Dracula

Horror is probably one of the oldest genres Hollywood has produced in the decades they've been around. More to the point, the franchise of 'Dracula' has been around almost as long. There have been more than 20 incarnations of this character, and now we have yet another one to add to that ever growing list in the form of "Dracula".

When a 15th century prince, Vlad (Caleb Landry Jones) denounces God after the devastating loss of his wife, Elisabeta (Zoe Bleu), he inherits an eternal curse: he becomes Dracula. Condemned to wander the centuries, he defies fate and death itself, guided by a single hope--to be reunited with his lost love, Now, 400 years later, we now have a priest (Christoph Waltz) whose plan is to track down this devil and rid the world of his presence once and for all. An attorney, Jonathan (Ewens Abid) is summoned to take care of Dracula's legal needs and goes to his castle only to be retained there in captivity. What will become of this creature of the night with this priest on his heels?

Others to round out the cast are Matilda De Angelis as Maria, Guillaume de Tonquedec as Dumont, Raphael Luce as Clerk Simon, Bertrand-Xavier Corbi as Captain Targol, David Shields as Henry Spencer and Romain Levi as Captain Wernus.

This was slickly directed with grit and intensity by Luc Besson ("The Last Battle" '83, "Subway" '85, "The Big Blue" '88, "La Femme Nikita" '90, "Atlantis" '91, "The Fifth Element" '97, "Angel-A" '05, "The Lady" '11, "The Family" '13, "Lucy" '14, "Anna" '19, "DogMan" '23, "June and John" '25) plus other films, a TV movie, a short, music videos and videos. No matter how lackluster the project can come across, this filmmaker has that innate ability to slickly put his films together with interesting editing and different angel shots with the photography. He definitely knows his way around the director's chair. His conciseness and tightness of script is amazing. It was also well penned by Luc Besson ("The Last Battle" '83, "The Big Blue" '88, "The Fifth Element" '97, "Taxi" '98, "The Transporter" '02, "Transporter 2" '05, "Revolver" '05, "Taken" '08, "Colombiana" '11, "The Family" '13, "Brick Mansions" '14, "Lucy" '14, "Anna"'19, "DogMan" '23, "June and John" '25) plus other films, TV, music videos and a short based on the novel "Dracula" by Bram Stoker. Again, this filmmaker has the quality of putting together a slickly written screenplay as with so many other of his scripts. It's the main reason why I have been captivated by his filmmaking. He reminds me of that of the director and writer Guy Ritchie--the same reason why I appreciate this filmmaker as well. The one issue in this was the fact that the story was a bit off-track and became a bit disjointed in places around the first third of the film. However, after that, it started to pick up and became the film I was certainly hoping to see. Landry Jones was very effective as the titular title role, but Waltz looked as though he yawned through his role. Jones had a distinct dialect, but Waltz simply obtained an anglo- American dialect even though he was from Bulgaria. But, between the acting by Jones, the directing, photography, editing and costumes, this was definitely a well honed film. 

Out of 4 Stars: 3                                        Rated: R                                        125mins.

Solo Mio

Hollywood has produced many romantic comedies--too numerous to list, but suffice it to say, they are typically fraught with an uninteresting premise and all written in a banal way that tests ones' patience to make it until the end. Some have been anywhere from OK to interesting, however those are not typical. Well, with "Solo Mio" what makes this film is Kevin Japresence mes' affable, yet somewhat depressed after being jilted at the alter. What could go wrong after this?

A wedding disaster leaves the groom, Matt Taylor (Kevin James) stranded in Rome, heartbroken in the world's happiest city. But with one determined local, Gia (Nicole Grimaudo)--and a few meddling vacation couples, including Neil (Jonathan Roumie), Julian (Kim Coates), Meghan (Alyson Hannigan) and Donna (Julee Cerda)--in his corner, his ruined honeymoon becomes an adventure he never expected. It's amazing how sometimes heartbreak can be just the first chapter of a better story. 

Others to round out the cast are Julie Ann Emery as Heather, Caterina Silva as Claudia, Alessandro Carbonara as Marcello, Andrea Bocelli as himself, Virginia Bocelli as herself and Veronica Bocelli as herself.

This film was directed with compassion and heart by Charles Kinnane ("The Human Experience" '08, "Saving Bill Murray" '18, "The Good Thief" '20, "8 Beats Anthology Vol. 1" '22, "Syndrome K" '22,"Water Brother" '24) plus TV and shorts and Daniel Kinnane ("Saving Bill Murray" '18, "Home Team" '22, "Water Brother" '24) plus TV and shorts. These brothers have been a creative team certainly since 2018 and, at that point have directed all their films together and that usually makes for tighter staging and pacing as with movie--the feel of the film seemed real and the characters well thought out. It was effectively written by Charles Kinnane ("Saving Bill Murray" '18) plus shorts, Daniel Kinnane ("Saving Bill Murray" '18) plus TV and shorts and Kevin James "Paul Bart: Mall Cop" '09, "Zookeeper" '11, "Here Comes the Boom" '12, "Paul Bart: Mall Cop 2" '15) plus TV. None of these writers have a tremendous amount of experience, but with the two brothers as a creative team and James having the lion's share of the feature film writing experience, the combo was able to pull this off. It did have a tendency to meander and jump around to a degree, but then, after about a third of the film completed, it started to find the film they were looking for. Couple this with a bit of a twist near film's end, and it became rather entertaining. 

Certainly if you are a Kevin James fan, you'll be right at home with this. And if he's not enough, the stunning locales of Rome and surrounding areas will be captivating. Will there be a sequel? Like I've mentioned prior--if this makes a truck load of money, Hollywood will jump on that box office wagon and go for it,

Out of 4 Stars: 3                                            Rated: PG                                      97mins.

Shelter

Jason Statham is and has been one of Hollywood's famous action heroes, especially after he was in the "Transporter" franchise. Most of his films are quite similar, but watching them has never been a chore since his presence is always captivating. He's done other films with Syvester Stallone and a short stint on the "Fast & Furious" franchise. So when "Shelter" came out, I felt, through the trailer, it would be similar too, but that's OK--it's still captivating.

This is an action-thriller starring Jason Statham as Michael Mason, a reclusive ex-assassin on a remote Scottish island who must protect a young girl, Jessie (Bodhi Rae Breathnach), he rescues from a storm, forcing him to confront his past as his enemies, namely Manafort (Bill Nighy) and Roberta (Naomie Ackie) close in. This is a formulaic, but polished story, blending action with a dramatic core as the protagonist prioritizes the girl's safety over his own. Will he survive while protecting this young girl from harm's way?

Others to round out the cast are Bryan Vigier as James Workman, Harriet Walter as Prime Minister, Daniel Mays as Uncle, Anna Crilly as Haneron, Tomi May as Ross, Steven Blades as Rob Wills and Tom Wu as Nightclub owner. 

This was certainly directed with amazing intensity and grit by Ric Roman Waugh ("In the Shadows" '01, "Felon" '08, "Snitch" '13, "That Which I Love Destroys Me" '15, "Shot Caller" '17, "Angel Has Fallen" '19, "Greenland" '20, "National Champions" '21, "Kandahar" '23, "Greenland 2: Migration" '26) plus a video. By his very resume, this filmmaker knows what it takes to run a big-budget film and make them work. His most recent film, "Greenland 2: Migration" kept its audience on the edge of their proverbial seats, and this movie, "Shelter" is no different. Statham's Mason is definitely a man of few words, however his presence and action speak volumes and this is not only effective directing but reliable acting by Statham as well. It was effectively written by Ward Parry ("The Shattering" '15, "Curtiz" '18). Surely the script was not extremely involved--after all it is a Statham film, but the connection that had to be drawn between Mason (Statham) and Jessie (Breathnach) could've been convoluted if written sloppily. Their connection was a pivotal aspect of this movie and is what held it together. Other than a few slightly slow places in script, this was an admiral attempt at a screenplay considering this writer's limited experience. If you like his brand of writing, his "Tokyo" is being filmed at this time. 

Certainly, if you're a Statham aficionado, you'll revel with this story. It is what we all come to expect from one of his films. And this film leaves open-ended--could there be a sequel? Well, considering the last two action films with Statham were incredible hits, then the odds look good. We'll see.

Out of 4 Stars: 3                                       Rated: R                                         108mins.

Melania

Hollywood has produced many documentaries to span the realm of topics, i.e. sports, politics, music, singers, religion and political figures to mention a handful. It seems like each documentary that comes along is dissected with more information and clarity in what the producers are attempting to strive for. Now, we have "Melania" which chronicles the last 20 days Melania Trump circumvented up to the inauguration of President Donald J. Trump.

Amazon/MGM Studios' film "Melania" offers unprecedented access to the 20 days leading up to the 2025 Presidential Inauguration--through the eyes of the First Lady herself. Step inside Melania Trump's world as she orchestrates inauguration plans, navigates the complexities of the White House transition, and moves her family back to the Nation's Capital. With exclusive footage capturing critical meetings, private conversations, and never-before-seen environments, "Melania" showcases Mrs. Trump's return to one of the world's most powerful roles. 

This was directed with clarity and introspection by Brett Ratner ("Money Talks" '97, "Rush Hour" '98, "Partners" (TV movie) '99, "The Family Man" 2000, "Rush Hour 2" '01, "Red Dragon" '02, "After the Sunset" '04, "X-Men: The Last Stand" '06, "Rush Hour 3" '07, "New York, I Love You" '08 "Cop House" (TV movie) '09, "Tower Heist" '11, "Hercules" '14) plus other films, music videos, videos and shorts. Since this film's contents streamed from different footage and interviews meticulously edited well by Alex Marquez ace, this film held no actual writer, however many documentaries are structured similarly. The cinematography by Dante Spinotti asc, Jeff Cronenweth asc and Barry Peterson was stunning and coupled with the fine film editing, the production was artistically put together with an awe-inspiring feel. What actually makes this film as well put together as it was, was the fact that it really wasn't a political film in that it wasn't about Donald Trump, his vice president, the cabinet or any actual political meeting thereof. It was about Melania and her 20 days consulting with tailors, event planners, fashion designers, interior desigbers, chefs, a couple of talks with a couple of queens of the world, etc. This movie allows a rare glimpse into Melanis's world and what she did to insure this inauguration went as smoothly as possible. Yes, there was some politics--Donald Trump and the secret service was in this, however this is clearly Melania's film. 

Whether one's politic's lie to the right of the aisle, or even the left, there is definitely something in this film that speaks to all. It has humor, insight that might surprise some, but at the end of the day it will keep one riveted. It was panned poorly by Rotten Tomatoes, but since their rating was so low, it had to have been biased, because this movie didn't get caught up with what all expected. Melania is a class act--much like Jackie was back in the 60s, and both were and are not uninformed which a certain number seem to believe. Well done MGM, well done.

Out of 4 Stars: 4                                      Rated: PG                                            106mins.

H is for Hawk

Hollywood has produced many films that chronicle the lives and adventures of birds and animals, i.e. birds, dogs, cats, horses, penguins, lions, bears, even elephants, and they are always a crowd pleaser--people are suckers for animals. So now we have yet another one appropriately named "H is for Hawk".

This is 2007, Cambridge, England. "H is for Hawk",based on a true story, follows Helen MacDonald (Claire Foy), who, after the sudden death of her father, (Brendan Gleeson) looses herself in the memories of their time birding and exploring the natural world together and turns the ancient art of falconry--rooted in European-tradition--training a goshawk she named Mabel to navigate her profound loss. But as she teaches Mabel to hunt and fly free, Helen discovers how deeply she has neglected her own emotions and life. What begins as an act of endurance transforms into an intimate journey of resilience and healing.

Others to round out the cast are Denise Gough as Christina, Lindsay Duncan as Helen's mom, Josh Dylan as James, Helen's brother, Sam Spruell as Stuart, Helen's friend, Garry Cooper as Charlie and Kamal Simpson as Director of Studies

This was directed with such poignancy by Philippa Lowthorpe ("Swallows and Amazons" '16, "Misbehaviour" '20) plus many TV movies, TV, and a short. The subtleness of how this director was able to coach Foy to respond in such quiet yet intense ways given the situation she was in was amazing. There were scenes where it looked like Foy was going to crack in half because of the intensity of her character, and this is talented directing. It was effectively written by Emma Donoghue ("Room" '15, "The Wonder" '22) plus a short, and Philippa Lowthorpe ("Eight Hours from Paris" (TV movie) '97, "The Other Boleyn Girl" (TV movie) '03, "Sex, the City and Me" (TV movie) '07) plus TV, based on "H is for Hawk" by Helen MacDonald. It was almost a rights of passage film for Helen in this--living her life, suddenly losing her dad whom she loved, having to deal with that and then realizing that, through hers and her dad's love for birding, she decides to attempt to train a goshawk with no experience except learning from her friend Stuart. And all this was a monumental task. This story was captivating and was such a different tale creatively penned well. Really, with the exception of it being a little long-in-the-tooth--a good 5 minutes could've been cut, this was a well structured script. The handlers, Lloyd Buck and Rose Buck were amazing in how they were able to train this hawk. 

If animal films are a type of film you like, this will be intriguing for sure. It's well directed and the acting, especially that of Claire Foy was perfection. It's a quiet film, so if you're into action=packed films, this probably won't be the film for you, but then again, one should know this before venturing to the multiplex.

Out of 4 Stars: 3.5                                     Rated: PG-13                                       119mins.

Mercy

Why is it that when Hollywood produces films that chronicle 'what would happen in the near distant future', that they end up causing an upheaval in our society? Think about it..."Fahrenheit 451", "A Scanner Darkly", "Minority Report", "Elysium", "District 9", to mention a handful. These are all 'big brother' oriented films, and understandably so. Now to add to that growing list, we have "Mercy".

This is a sci-fi action thriller with Chris Pratt as Detective Chris Raven accused of murdering his wife, Nicole (Annabelle Wallis), who must prove his innocence to an A.I. judge, Maddox (Rebecca Ferguson), who, through the Mercy program Raven has created, is the judge, jury and executioner to have to prove his innocence in 90 minutes, or face execution. The irony being the one who created the program is now on trial for his life. 

Others to round out the cast are Kali Reis as Jacqueline 'JAQ' Diallo, Chris Sullivan as Rob Nelson, Kylie Rogers as Brirr, Chris' daughter, Jeff Pierce as Patrick Burke, Rafi Gavron as Holt Charles, Kenneth Choi as Ray Vale, Jamie McBride as Dan Vogel and Ross Gosla as David Webb.

This film was intensely directed with grit and tons of action by Timur Bekmambetov ("Peshawar Waltz" '94, "The Arena" '01, "GAZ. Russkie mashiny" '02, "Night Watch" '04, "Nochnoy bazar" '05, "Day Watch" '06, "The Irony of Fate 2" '07, "Wanted" '08, "Six Degrees of Celebration" '10, "Abraham Lincoln: Vampire Hunter" '12, "Yolki 1914" '14, "Ben-Hur" '16, "Yolki 5" '16, "Profile" '18, "V2. Escape from Hell" '21) plus TV, music videos and videos. The fact that most of the film was shot in the Mercy courtroom with Detective Raven strapped to an electric chair facing an austere A.I. judge on a screen and it was able to produce the amount of tension, grit and a thrilling premise was pure genius for this filmmaker. Certainly there were scenes from the database that Raven was requesting to investigate where the film then edited to that scene, but the story literally hailed from one room and that is brilliant directing, which, in my opinion, makes the film even more intense. It was equally well penned by writer Marco van Belle ("Arthur & Merlin" '15). This film was clearly as intense as "Speed" '95 was when the first frame hit the screen--it simply cut to the chase and used the different database requests Raven wanted on screen to tell the story of how Raven got to that room in the first place. It was just a bit slow shortly into the film, but it didn't last long at all, and didn't impede on the story at all. It was sequenced well, cohesive and tight. In fact, if you like this writer's style, his "Feed' is in post-production and his "Arthur & Merlin: The Fire of Balor" is in pre-production. 

Certainly, if you're a fan of Chris Pratt, you will revel with this. And especially if you like action-packed crime thrillers, you'll like it even more. This has action, explosions all culminating with an amazing twist. This film was panned by several critics, and I'm perplexed why--I'm not sure what they were looking for, but I thought it filled every expectation I was looking for in a gripping thriller. This is the quintessential on the edge-of-your-seat film, so grab the popcorn and enjoy this gem.

Out of 4 Stars: 4                                      Rated: PG-13                                        99mins.

Charlie the Wonderdog

Typically we don't see animated films at this time of year--something that is reserved for the summer film season, but this independent film company decided to release "Charlie the Wonderdog" now hoping to receive a return on their investment and then some. If I had to put a word to describe this film, it would probably be heartwarming. 

A young and timid boy, Danny, (Dawson Littman) imagines a wondrous world in which he and his cherished dog, Charlie (Owen Wilson), star in their own superhero adventures. When Charlie is mysteriously abducted by aliens, he is gifted true superpowers and emerges as Charlie Wonderdog, the greatest and most famous superhero dog the world has ever seen. He is beloved by all except for Puddy (Ruairi MacDonald), the evil cat next door. With the fate of humanity hanging in the balance, Danny and Charlie must go above and beyond to thwart Puddy's diabolical plans.

Others to round out the cast are Tabitha St. Germain as President Rose, Rhona Rees as Alien Queen, Sebastian Billingsley-Rodriguez as Alien Prince, Zac Bennett-McPhee as Otis, Jenn Rogan as Danny's mom and Sam, Anthony Bolognese as Jacob and Lindsay Gibson as Judge Gruff.

This was directed with heart and whimsy by Shea Wageman ("What Could Have Been" '11, "Rocket Club: Across the Cosmos" '24) plus TV, a short and a video game. The huge difference in these characters was that of Charlie--going from an older, slower dog to a more powerful, quicker, seemingly younger dog, and this filmmaker was able to encourage his actor (Owen Wilson) to become this much improved version of Charlie by his sheer expressiveness, however Wilson is a talented actor, but this is fine directing. It was effectively written by Steve Ball, Shea Wageman and Raul Inglis. Inglis has the lion's share of the writing experience here, so I'm not quite sure why he took last in the credits, but obviously the other two were pivotal with their input. The premise of this was interesting, however it did become a bit disjointed in a couple of places. And it was a bit show in a couple of places, but what it lacked in some places of script, it more than made up for heart, humor with a definite family-oriented fare that will sure to please by small children. 

As aforementioned, this is a film that the kids and even the whole family should come and see and enjoy. It's heartwarming, whimsical, humorous and, let's face it, this was Owen Wilson's film as his portrayal of the lead character. Grab the popcorn and enjoy this.

Out of 4 Stars: 3                                    Rated: PG                                       92mins.

 

I Was a Stranger

There have been films in the past that chronicles humanity and how important it is lest we become an extinct species. The way we treat each other for the short time we are on this planet is staggeringly awful, especially the farther we travel into the future, and it doesn't seem to getting any better. Now, we have "I Was a Stranger" offered to show us that, no matter what happens to us individually, we are still fellow humans and should be treated as such.

When a Syrian doctor, Doctor Amira Homsi (Yasmine Al Massri) is forced to flee Aleppo with her young daughter, Rasha (Massa Daoud) one desperate choice sets off a chain of events that ripples across borders and pulls four strangers into the same storm. A smuggler, Marwan (Omar Sy) trying to save his son. A soldier, Mustafa (Yahya Mahayni) wrestling with his conscience. A poet, Fathi (Ziad Bakri) searching for home. A Greek coast guard captain, Stavros (Constantine Markoulakis) caught between duty and mercy. Their paths collide on one night in the Mediterranean, where survival and humanity is revealed in its rawest form. "I Was a Stranger" is a tense, deeply human story about the lengths people will go to protect the ones they love. 

This was intensely directed with grit and compassion by Brandt Andersen ("Refugee" '20--a short). This filmmaker doesn't have a stream of films to his credit, but considering he spent years over in the area that this film centers on to see for himself how challenging this place is, speaks volumes in my opinion. He was able to tell his story of these individuals' plight with so much pathos and expressions that emitted from these actors. He will receive more work. It was written as well by Brandt Andersen ("Refugee" '20--a short) in an equally intense and sobering way. Again, he doesn't have a plethora of experience, but considering his desire and passion to delve into the culture in which he was writing about speaks volumes as well. The writing was tight, gripping, cohesive and concise. Even though he wrote this in a way that overlapped from one stranger to the next, by films' end, they were inexplicably connected by the connecting events. At first, one might not think that this story doesn't connect, however, be patient; the longer the film runs, the more it does connect, and that's fine writing. 

Again, Brandt Andersen's sole reason in making this film was to showcase how we are connected even when we don't think so. It's the humanity he is attempting to show and the more we have differences, the more we are truly connected. This is something we all can learn from in spades. Even though the writing, directing and acting in this is consummate, not all can see this because of its sheer intensity, so be forewarned. 

Out of 4 Stars: 4                                       Rated: PG-13                                       104mins.

 

Is This Thing On?

We have entered the 'dead zone' as of 1-1-26 and although many films are typically not the best that Hollywood has to offer, there can and are some gems thrown into the mix as a treat for hanging in there. Although "Is This Thing On?" is a well directed and acted film, it does need a bit of polish in the writing realm. 

As their marriage quietly unravels, Alex Novack (Will Arnett) faces middle age and an impending divorce, seeking new purpose in the New York stand-up comedy scene while his wife, Tess (Laura Dern) confronts the sacrifices she made for their family, including their two sons, Felix (Blake Lane) and Jude (Calvin Knegten)--forcing them to navigate co-parenting, identity, and whether  love can take a new form.

Others to round out the cast are Andra Day as Christine, Bradley Cooper as Balls, Sean Hayes as Stephen, Scott Icenogle as Geoffrey, Ciaran Hinds as Jan, Alex's dad, Christine Ebersole as Marilyn, Alex's mom, Amy Sedaris as Kemp and Peyton Manning as Laird. 

This was brilliantly directed with subtlety and realism by Bradley Cooper ("A Star Is Born" '18, "Maestro" '23) plus music videos. Assuredly this filmmaker has not an extensive resume behind the camera, however what he has done has been exquisitely directed well including this film. His ability to get his actors to dig deep to find the correct character development in order to convince the audience is second to none. Bradley is an accomplished actor, but with each film he directs, he will be known as an amazing director as well. He also had a co-starring performance in this and was a pivotal character. It was effectively written by Bradley Cooper, Will Arnett and Mark Chappell, based on a story by Will Arnett, Mark Chappell and John Bishop. All these writers have a fair amount of experience--Chappell having the lion's share, but what they have, especially Cooper is impressive. The premise however intriguing, became a bit convoluted and meandered a bit, but once it found its footing, finally became the story it wanted to be. It was a slow burning epiphany for both Alex and Tess in their respective avenues in which they turned to in order to get on with their lives. Could it be too many writers involved? Not sure, but suffice it to say, it did need some polishing. The premise was certainly fraught with a lot of great fodder for a distinct screenplay, but missed a beat. The direction of Cooper more than made up for the script, and the script wasn't a wash--it just needed more clarity. And they could've used a bit less F-bombs, especially where it was obvious that they weren't needed in several scenes. 

If you're a Bradley Cooper fan, this will appeal, especially if you can appreciate his direction. The direction, acting and photography were first rate, and while these aspects were amazing, the screenplay could've been tighter--but definitely worthy of the price of admission.

Out of 4 Stars: 3                                      Rated: R                                          122mins.

Greenland 2: Migration

When we viewed "Greenland" back in 2020, little did we realize that this would become an apocalyptic film subsequently, assuming there would be sequel. Well, six years later, and we have "Greenland 2: Migration" which is...you guessed it, an apocalyptic film trying to survive five years after the first comet strike fell from the sky.

This sequel is a continuation of the story where the Garrity family, including John Garrity (Gerard Butler), his wife  Allison (Morena Baccarin) and their son, Nathan (Roman Griffin Davis), who survive a near-extinction level event when an interstellar comet hits Earth. must leave the safety of the Greenland bunker because of a string of earthquakes due to the conditions of the earth, and embark on a perilous journey across the decimated frozen wasteland of Europe to find a new home. Others to join their trek are Dr, Casey Amina (Amber Rose Revah) and Camille (Nelia Valery Da Costa).

Others to round out the cast are Sophie Thompson as Mackenzie Matthews, Ken Nwosu as Obi, Jules Dousset as French Captain, William Abadie as Denis Laurent, Alex Lanipekun as Riley Watson, Faraz M. Khan as Officer Bradley and Gordon Alexander as Lt. Blake.

This was directed with action-packed frenetic tenacity by Ric Roman Waugh ("In the Shadows" '01, "Felon" '08, "Snitch" '13, "That Which I Love Destroys Me" '15, "Shot Caller" '17, "Angel Has Fallen" '19, "Greenland" '20, "National Champions" '21 "Kandahar" '23) plus a video. This filmmaker certainly didn't stray from his comfort zone as he typically doesn't with most of his other films, and that makes him a confident ant consistent director. The characters in this showed their true emotions of how they were going to survive this precarious situation. He was able to convince his actors to find the emotions that were needed given a certain scene. It was written by Mitchell LaFortune ("Kandahar" '23, "Last Breath" '25) and Chris Sparling ("An Uzi at the Alamo" '05, "Buried" '10, "ATM" '12, "The Atticus Institute" '15, "The Sea of Trees" '15, "Mercy" '16, "The Warning" '18, "Down a Dark Hall" '18, "Greenland" '20, "Falling Slowly" '20, "The Desperate Hour" '21, "Intrusion" '21) plus a short. One could ascertain that this writer was attached to the original as well considering the amazing similarity of the films--which needed to be similar since this was a continuation of "Greenland". The problem with this script was that it meandered in certain places of the screenplay where it just wasn't fluid in how it was put together. Was it a wash? Certainly not! In each scene, there was a certain amount of action that kept the audience on the edge of their seats, however it needed more polish to create more smoothness. 

Not to spoil. but there probably won't be a part 3 considering the out come of this. However, who knows...since it's a Hollywood film, as long as it makes a truck load of money, anything can happen. The visual effects were impressive, so seeing it on the large screen would showcase it better. 

Out of 4 Stars: 2.5                                      Rated: PG-13                                        98mins.

The Plague

How many films has Hollywood produced that is either directly centered around a bullying situation or certainly had a bully situation within the premise? Quite a number comes to mind. "Bully" in 2001 was directly focused on a bullying situation, which was an admirable attempt at the subject. Now we are offered "The Plague" which has a challenging script that could've been more polished. 

In the summer of 2003, at an all-boys summer water polo camp, socially anxious twelve-year-old Ben (Everett Blunck) struggles to fit in amidst a ruthless social hierarchy. When he befriends Eli (Kenny Rasmussen)--a lonely, acne-ridden outcast shunned by others, mostly by Jake (Kayo Martin), for allegedly carrying a contagious "plague"--Ben becomes entangled in a cruel, escalating ritual of scapegoating and fear. As the lines between teasing and real harm blur, Ben is forced to confront his own complicity and the terrifying cost of belonging. This is a tense, dark coming-of-age story about masculinity, peer pressure, and the horrors that fester when cruelty masquerades as a game. 

Others to round out the cast are Joel Edgerton as Coach Daddy Wags, Lucas Adler as Logan, Caden Burris as Matt, Elliott Heffernan as Tic Tac, Lennox Espy as Julian, Kolton Lee as Corbin and  Nicolas Rasovan as Charlie.

This independent film was directed with a cutting edge delineation of how he wanted this fellow students to interact, by Charlie Polinger (shorts) and he succeeded in spades. One could feel the raw intensity, the cold stillness of the characters when the scene called. This aspect of the film kept the audience on the edge. However, when it came to the writing also by Charlie Polinger (shorts), the film had a tendency to meander and become choppy--so much so that for the first 20 minutes of the film, I was wondering where the film was. Nothing was adding up, and this only having approximately an hour and 40 minutes to its running time, usually most films this short have a tendency to cut-to-the-chase. With this premise, it was an exemplary attempt of such an important subject matter. I would truly love to see more films directed by this filmmaker since his ability to work behind the camera is amazing. The film was really about how the young boys and how they interacted. Edgerton was there as a Coach, but that was about it. He truly yawned his way through his role, but I'm sure that was a planned thing. If this film shows the audience anything, it shows us how much fear can be leveraged in manipulating others which made this film palatable if anything did. 

If you're into the psychological drama using fear and manipulation to gain what the majority wants, this is the film for you. It really doesn't need to be viewed on the large screen to get the full impact of it, so maybe you could Netflix it. While the writing definitely needed polish, the direction was simply spot on. Writing wise, maybe this writer needed more work...or not.

Out of 4 Stars: 2                                     Rated: R                                           98mins.