Smokin' Aces" '06, "Faceless" (TV movie) '06, "The A-Team" '10, "The Grey" '11, "Stretch" '14, "Boss Level" '20, "Battle Ready" (TV movie) '20, "Copshop" '21) plus TV, shorts and a video. By his very resume, Carnahan certainly has perfected the drama and intensity of those in war and the political realm and does so unapologetically. The intensity between Sy and Washington was gritty all the while that they wholeheartedly believe in family and ultimately made that their mainstay, and this represents talented directing. If you like this filmmaker's brand, both his "Not Without Hope" and "RIP" are completed and in post production respectively for a 2025 release date. It was equally well penned by writers Joe Carnahan ("Karate Raider" '95, "Narc" '02, "Smokin' Aces" '06, "Pride and Glory" '08, "The Grey" '11, "Stretch" '14, "Death Wish" '18, "Bad Boys for Life" '20, "Copshop" '21) plus other films, TV, shorts and a video and Leon Chills (TV). This being predominantly written by a seasoned writer (Carnahan), it certainly kept the audience's attention while these two special force ops were balancing their impossible jobs while attempting to raise their child. The only issue with this was that somewhere after about a quarter the way through the film, it started to slow down and was a bit choppy in those places, otherwise it was thrilling and taught as a film of this caliber should be. The supporting cast was strong, especially Mark Strong as the baddie which he plays so well. even though Leon Chills has only TV to his credit, it must have served him well. 

If this particular genre is a favorite, this will serve you with much action, intensity and adrenaline. It has a good cast and fine filmmakers working on it. For a film that didn't receive much press like the new Jurassic World or F1: The Movie, this will certainly keep you glued to the screen while entertaining you as well. 

Out of 4 Stars: 3                                        Rated: R                                           104mins.

Fight or Flight

Most films that are of the genre, thriller, are typically fraught with serious drama laced with high tension, but then we have "Fight or Flight" which is anything but.  Another film that is a thriller that has similar elements of humor is that of "Bullet Train" (2022). Otherwise most other thrillers are basically what one would expect. 

Exiled American agent Lucas Reyes (Josh Hartnett) is given one last chance to redeem himself--The assignment is to track down and identify a mysterious, international high-value asset known only as The Ghost (Charithra Chandran) on a flight from Bangkok to San Francisco. Complicating matters, the plane is filled with assassins from around the globe who are assigned to kill them both. The pair must work together in a fight for their lives. At 37,000 feet, the stakes have never been higher. 

Others to round out the cast are Katee Sackhoff as Katherine Brunt, Julian Kostov as Aaron Hunter, Marko Zaror as Cayenne, Danny Astok as Royce, JuJu Chan Szeto as Master Lian, Hughie O'Donnell as Garrett, Jyuddah Jaymes as Agent Kyle Robinson, Willem van der Vegt as Agent Paul Simmons, Sanjeev Kohli as Pilot and Declan Baxter as co-Pilot.

This was uproariously and intensely directed by a virtual newcomer to feature films James Madigan (TV). The way this filmmaker edited from one scene to another in rapid speed, which added to the frenzy of the interior plane shots, simply added to the gripping tension as the film was unfolding. Even though he only has TV as his source of experience, this plethora of TV experience has served him well, and with that, he will receive more work. It was executed well by writers Brooks McLaren ("How It Ends" '18) and D.J. Cotrona. If I were to akin this film to one other of similarity, it would be that of "Bullet Train" in 2022 with Brad Pitt. Even though each film held its own story line, the fact that it was about a mercenary or agent on a form of travel--one on a train; the other on a plane, and each were high-adrenaline while very funny plots, the similarity was evident. I loved "Bullet Train", so I definitely had fun with this. The only issue with this was that closer to the early part of the film, it jumped around a bit, but as it realized its footing, it clearly moved right along. The editing by Ben Mills and photography by Matt Flannery were amazing and assuredly added to the frenetic aspect of the film. 

As with "Bullet Train", if you like pure escapism laced with rather dark humor, this is the film for you. I'm certainly happy to see Josh Hartnett back to making films again, and where he is choosing his projects much more carefully. Not to spoil, but this does end with the possibility of a sequel? Not sure, but you be the judge. 

Out of 4 Stars: 3.5                                     Rated: R                                          103mins.

Thunderbolts*

 

Well, as the summer film season is off and running, what a better, if not expected, film to entertain us is that of Marvel's :Thunderbolts". The summer is typically reserved for big-budget, high adrenaline fare or animated flicks. After viewing this, with an already plugged in audience, it should rake in the bucks. 

"Thunderbolts*" assembles an unconventional team of antiheroes--Yelena Belova (Florence Pugh), Bucky Barnes (Sebastian Stan), Red Guardian (David Harbour), John Walker (Wyatt Russell), and others. After finding themselves ensnared in a death trap set by Valentina Allegra de Fontaine (Julia Louis-Dreyfus), these disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts. Will this dysfunctional group tear themselves apart, or find redemption and unite as something much more before it's too late?

Others to round out the cast are Lewis Pullman as Bob Reynolds, Hannah John-Kamen as Ava Starr, Olga Kurylenko as Antonia Dreykov, Geraldine Viswanathan as Mel, Wendell Pierce as Congressman Gary, Chris Bauer as Holt, Violet McGraw as Young Yelena, Alexa Swinton as Anya and Eric Lange as Houston. 

This was directed with grit and a refreshing amount of humor by Jake Schreier ("Robot & Frank" '12, "Paper Towns" '15, Chance the Rapper's Magnificent Coloring World" '21) plus TV, music videos and shorts. His pacing and staging was spot on and it definitely kept the audience on the edge of their seats. It was similar to that of "Guardians of the Galaxy" in that the humor that was utilized was refreshing and actually worked in this--interesting that both films were about antiheroes which tells me that that can and is an effective element in allowing the humor to work in the story, It was written well by seasoned Eric Pearson ("Thor: Ragnarok" '17, "Godzilla vs. Kong" '21, "Black Widow" '21, "Transformers One" '24) plus TV and videos, and Joanna Calo ((TV), based on a story from Eric Pearson, which is based on the Marvel comics. I found that the issue with this script is that it had a difficult time getting started in that it was exciting in one scene, then it seemed a bit boring thereafter, and then that pattern would happen again. But then, after a short while, the story started to pick up and it became the film it was meant to be. The different aspects of the story started to congeal and I then really enjoyed it. And, of course, the visual effects by ILM (Industrial, Light & Magic) and Digital Domain predominantly, were stunning, but one must realize this before entering the theater. Pearson certainly knows his way around a big-budget film and this proves it, and even though Calo only had TV to her credit, it definitely served her well. 

I really don't think it's going to be a spoiler, but this film will continue (I know, what a shock!), but considering the meaty character development, it should do well also. If you do like that up, close and personal feel, this is presented in an IMAX format as well. Grab the popcorn and enjoy the pure form of escapism. 

Out of 4 Stars: 3                                        Rated: PG-13                                             127mins.

The Legend of Ochi

When it comes to films that are fantastical, they are typically made with quality and audiences usually love them, considering how entertaining they can be. The genre of fantasy has virtually no limits and this is a filmmaker's dream. So, when "The Legend of Ochi" came along, the premise and how the story was treated intrigued me. 

In a fictional remote village on the island of Carpathia within the Black Sea, a shy farm girl named Yuri (Helena Zengel) is raised by her over-bearing father, Maxim (Willem Dafoe) to fear an elusive animal species known as ochi. But when Yuri discovers a wounded baby ochi has been left behind, she escapes from the clutches of her father on a quest to bring him home. Her quest includes others who attempt to help her such as Dasha (Emily Watson) and Petro (Finn Wolfhard). 

Others to round out the cast are Razvan Stoica as Ivan, Carol Bors as Oleg, Andrei Antoniv Anghel as Vlad, David Andrei Baltatu as Gleb, Eduard Oancea as Pavel, Tomas Otto Ghela as Tudor and Paul Manalatos as The Ochi.

This was directed with pathos with the ability of being heartfelt by a virtual newcomer to feature films, Isaiah Saxon (shorts, music videos and videos). This was stunning in how this film delved into the possible connection of animal and human, although through a challenging process. Saxon's ability to pace and stage his actors were amazing and seemed like he's a real pro. Considering this film was a Sundance Film Festival favorite, it's no wonder that it was pushed to be released in theaters. It was also well executed by Isaiah Saxon (TV, shorts and music videos). Surely his experience in the TV and music video realm has worked for this writer and this film proves it in spades. The only problem I had with this movie was with the sound editing such as near the beginning where Yuri is narrating, it was difficult, at times, to understand all that she was saying due to the fact that the music was a bit overly powerful. And also there were a couple of places that were a bit choppy, but otherwise it was a spot on script. The special effects by John Nolan in the design of the ochi were stunning indeed. 

This is a little bit like a dark, gritty "E.T. The Extra Terrestrial" even though this was not an alien. But since the creature is within the fantasy realm, it had that flavor. Certainly in seeing this, it showed us that we can, with patience and a bit of understanding, co=exist, whether it is a fantastical beast or other human beings, all the while presented in an entertaining way. 

Out of 4 Stars: 3.5                                        Rated: PG                                           95mins.

The Accountant 2

Political films have been produced from Hollywood for decades and since there is an incredible fascination with them, they will always be offered. We saw "The Accountant" back in 2016 and it was a gripping, well honed story, so, a mere nine years later, we have "The Accountant 2" to sink our teeth into. 

Christian Wolff (Ben Affleck) has a talent for solving complex problems. When an Old acquaintance, Ray King (J.K. Simmons) is murdered, leaving behind a cryptic message to "find the accountant" written on his leg, Wolff is compelled to solve the case. Realizing more extreme measures are necessary, Wolff recruits his estranged and highly lethal brother Braxton (Jon Bernthal), to help in partnership with U.S.Treasury Deputy Marybeth Medina (Cynthia Addai-Robinson), they uncover a deadly conspiracy, becoming targets of a ruthless network of killers who will stop at nothing to keep their secrets buried. 

Others to round out the cast are Daniella Pineda as Anais, Alison Wright as Justine (voice of), Robert Morgan as Burke, Allison Robertson as Justine, Grant Harvey as Cobb, Andrew Howard as Batu, Yael Ocasio as Alberto, Lombardo Boyar as Tomas and Michael Tourek as Ike Sudio. 

This was directed effortlessly by Gavin O'Connor (" Comfortably Numb" '95, "Tumbleweeds" '99, "Murphy's Dozen" (TV movie) '11, "Miracle" '04, "Pride and Glory" '08, "Warrior" '11, "Cinnamon Girl" (TV movie) '13, "Only Human" (TV movie) '14, "The Prince" (TV movie) '15, "Jane Got a Gun" '15, "The Accountant" '16, "The Way Back" '20) plus TV and a short. It was brilliant to use the same director as with the original so the similar feel of the two films will be evident. O'Connor did such an exemplary job of "The Accountant" that helming the sequel gave an effortless appeal. He was able to pull off these two brothers as though they were like the quintessential 'odd couple'--Affleck being the controlling autistic savant that is amazingly intelligent and Benthal pulling off the role of someone that's a loose cannon, totally over the top, very dramatic that it became humorous and added a light sibling rivalry to this. If you like his brand of directing, his "Fast" is in pre-production. It was equally well written by Bill DuBuque ("The Judge" '14, "A Family Man" '16, "The Accountant" '16) plus TV, based on characters created by Bill DuBuque. Since the original ended up being the surprise hit of the summer of 2016, a sequel by the same writer was an obvious next step. What's surprising is that it took nine years to finally produce the follow up. And with this outing, this new film is every bit as well directed and written and acted as its predecessor. The only issues I felt with this was that I felt that it had a couple of very small places of disjointedness and confusion, but otherwise, the screenplay soared. Again, Affleck's role as the mathematical, practically autistic savant accountant was stunning and he could possibly see a nod come Oscar time. If you appreciate this writing DuBuque's "The Six Billion Dollar Man" is in pre-production. 

This was so entertaining that if the makers of this film decided to make a "The Accountant 3", it would be welcomed. Of course, like with other films, it is dependent of how much money is raked in the box office. I'm usually not into sequels, but with this, I'm willing to make the exception.

Out of 4 Stars: 3.5                                       Rated: R                                         133m.

The Ballad of Wallis Island

As we are about to enter the summer film season, we are typically offered smaller, indie films that often times don't fair well economically because of all the huge, CGI driven films that are bigger than life. So, we are offered a small film called "The Ballad of Wallis Island" that is quirky as it is entertaining.

This film follows Charles Heath (Tim Key), an eccentric lottery winner who lives alone on a remote island and dreams of getting his favorite musicians, Herb McGwyer / Nell Mortimer (Tim Basden and Carey Mulligan) respectively, back together. His fantasy turns into reality when the bandmates, who were former lovers, accept his invitation to play a private show at his home on Wallis Island. Old tensions resurface as Charles tries desperately to salvage his dream gig. 

Others to round out the cast are Sian Clifford as Amanda, Akemnji Ndifornyen as Michael, Steve Marsh as Peter, Luka Downie as Marcus, Kerrie Thomason as Marie and Arron Long as Tour Guide. 

This was directed with dry wit and quirkiness by James Griffiths ("Royal Wedding" (TV movie) '10, "Cuban Fury" '14, "Charity Case" (TV movie) '16, "Delilah" (TV movie) '20) plus TV and a short. Even though this director only has one other feature film to his credit, his list of TV movies and other TV has certainly served him well. His staging and pacing is spot on as is ability to encourage his actors to strive to 'find' their characters with conviction. It was equally written with heart and humor by Tom Basden ("Brave Young Men" (TV movie) '09, "Very Few Fish" (TV movie) '13, "Plebs: Soldiers of Rome" (TV movie) '22) plus TV and a short, and Tim Key (TV and shorts). Neither writer has any feature film work when it comes to writing, however, they have enough TV movies and other TV and shorts between them to make up the difference. Certainly since these writers were the two main stars in this movie, it definitely caused this to be more powerful than otherwise. If this is their first feature film, I would like to see what they could do with writing another feature film, since this was well thought out and was moving and forced these individuals to dig deep in coming to realize their past in order to obtain a happier present. The only issue with this was that there were a couple of areas that were slightly disjointed, but otherwise was amazing. The acting by all three of the lead stars, and even the supporting cast was effective and endearing

If you're into small, independent films, this is the film for you. This was well written, directed and acted with compassion, passion and style all the while bringing humor in the form of dry wit and was amazingly entertaining. 

Out of 4 Stars: 3.5                                           Rated: PG-13                                        99mins.

The King of Kings

At this time of year two things occur: the summer film season is ramping up and it is the time for the Easter season. And with "The King of Kings" being released, it's an animated film which is typically a favorite form of film during the summer, and, it being an Easter film, it falls into theaters during this time as well. For movie companies, it's the best of both worlds. 

A father, in this case is Charles Dickens (Kenneth Branagh), tells his son, Walter (Roman Griffin Davis) the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus (Oscar Isaac), witnessing His miracles, facing His trials, and understanding His ultimate sacrifice on the cross. "The King of Kings" invites us to rediscover the enduring power of hope, love and redemption through the eyes of a child. 

Others to round out the cast are Pierce Brosnan as Pontius Pilate, Uma Thurman as Catherine Dickens, wife of Charles, Mark Hamill as King Herod, Forest Whitaker as Peter, Ben Kingsley and High Priest Caiaphas, Jim Cummings as James the Greater/Pharisee Hillel, Dee Bradley Baker as Willa the Cat and Fred Tatasciore as Pharisee Eleazar. 

This film was compassionately directed by Seong-ho Jang (visual effects). Even though this filmmaker has no feature film experience--certainly none in the direction realm, he absolutely pulled this off. With his passion and sensitive handling of the subject matter, he took this story and produced a movie that all could envision and could take something from it. It was also well written by Seong-ho Jang (visual effects) as well. Additional writing was actually commissioned by Rob Edwards ("Treasure Planet" '02, "The Princess and the Frog" '09, "Captain America: Brave New World" '25, "Sneaks" '25) plus TV, a short and a video game and Jamie Thomason. Now, was this writing as talented as it was because of Jang's work or because of the two individuals who provided the additional writing? Not sure, however the resume of that of Edwards would conclude in most peoples' hearts that Edwards had a huge influence. But either way, the culmination of writers certainly brought us a powerful script. It actually followed the sequences in the bible extremely well which tells me that there were Christians involved in this, and it would need to happen, otherwise the story very likely would become convoluted. 

Certainly if you're a Christian, this will be very easy to follow along with the story, but even if you're not, it is a film that will speak volumes to one's heart. It is a film for all to see, but even though it's seen through the eyes of a child, kids will gravitate to this, after all, it is the greatest story ever told. 

Out of 4 Stars: 4                                          Rated: PG                                            104mins.

The Amateur

Hollywood and espionage films have been about as common, for many decades, as John Wayne and westerns. We've seen many through the years, i.e. "All the President's Men", "The Day of the Jackal", "Three Days of the Condor", "Tinker Tailor Soldier Spy", "Body of Lies", the James Bond franchise and others, and now we have yet another one where it centers around someone that's not even a spy.

Charlie Heller (Rami Malek) is a brilliant, but deeply introverted decoder for the CIA working out of a basement office at headquarters in Langley whose life is turned upside down when his wife, Sarah (Rachel Brosnahan) is killed in a London terrorist attack, When his supervisors, Chief Moore (Holt McCallany) and Caleb (Danny Sapani) refuse to take action, he takes matters into his own hands, embarking on a dangerous trek across the globe to track down those responsible.  Along with a trusted decoding source, Inquiline (Caitriona Balfe) and on again, off again Agent Henderson (Laurence Fishburne), and his intelligence, this intelligence serves as the ultimate weapon for eluding his pursuers and achieving his revenge. 

Others to round out the cast are Jon Bernthal as The Bear, Nick Mills as Finn, Jullianne Nicholson as Director O'Brien, Adrian Martinez as Carlos, Evan Milton as Slater, Tiffany Gray as Esther and Kate Sumpter as Anchor. 

This was brilliantly directed with grit and intensity by James Hawes ("The Earth in Balance" (TV movie) '90, "A Line in the Sand"(TV movie) '04, "The Lift" (TV movie) '07,  "The 39 Steps" (TV movie) '08, "Enid" (TV movie) '09, "Pulse" (TV movie) '10, "The Challenger Disaster" (TV movie) '13, "One Life" '23). This filmmaker's staging and pacing of this film was incredibly tight considering the movie was shot in many different countries where keeping the project all together can deem daunting. It was easy to follow along with each scene and Malek's presence is amazingly captivating and this is incredible directing, even though Malek is a consummate actor. It was well executed by writers Ken Nolan ("Black Hawk Down" '01, "Dawn" (TV movie) '16, Transformers: The Last Knight" '17, "Only the Brave" '17) plus TV and a short, and Gary Spinelli ("Stash House" '12, "American Made" '17) plus TV, based on the novel by Robert Littrell. As aforementioned, considering this was shot in many countries, this was held together very well. It was tight, concise and definitely kept one's attention. The only issue with this is that there were a few areas of slowness in the script, and maybe an area of a bit of choppiness in the middle of the story, but otherwise, it simply excelled. 

Certainly if you like espionage films, you'll revel with this, but the captivating aspect of this is clearly that of Malek. He is quite the chameleon when it comes to acting--he will play any role as long as it's challenging and gripping. This is the sign of a true artist. It's a great way to escape into this two hour running time. 

Out of 4 Stars: 3.5                                    Rated: PG-13                                            123mins.

Warfare

When it comes to war films, and more to the point, Middle East war films, we've seen a plethora of them, but not quite to the extreme intensity of "Warfare". This film cuts to the chase with no lead in, character development or message of it except to survive. This gives a one two punch that aims for the juggler. 

November 19, 2006. Iraq. "Warfare" embeds audiences with a platoon of American Navy SEALs on a surveillance mission gone wrong in insurgent territory. A visceral boots-on-the-ground story of modern warfare and brotherhood, told like never before in real time and based on the memory of the people who lived it. This unit of men consisting of Erik (Will Poulter), Ray (D'Pharaoh Woon-A-Rai), Elliott (Cosmo Jarvis), Sam (Joseph Quinn), Lt. MacDonald (Michael Gandolfini), John (Finn Bennett) and others, not only were calibrating men, but also were 'brothers', looking out for one another especially when things went awry. 

Others to round out the cast are Aaron Mackenzie as Kelly, Evan Holtzman as Brock,Jo Macauley as Mo, Laurie Duncan as Pete, Jake Lampert as Ted, Aaron Deakins as Bob. Kit Connor as Tommy, Henrique Zaga as Aaron, Taylor John Smith as Frank and Alex Brockdorff as Mikey.

This was directed with stunning reality by Ray Mendoza (Upcoming TV) and Alex Garland ("Ex Machina" '14, "Annihilation" '18, "Men" '22, "Civil War" '24) plus TV. It certainly shows that this film was produced through the eyes of Middle East war veterans since the story was laced with as much intensity and stunning acts of soberness and camaraderie. The fact that it was shot in real time showed it was almost like a documentary. It was also incredibly well penned by writers Ray Mendoza (Upcoming TV) and Alex Garland ("28 Days Later" '02, "Sunshne" '07, "Never Let Me Go" '10, "Dredd" '12, "Ex Machina" '14, "Annihilation" '18, "Men" '22, "Civil War" '24) plus TV, video games and novels. The writing in this film was obviously from the heart with these writers--them being war vets, and the way this script played out, it was incredibly gut-wrenching that, at times, it was difficult to keep watching it. It was amazingly sobering and simply drained its audience through the key hole many times over. Intensity wise, it reminded me of the film, "United 93", about the doomed airliner that crashed in rural Pennsylvania post 9-11-2001. That film was so painstakingly realistic that it became difficult to watch. I believe these types of films are films people should see ever so often to remind us that our lives, as compared to these lives we're witnessing on the screen, are nearly as fraught with impending doom. The writing, even though the lion's share was that of Garland, was riveting and captivating. 

Although this film was incredibly well written, directed and acted, this film was not made with the mass audience appeal in mind since the story is so shockingly volatile and intense. I was squirming in my seat more than once and afterward, I cried in the car due to what these guys were put through in this wartime hell. "War is hell" is what the selling slogan of this film should be. If you're into this genre, but more to the point, this intensity, you'll be at home. 

Out of 4 Stars: 4                                         Rated: R                                         95mins.

Drop

There are slasher films and there are whodunnit thriller films, and typically never the twain would meet. However, with "Drop", we have a little of both--mostly it being a thriller. The thriller whodunnit is a winning combination as this film showcases. It's short and definitely cuts to the chase. 

Violet Gates (Meghann Fahy), is a widowed mother on her first date in years, who arrives at an upscale restaurant where she is relieved that her date, Henry Campbell (Brandon Slkenar) is more charming and handsome than she expected. But their chemistry begins to curdle as Violet begins being irritated and then terrorized by a series of anonymous drops to her phone. She is instructed to tell nobody and follow instructions or the hooded figure she sees on her home security cameras will kill Violet's young son, Toby (Jacob Robinson) and babysitting sister Jen (Violett Beane). Violet must do exactly as directed or everyone she loves will die, Her unseen tormentor's final directive? Kill her date, Henry,

Others to round out the cast are Reed Diamond as Richard, Gabrielle Ryan as Cara, Jeffery Self as Matt, Ed Weeks as Phil, Travis Nelson as Connor, Michael Shea as Blake, Sarah McCormack as Hostess and Ben Pelletier as Bearded/Masked man. 

This was rivetingly directed with grit and suspense by Christopher Landon ("Burning Palms" '10, "Paranormal Activity: The Marked Ones" '14, "Scouts Guide to the Zombie Apocalypse" '15, "Happy Death Day" '17, "Happy Death Day 2U" '19, "Freaky" '20, "We Have a Ghost" '23) plus TV and a short. By his very resume, this filmmaker has certainly kept within his comfort zone, but when a certain genre works for you and you excel well, why not? The way he built the tension in this through Violet seemed realistic and more gripping. His pacing of the plot was amazing and also added to the calamity involved. It was written with grit and intensity by Jillian Jacobs ("Truth or Dare" '18, "Fantasy Island" '20) and Chris Roach ("Non-Stop" '14, "Truth or Dare" '18, "Fantasy Island" '20) plus TV. As aforementioned, this story builds slowly so as to let us see how much peril we see Violet is getting involved in and what makes that even more challenging is that she can't say anything lest her loved ones will die. Her facial expressions are so real as is Henry' s concern for her. Neither writer has a plethora of experience, but with this outing, they undoubtedly will receive more work. Lastly, considering the chemistry between Violet and Henry was strained in certain places of the story, they were still able to display an amazing chemistry throughout the film. If you like Roach's writing, his "Run" is in pre-production. 

If you like whodunnits or thrillers, this is a film you'll be right at home with. It's short, concise, with a tight script and engaging cast. It's tense, thrilling, riveting and definitely keeps you on the edge of your proverbial seat. Grab the popcorn for escapism at its best. 

Out of 4 Stars: 4                                      Rated: PG-13                                           96mins.

The Friend

Hollywood has a fascination with incorporating animals in their films and TV shows, i.e. "Lassie", "Marley and Me", "Old Yeller", "The Red Pony", "My Friend Flicka", "Dog", "Rin Tin Tin", and although there are a plethora of them, they never seem to get old with audiences. They typically profit, so in this day and age of finding profitable films, it's no wonder that "The Friend" has come along to continue that tradition. Hopefully as with the other films, this will also profit as well.

In this story, writer and teacher, Iris (Naomi Watts) finds her comfortable solitary New York life thrown into disarray after her closet friend and mentor, Walter (Bill Murray) commits suicide and bequeaths her his beloved 150 lb Great Dane. The regal yet intractable beast, named Apollo (Bing), immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones, his looming presence constantly reminding her of her friend's choice to take his own life. Yet as Iris finds herself unexpectedly bonding to the animal, she begins to come to terms with her past, her lost friend, and her own creative inner life.

Others to round out the past are Sarah Pidgeon as Val, Carla Gugino as Elaine, Constance Wu as Tuesday, Noma Dumezweni as Barbara, Ann Dowd as Marjorie, Owen Teague as Carter, Carrie Vu as Viv, Annie Fox as Jenna, Sue Jean Kim as Blossom and Gary Littman as Grant.

This was directed with a clear, concise delineation of drama and comedy by Scott McGehee and David Siegel ("Suture" '93, "The Deep End" '01, "Bee Season" '05, "Uncertainty" '08, "What Maisie Knew" '12, "Montana Story" '21) plus a short and a music video. The transformation that Watts had to endure was subtle yet incredibly moving, and this isn't just fine acting, but amazing directing as well. Their staging and pacing were second to none. It was equally well penned by writers Scott McGehee and David Siegel ("Suture" '93, "The Deep End" '01, "Uncertainty" '08, "Montana Story" '21) plus TV and a short, based on a novel by Sigrid Nunez. Obviously these filmmakers are both a directing and writing team which typically creates a unity that other films with different directors and writers don't have as much. The continuity is refreshingly fluid and certainly one can see why they stick together professionally. The only issue I could see with this film is that it took a while for the film to find itself and become the film that it was looking to be. Once it found itself, the story simply took off and was a gripping and captivating film. The more the story unfolds, the more we come to realize that, through taking care of this dog, Iris realizes more about the relationships that she had been confused about, so it became an epiphany in her life. 

This is an interesting film in that it speaks volumes about relationships and the confusion around them using this dog as the centerpiece in which those involved could find their answers to questions they didn't even know they had. The performance by Watts was amazing with the subtleties she brought to this role. If you're into 'dog' films, this is for those people for sure.

Out of 4 Stars: 3                                      Rated: R                                        120mins.