One Night Only

When it comes to the majority of romantic comedies, or romcoms, they typically are written and presented in an extremely formulaic way, i.e. boy meets girl, girl meets boy, they attempt to become friends, and start falling in love. As a problem blossoms, and they become at odds with one another, and then they correct the issue and the story is all tied up by films' end with a nice bow. Sound familiar? Well, with "One Night Only", there is an element in which it does become different. 

Sometime in the near distant future. Three years ago pre-marital sex is considered illegal, except one night of the year. Two strangers, 'crash' into each other in an ever-so-slightly fictionalized New York on the one night when single people are allowed to have sex. Recently dumped Owen (Callum Turner) and hopeful romantic Allie (Monica Barbaro) may be the only two singles in the city looking for more than a quick encounter. They both feel a spark when they meet, but a series of mishaps and side quests will complicate their night. This romcom is about searching for love on the least romantic night of the year. But when you have one night only to attempt to make this happen, you must work quick.

Others to round out the cast are Maya Hawke, as Owen's fiance, Molly Ringwald as Linda, LeVar Burton as Rick, Charlie Gillespie as Ezra Stone, Michelle Hurd as Detective Vanessa Bryan Brown, Sydney Cole Alexander as Danica/Sophie and Frank Pando as Uncle Ed.

This was effectively directed well by Will Gluck ("Fired Up" '09, "Easy A" '10, "Friends with Benefits" '11,"Iceland" (TV movie) '11, "Annie" '14, "Peter Rabbit" '18, "How May We Hate You?" (TV movie) '18, "Peter Rabbit 2: The Runaway" '21, "Anyone But You" '23) plus TV and a music video. This filmmaker hasn't cornered the market on romcoms, but certainly has a number of them to his credit. As with his last romcom, "Anyone But You", there was the attempt to change up the typical format, as with this film, but at the end of the day, it's still a romcom. Certainly the casting of Turner and Barbaro was strategic and that definitely helped, but not sure if this is great casting or simply amazing chemistry. Gluck was pivotal in making sure that these actors melded well and that can make the difference if the romcom is going to connect with its audience. It was interestingly written by Travis Braun ("Bad Boy" '25) plus TV and shorts. What made this film more interesting than the typical romcom is that the story involving a sex ban between singles, except for one night. Surely, this is definitely not a repeated format with this genre. I believe because the limited feature film experience, this film would've excelled well, but instead there were a number of inconsistencies in the script. This writer has a fair amount of TV experience, and given simply more work, he would become a writer to contend with, since his TV has served him well. As aforementioned. the chemistry between Turner and Barbaro was amazing and worthy of the price of admission. 

When we see so many films advocating sex out there, it's nice to see a film that makes it look like this one night, as people are no different than animals in their regard for one another, this projects humping each other as unnecessary. Love is love, whereas sex is sex, and never the twain shall meet. This film leads its audience, through a lot of dysfunctional people and their escapades, that love triumphs over all., whether there are parameters on sex or not. This was the best thing about this flick, other than the chemistry between the two leads.

Out of 4 Stars: 3                                         Rated: R                                           103mins.

Spider-Man: Brand New Day

Ever since this Marvel Studios franchise started back in 2002 with "Spider-Man", we've seen many changes along the way including three different actors as the iconic character and a number of animated feature films. And even though I'm not particularly a Spider-Man fan, "Spider-Man: Brand New Day" is a film that has definitely improved on that franchise. What's amazing is that this franchise has lasted almost a quarter of a century. 

Four years have passed since the events of No Way Home, and Peter Parker (Tom Holland) is now an adult living entirely alone, having voluntarily erased himself from the lives and memories of those he loves, namely MJ (Zendaya) and Ned Leeds (Jacob Batalon). Crime-fighting in a New York that no longer knows his name, he's devoted himself entirely to protecting his city--a full-time Spider-Man--but as the demands on him intensify, the pressure sparks a surprising physical revolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced. 

Others to round out the cast are Mark Ruffalo as Bruce Banner/Hulk, Florence Pugh as Yelena Belova/Black Widow, Jon Bernthal as Frank Castle/Punisher, Sadie Sink as Jean Grey, Tramell Tillman as Bill Metzger, Liza Colon-Zayas as Detective Jean DeWolff, Marisa Tomei as May Parker, Naomi Watts as voice of E.V. and Michael Mando as Mac Gargan/Scorpion. 

This was delineated with amazing precision by director Destin Daniel Cretton ("Drakmar: A Vassal's Journey" (TV documentary) '06, "I Am Not a Hipster" '12, "Short Term 12" '13, "The Glass Castle" '17, "Just Mercy" '19,"Shang-Chi and the Legend of the Ten Rings" '21) plus TV, shorts and  a video. Even though the last Spider-Man film four years ago, No Way Home was directed by Jon Watts, this movie was able to carry the similar feel of that film in order to connect the two films which makes a more effective transition. This is the first film this filmmaker has tacked that is a big-budget project and he definitively proved he can handle the riggers of such a production. It was equally well written by Chris McKenna ("Igor" '08, "The Lego Batman Movie" '17, "Spider-Man: Homecoming" '17, "Jumanji: Welcome to the Jungle" '17, "Ant-Man and the Wasp" '18, "Spider-Man: Far From Home" '19, "Ghosted" '23) plus TV and a short, and Erik Sommers (See resume of McKenna), based on the Marvel comic book by Stan Lee and Steve Ditko. This was a nice continuation of No Way Home with the voluntary action of Spider-Man choosing to protect the ones he loves for their own good and his continuation of the bonding brother-like camaraderie with his buddy Frank. But then, he does need another foil to battle, and the one written was surely ingenious. And really, other that a couple of very small places of continuity issues, this script was spot on. And, of course, the visual effects predominately designed by ILM (Industrial,Light & Magic) and Framestore were seamless and certainly emphasized that grandiose feeling this director was attempting to convey. 

Oh, and not to worry, there will be a sequel! I know that's tough to swallow, but it is true! Hopefully Marvel will use the same writers and director to pull this off, otherwise it most likely be questionable. If you're a Spider-Man or a comic book film type of moviegoer, this will definitely fit the bill. If you like that huge effect of a film, this is presented in an IMAX format as well. 

Out of 4 Stars: 3.5                                            Rated: PG-13                                    145mins.

Motor City

Action films are about as commonplace in Hollywood as most other genres, and with that there isn't too much more a writer can create to impress the ardent moviegoer. As with the case of "Motor City", it's not overly original, but plays out in a captivating, slick way.

In 1970s Detroit, John Miller (Alan Ritchson) falls for a local gangster's girl, Sophia (Shailene Woodley). In retaliation, the gangster, Reynolds (Ben Foster) enacts a frame job via using a corrupt cop, Lieutenant Savick (Pablo Schreiber) to send the innocent man to prison. His life ruined, Miller plots a revenge campaign against the man who took his girl away, using allies Youngblood (Lionel Boyce) and Singh (Amar Chadha-Patel). 

Others to round out the cast are Dominic Bogart as Porthos, Mister Fitzgerald as Aramis, Rafael Cebrian as Athos, Ben McKenzie as Detective Kent, Elliott Mayer as P. Garrett and Peter Epstein as Dirty Cop. 

This was directed with high intensity and tons of grit by Potsy Ponciroli ("Super Zeroes" '12, "Colt Ford: Crank It Up, Live at Wild Adventures" '14, "Old Henry" '21, "Greedy People" '24) plus TV and music videos. The high adrenaline, explosiveness of this yarn was staged and paced incredibly well. He doesn't have a plethora of film experience, but this movie will show us that he can hold his own when putting an intense film like this together. It was cleverly written by Chad St. John ("London Has Fallen" '16, "Peppermint" '18, "Replicas" '18) plus a short. As with most action films as this, this has aplenty of double-crosses intertwinded within the script which can create a captivating story. The one flaw I felt was happening here was where a Detective Kent, who was part of an investigation, was seemingly being elusive in that was he a bad cop or an alright one? He was difficult to pinpoint. But, considering the plot was certainly something we've seen before, it was still presented in a way that was intriguing. Think--"John Wick" as far as the writing--not many lines, however the action spoke volumes, just like in "John Wick". The stunts were another star of the film--created by the incomparable Doug Coleman. 

Certainly if you like "John Wick" and that franchise, you'll love this. It was definitely made for the 18-24 single male demographic--ca-ching!! In this day of everyone and thing out there that is so serious, this is a great escape film to meld into. Nothing mind-bending here, but this is why we need to escape once in a while. 

Out of 4 Stars: 3                                         Rated: R                                                 104mins.

The Odyssey

One of the finest filmmakers that has come out of Hollywood in a long time has got to be Christopher Nolan. His resume is as extensive as it is impressive covering a spectrum of genres, i.e. war, crime, sci-fi, drama, etc, and delving into different eras of time. Now we have a film of the band of soldiers striving to make it home after winning the Trojan War. 

Odysseus (Matt Damon), king of Ithaca, embarks on a perilous journey to return home to his queen, Penelope (Anne Hathaway) and son, Telemachus (Tom Holland), after winning the Trojan War. Crossing the Mediterranean Sea with his fellow soldiers, they soon find them selves battling not only the elements, but an array of deadly obstacles and mythical creatures like Cyclops (Bill Irwin), Polyphemus, Sirens and Calypso (Charlize Theron) along the way. Meanwhile, there is turmoil at home with Antinous (Robert Pattinson) attempting to stir up trouble assuming, afters years, Odysseus is dead, so he should become the suitor for Penelope to gain power. 

Others to round out the cast are Niko Nicotera as Peisander, Corey Hawkins as Polybus, Jarreth Merz as Leodes, John Leguizamo as Eumaeus, Iddo Goldberg as Amphimedon, Elliot Page as Sinon, Elyes Gabel as Elatus, Zendaya as Athena, Jon Bernthal as Menelaus, Lupita Nyong'o as Helen/Clytemnestra and Josh Stewart as Antiphates. 

This was brilliantly directed with a gripping and pulsating pace by the incomparable Christopher Nolan ("Following" '98, "Memento" 2000, "Insomnia" '02, "Batman Begins" '05, "The Prestige" '06, "The Dark Knight" '08, "Inception" '10, "The Dark Knight Rises" '12, "Interstellar" '14, "Dunkirk" '17, "Tenet" '20, "Oppenheimer" '23) plus shorts. Every scene in this film was created with such distinct clarity and delineation. He was certainly able to encourage his actors to dig deep in 'being' these characters they were portraying. I can't wait for his next movie. It was also crafted well by writer Christopher Nolan (See his resume above), based on "The Odyssey" by Homer. Nolan is one of those few filmmakers that not only writes what he he directs, but more to the point, he truly is as an amazing talent in the writing or directing realm equally. There are so many different scenes with so many different characters he must cater to in order to make his films make sense, this production being of no exception, that he is able to convey his story in an effortless way. Along with the editing by Jennifer Lame, ace and cinematography by Hoyte van Hoytema, asc, this film was simply a sight to behold. 

Certainly if you are a Christopher Nolan aficionado, you will be in Nolan heaven. Still, my favorite film by Nolan is "Memento" 2000 with Guy Pearce, but all his films are incredible and extremely creative. This was shot with IMAX cameras, so even if you don't happen to see this on an IMAX screen, it still gives its audience that awesome feeling to it. Trust me, this has shy of a 3 hour running time, however it flies by quick. This is a triumph!!

Out of 4 Stars: 4                                        Rated: R                                      172mins.

Backrooms

When I think of films that are odd or quirky, I immediately think of M. Night Shyamalan. His films are odd, however they are original. Well, with "Backrooms", we have a similar feel in that it is extremely original, but definitely quirky and obscure. With all the remakes, reboots, sequels and prequels out there, it is refreshing to see something this original. 

A strange doorway appears in the basement of a furniture showroom where a therepist's, Dr. Mary Stein (Renate Reinsve) patient, Clark (Chiwetel Ejiofor) disappears into a dimension beyond reality, she must venture into the unknown entity to save him. Clark owns and operates the furniture store and inadvertently stumbles across the 'door', so he calls on his assistant, Kat (Lukita Maxwell) and her boyfriend, Bobby (Finn Bennett), so he can video it, in order to research the phenomena, and soon everything goes awry.

Others to round out the cast are Mark Puplass as Phil, Avan Jogia as Naren Warne, Robert Bobroczkyi as Pirate Clark, Ember Ambrose as young Mary, Krista Kosonen as Nora, Philip Granger as Meterman and Katharine Isabelle as Robin. 

It was directed with such intensity and grit by Kane Parsons ("Backrooms TV series '22-'25). Obviously this filmmaker scored well with the series which allowed the feature film to be produced. His pacing was amazing as was his ability to grab his audience out of their theater seats and be pulled into this film. If you like his brand of direction, his "Backrooms Sequel" is coming , although production unknown. It was interestingly written by Will Soodik (TV), based on the series by Kane Parsons. As aforementioned, although this film is quite original which creates freshness, there were entirely too many questions and not enough answers to why was this 'backrooms' entranced off of a furniture store? Where did it come from?, Why was it in existence? What happened to some of the people that went in there, but have no idea was happened to them? Also why didn't Parsons write this since he has written some of the series along with his direction? The acting by Ejiorfor and Reinsve was gripping and very believable and this being a psychological horror flick allowed the audience to be captivated, but the writing needed polish.

I want to believe that a sequel is in the works, because this film needs one with all the questions that hopefully a sequel can answer. The claustrophobic photography by Jeremy Cox was stunning as it was effective. It certainly is a film that a good deal of psychologists could study to come up with their conclusions, but it might not be for the every day movie goer for its obscurity.

Out of 4 Stars: 2.5                                       Rated: R                                        110mins.

Moana

Disney is certainly one of the kings of animation, and with the success of so many of their animated films, they have profited well. Films such as "Jungle Book", "Mulan", "The Little Mermaid", "Beauty and the Beast", "Aladdin" and others have been redone in a live version hoping they will reap the same profit once again. Some have done well--some not, but Disney always strives. So, Disney yet tries again with a live version of "Moana", ten years after the original animated version. 

In Disney's live-action reimagining of the beloved animated adventure, Moana (Catherine Laga'aia) answers the Ocean's call and, for the first time, voyages beyond the reef of her island of Motunui, with  which is forbidden by her dad, Chief Tui (John Tui) for safety reasons, with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people in the form of a stone, The Heart of Taviti. Maui is the only one who can guide Moana in this dangerous quest.

Others to round out the cast are Fankie Adams as Sina, Rena Owen as Gramma Tala, Jemaine Clement as Tamatoa, Amayan Masoli as Moana (8 years old) and Emma Puahi-Shapazian (Moana (4 years old).

This was directed with wit and adventure by Thomas Kail ("Grease Live!" (TV movie) '16, "Hamilton" '20) plus TV. Considering this director's experience in the musical realm, and Moana being basically a musical, his take on this project was delineated well, especially working with the same collaborators--Mark Mancina and Lin-Manuel Miranda that worked on the original. He knew just where the musical numbers would be the most effective in this film. The film was effectively written by Jared Bush ("Zootopia" '16, "Moana" '16, "Encanto" '21, "Moana 2"'24, "Zootopia 2" '25) plus TV and a video game, and Dana Ledoux Miller ("Moana 2" '24) plus TV, based on the 2016 animated film "Moana" by Jared Bush, Ron Clements and John Musker. Obviously, Bush has the lion's share of the experience here, but then considering that Miller wrote the screenplay for "Moana 2", it was concluded that this writer needed to be included and I believe it helped. What can I say about the writing here than the fact that it followed the animated version almost verbatim. Dwayne Johnson reprised his role as Maui and I'm not sure where they got Catherine Laga'aia to play Moana since she was very believable and could belt out a song. And, of course, the visual effects predominantly designed by ILM (Idustrial, Light & Magic) were seamless. As with the animated version these two music composers hit a homerun with the score and songs. 

Again, if you thoroughly enjoyed the animated version of this film, you will undoubtedly love this since it follows its predecessor almost word for word. But, then again, Disney is the king of remakes, reboots, sequels, prequels, franchises, etc. If you want a huge version, it's also presented in an IMAX format as well. 

Out of 4 Stars: 2.5                                         Rated: PG                                             116mins.

Minions & Monsters

When "Minions" was released back in 2015, who really knew of the popularity it would've become? Think about it: characters that don't speak English, or any language come to think of it, is created to be humorous with a definite premise, and succeed. It sounds preposterous, but this is why this franchise has succeeded. 

This is the rambunctious, ridiculous and totally true story of how the Minions (voiced by Pierre Coffin) conquered Hollywood in the 1920s, became movie stars, lost everything, and unleashed monsters onto the world and they banded together to try and save the planet from the mayhem they had just created through a mischievous green monster, Goomi (voiced by Trey Parker) in order to obtain monsters for their film. The studio doesn't know what to do with them, namely a director, Max (voiced by Christoph Waltz), so as things start to go awry, the Minions attempt to stop it, but not with much success.

 Others to round out the cast are Allison Janney as tour guide Olivia, Jesse Eisenberg as Dort, Zoey Deutch as Debbie, Jeff Bridges as Frank and Elwood, Bobby Moynihan as Phillips, Phil LaMarr as Howard and George Lucas as himself. 

This was whimsically directed by Pierre Coffin ("Despicable Me" '10, "Despicable Me 2" '13, "Minions" '15, "Despicable Me 3" '17) plus TV and shorts. Clearly this filmmaker knows his craft when it comes to animation, however, it would be interesting to see what he could do with a live-action project. He has solely worked with Illumination Studios since they produced both Minions and Despicable, so surely he is comfortable with them. This was interestingly written by Pierre Coffin (TV, shorts and a video) and Brian Lynch (Big Helium Dog" '99, "Hop" '11, "Puss in Boots" (story) '11, "Minions" '15, "The Secret Life of Pets" '16, "The Secret Life of Pets 2" '19, "Minions: The Rise of Gru" (story) '22) plus videos and a short. Interesting that Pierre received top billing here, but since he directed and played the voices of most of the Minions, it shouldn't be a total surprise. Clearly Lynch is the talented writer here--just watch "The Secret Life of Pets" and you'll see what I mean, and he probably should've written this solely, but, again, it's Coffin's baby. Because of its short running time--an hour and a half, there was clearly more plot than the running time could hold. So, with that, the story became a bit confusing. Is it a wash? No, of course not, there were many funny areas that made up for a lot. It was cute, funny and something kids will love, however it did get a bit bogged down with too much plot. Of course, Illumination Studios that created the animation along with many others films was a delight

Again, this is a great summer flick that families with kids will undoubtedly enjoy, but if you're looking for a tight script, this may not totally fill the bill. The animation by Illumination is exquisite and if you like an up close and personal feel, it is presented in IMAX and 3D. 

Out of 4 Stars: 3                                        Rated: PG                                           90mins.

             

Young Washington

In this summer film season, I cannot think of any other film to review, if one is looking for patriotism, that that of "Young Washington", especially this being July 4th. This, being a film to celebrate the 250th birthday of this great country, is one that will be or should be seen in schools to showcase the beginnings of the United States of America so as not to forget where we came from.

The year is 1755. Before he was the father of a Nation, he was a soldier fighting to survive. A single misstep thrusts young George Washington (William Franklyn Miller) into the center of a global conflict, testing his honor, loyalty and courage. As alliances crumble and the frontier erupts into war, he must confront not only his enemies but the man he's becoming. So, with his fellows soldiers including Christopher Gist (Leo Hanna), Joseph Jumonville (Clement Toyon), Tucker Bowman (Nicholas Antoniou) and others, he forges ahead with brute force and determination to see our country not fail. This is the untold story of Young Washington.

Others to round out the cast are Mia Rodgers as Sally Cary, John Foss as Lawrence Washington, George's brother, Kelsey Grammer as Lord Fairfax, Andy Serkis as General Braddock, Ben Kingsley as Robert Dinwiddie, Michael Benz as Thomas Gage, Jonno Davies as James McKay, Will Joseph as Young George, Ryan Begay as Half-King Tanacharison and Montana Hodgkinson as Chief Red Hawk.

This was directed with grit, integrity and insightfulness by Jon Erwin ("The Cross and the Towers" '06, "Alumni" (TV movie) '09, "October Baby" '11, "Fully Alive" '12, "Mom's Night Out" (as The Erwin Brothers) '14, "Woodlawn" '15, "Steve McQueen: American Icon" ((co-directed) '17, "I Can Only Imagine" '18, "I Still Believe" '20, "American Underdog" (as The Erwin Brothers) '21, "The Jesus Music" '21, "Jesus Revolution" '23) plus TV, videos and a music video. This was brilliantly well structured, sequenced and staged with perfection. Of course, with this filmmaker having the extensive resume that he has, Erwin was able to delineate the different aspects of this soldier in his earlier years. It was equally penned well by writers Jon Erwin, Tom Provost and Diederik Hoogstraten. This was well thought out and was definitely concise. Obviously Erwin has the lion's share of the experience here, however the other writers certainly were strategic with their respective input. The writing simply kept me riveted and some aspects of the film I either didn't remember or really did not know. 

One thing that England didn't understand back in the mid 1700s was that they were servants of the people, not the other way around--sound familiar today? This is a country for the people, by the people--not the government. This country can learn from this film, lest we lose our freedoms one by one. This film should be shown in schools including colleges, and recommend this highly!

Out of 4 Stars: 4                                         Rated: PG-13                                      121mins.

Lucky Strike

When "The Outpost" was released back in 2020 which starred Scott Eastwood and was directed by Rod Lurie as this film, "Lucky Strike" was also directed by Lurie and starred Eastwood, I thought this would be a movie worthy to see since "The Outpost" was gripping, and I was surely correct. 

Inspired by true events, "Lucky Strike" tells the story of one soldier, Col. John Castle (Scott Eastwood) trapped behind enemy lines during the last major German offensive during WWII, what will become known as The Battle of the Bulge. Armed only with his Motorola SCR-300 radio, a new technology only battle-ready near the end of the war, he must use his wits and spy craft to thwart the advancing Nazi Panzer army and find his way home. 

Others to round out the cast are Colin Hanks as Col. Neale, Aunjanue Ellis-Taylor as Rose Caldwell, Taylor John Smith as Sgt. Bellingham, Kwane Patterson as Maren, Jonathan Yunger as Cash, Scott Alda Coffey as Averil, Jariko Denman as Top, Jake Lowe as Murphy, Alexandra Vale as Rebecca Castle, Alfie Stewart as Miller and Atanas Srebrev as Gen. Lauer. 

This was incredibly well directed with grit, suspense and pathos by Rod Davis Lurie ("Deterrence" '99, "The Contender" 2000, "The Last Castle" '01, "Resurrecting the Champ" '07, "I'm Paige Wilson" (TV movie) '07, "Speechless" (TV movie) '08, "Nothing But the Truth" '08, "Straw Dogs" '11, "The Surgeon General" (TV movie) '13, "Killing Reagan" (TV movie) '16, "Monsters of God" (TV movie) '17, "The Outpost" '20, "The Senior" '23) plus TV and shorts. Even though this filmmaker delves into many different subject matter, his comfort zone is obviously drama (whether intense or light). His sequencing is effective as is his staging. It was cleverly written by Rod Davis Lurie ("Deterrence" '99, "The Contender" 2000, "Capital City" (TV movie) '04, "I'm Paige Wilson"  (TV movie) '07, "Nothing But the Truth" '08, "Straw Dogs" '11, "Monsters of God" (TV movie) '17) plus TV and shorts, and Marc Frydman ("Black Butterfly" '17, "Last Seen Alive" '22). This, like other films, starts as a flashback with John Castle taking a soldier's mom, Rose Caldwell back to that time during The Battle of the Bulge and all that occurred between him and others and what was a grueling story. Obviously you knew Castle survives, hence he's telling the story, but this film wasn't about whether Castle makes it alive as much as how did he survive? This was written with pathos and passion, and the film was cohesive and concise in its conveyance. These writers will surely receive more work. 

If you are a war aficionado, or more to the point, a WWII history buff, this will hit a home run. We are becoming a society of forgetting our history, and films as these only reemphasize the importance of never forgetting our history lest we repeat it, as in the realm of wars, famines, diseases, etc. For this, the film is worthy of viewing, and the performance by Eastwood and direction by Lurie was exemplary.

Out of 4 Stars: 4                                        Rated: R                                          103mins.

Supergirl

With "Masters of the Universe" in the rear view mirror and with Christopher Nolan's "The Odyssey" releasing in July, we are in the midst of the summer film season, especially with this film as a follow up of "Superman" a year ago aptly titled "Supergirl", afterall, this is the season for sequels, prequels, reboots, remakes, franchises, etc.

When an unexpected and ruthless adversary, Krem (Matthias Schoenaerts) strikes too close to home, Kara Zor-El aka Supergirl, (Milly Alcock) reluctantly joins forces with an unlikely companion, Ruthye (Eve Ridley) on an epic, interstellar journey of vengeance and justice. With the assistance of an unlikely lethal bounty hunter, Lobo (Jason Momoa), these heroes fight and gun their way to extract the vengeance they need to in order to right a horrible wrong. 

Others to round out the cast are David Krumholtz as Zor-El, Kara's father, Paul Hunter as Wormhole bus driver, Emily Beecham Alura Zor-El, Kara's mother, David Corenswet as Superman, Keeley Forsyth as the Healer and Diarmaid Murtagh as Drom Baxton.

This was effortlessly directed with grit, humor and intensity by Craig Gillespie ("Mr. Woodcock" '07, "Lars and the Real Girl" '07, "Fright Night" '11, "Trooper" (TV movie) '13, "Million Dollar Arm" '14, "The Finest Hours" '16, "I, Tonya" '17, "Cruella" '21, "Dumb Money" '23) plus TV, shorts, videos and music videos. I have great respect for this director since he is, what I call, a chameleon--he will take any project as long as he feels it suits his idea of art and entertaining, and this film is no exception. His staging and pacing are solid and his ability to work well with a huge filming crew is amazing. It is effectively written by Ana Nogueira ("We Win" (short) '18). After viewing this film, I wondered if the writer had any extensive experience, and now I realize she doesn't.  But, considering her lack of feature film work, this was definitely better that I realized. It was choppy because of some inconsistencies in script, mostly in the first part of the film, but after about half the film, it progressively became meatier and more cohesive in its story. This wasn't a wash, but this writer clearly needs more work which she will get through one film, "Teen Titans" in pre production, and two others afterward. One of the films is an untitled DC Studios film which she is writing at this point. It looks as though DC is grooming her and hopefully their bets on her will profit. Of course, the visual effects predominantly designed by ILM (Industrial, Light & Magic) were seamless, but that's to be expected before entering the theater. And the stunts by Rob Inch were superb!

Certainly if you're into 'comic book films', this will be a perfect fit, but if not, this might be something to pass. The visuals, stunts, and some of the characters, specifically Jason Momoa as Lobo were great. And Crypto, the dog was wonderful, and we know now how Crypto came about after seeing him in "Superman" '25. It is in an IMAX format if you do like a huge effect.

Out of 4 Stars: 3                                       Rated: PG-13                                       108mins.

The Death of Robin Hood

One of the most portrayed and known forms of old English folklore has been that of Robin Hood. There has been produced a plethora of books, stories, films, TV and even plays about this pivotal English character. Whereas the other translations have always been the good Robin Hood steals from the rich and gives it to the poor, has been rewritten as Hood being murderous in this next story of the titular character in "The Death of Rood Hood".

This is a revisionist thriller starring Hugh Jackman as an aged, weary and grim murderous Robin Hood who, after being gravely wounded after a battle that he assumed he wouldn't survive, takes refuge in a priory and is nursed back to health by Sister Brigid (Jodie Comer). The film deconstructs the legend, portraying Robin as a violent outlaw seeking redemption as he confronts his past deeds, with the priory community challenging his brutal identity. It's a dark, slow-burn take on the myth, inspired by the 17th-century ballad Robin Hood's Death.

Others to round out the cast are Bill Skarsgard as Edward, Katie Breen as Marharet, Noah Jupe as Arthur, Jade Croot as Wainwright, Richie Wilson as Godwyn senior, Murray Bartlett as the Leper and Alfie Lawless as Hendrie. 

This was directed with such intensity, suspense and grit by Michael Sarnoski ("Pig" '21, "A Quiet Place: Day One" '24) plus TV and shorts. This was set in the year 1247 Ireland and if this was any indication of how life was back then, it must have been grueling on a good day. This filmmaker gave his audience the feeling of this time and place like it was a living hell on earth, through his sequencing, and his use of the angel shots taken by cinematographer Pat Scola asc. The darkness of the photography added to that foreboding approach. He doesn't have a ton of feature film experience, but will undoubtedly receive more work. It was also effectively written by Michael Sarnoski (" Pig" '21, "A Quiet Place: Day One" '24) plus TV and shorts. Where Sarnoski excelled with the directing, the writing needed a bit more polish. First of all, there were a few places of inconsistencies and secondly, it was a bit long-in-the-tooth. For a film that spanned a two-hour running time, it actually could've been cut about ten minutes less and not lose any impact this film was striving to convey. Was this a wash? Certainly not. Not to spoil the ending, however this does end bittersweetly which was penned with such pathos and compassion.

Surely, if you like the Robin Hood legend, this will be intriguing since it flips the reputation of Hood upside down. The acting by both Hugh Jackman and Jodie Comer were powerful and gripping and their chemistry was believable and strong. Just a little warning--this is rated R for a reason since the violence is a bit excessive.

Out of 4 Stars: 2.5                                      Rated: R                                         122mins.

Toy Story 5

When "Toy Story" was released back in 1995, being Pixar Animation Studios' first feature film and the first animated film computer generated, who knew it would become the franchise it has become? For years, Pixar's record for making well written and produced films was unprecedented financially and for quality until a few years ago when they started going woke and was evident in their films. So, because of the public out cry, they soon realized that to continue with profiting, they dropped the wokism and we now have "Toy Story 5".

The toys are back in Disney and Pixar's "Toy Story 5", and this time it's Toy meets Tech. Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack) and rest of the gang's jobs are challenged when they come face-to-face with Lilipad (Greta Lee), a brand new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie (Scarlett Spears). Will playtime ever be the same? The gang needs help, so with the assistance of Smarty Pants (Conan O'Brien), Snappy (Shelby Rabara), and others, it's a calculated adventure to sway Bonnie back to playing with toys as opposed to staring at a computer screen. 

Others to round out the cast are Mykal-Michelle Harris as Blaze, Lori Alan as Bonnie's mom, Jay Hernandez as Bonnie's dad, Bonnie Hunt as Dolly, Tony Hale as Forky, Wallace Shawn as Rex, John Ratzenberger as Hamm, Ernie Hudson as Combat Carl, Craig Robinson as Atlas, Jeff Bergman as Mr. Potato Head, Blake Clark as Slinky Dog, Annie Potts as Bo Peep and Keanu Reeves as Duke Caboom. 

This was brilliantly directed with heart and grit by veteran to Pixar Andrew Stanton ("A Bug's Life" (co-director) '98, "Finding Nemo" '03, "WALL-E" '08, "John Carter" '12, "Finding Dory" '16, "In the Blink of an Eye" '26) plus TV and shorts. During the short time that Pixar lost its bearings during their woke period, Pixar attempted to have different directors and writers for their projects, with Pete Docter, Stanton, Lee Ulnkrich and others to produce , but that obviously failed. These guys aren't producers, they're artists, So, here we are with Stanton back and also co-wrote this as well. The public knows what they like, and with this, it will surely profit. The sequencing, pacing and staging were consummate.It was also co-directed by McKenna Harris who has done some other work of Pixar's, and definitely had pivotal input for this. It was equally written well by Andrew Stanton ("Toy Story" '95, "A Bug's Life" '98, "Toy Story 2" '99, "Monsters, Inc." '01, "Finding Nemo" '03, "WALL-E" '08, "Toy Story 3" '10, "John Carter" '12, "Finding Dory" '16, "Toy Story 4" '19) plus TV, shorts, videos and video games, and McKenna Harris (2 shorts), based on a story by Andrew Stanton. This was an ingenious progression in that one of the issues kids are having today is their addiction to technology at an even earlier age than even five years ago. So, it's a battle between the toys and computers to fight for kids' attention. Brilliant! And Stanton pulls it off effortlessly as with his other scripts. Certainly Harris has pivotal input here, by it's undoubtedly Stanton, having the lion's share of the experience here, who's showcasing what he does best at Pixar. The continuity and cohesiveness were remarkable, and he definitely knows what people like, and he also carries a great message with his stories--not only can kids go back to their toys, but in the process, toys and tech can actually work together. 

If you like the other 'Toy Story' flicks, you'll love this! It has warmth, heart, adventure, humor, and grit all rolled up in a well delineated story that will have you cheering by film's end. If you like a different version than standard, it's also presented in a 3D and IMAX format as well. I've said it before and I'll say it again: how do those guys at Pixar do it?

Out of 4 Stars: 4                                                 Rated: PG                                          102mins.

The Breadwinner

When I was viewing my first trailer of "The Breadwinner", after about 20 seconds, I was thinking of the film, "Mr. Mom" 1983 with Michel Keaton and Teri Garr. Now, while the reason of mom going back into the workforce differs, the fact that the dad is totally incompetent is both films rings true. Certainly if you liked "Mr. Mom", you'll like this.

Starring comedian Nate Bargatze as salesman Nate Wilcox and Mandy Moore as his wife, Katie. To Nate and their three children, Gracie (Stella Grace Fitzgerald), Hadley (Birdie Borria) and  Sam (Charlotte Ann Tucker), Katie is the ultimate mom--she manages their comically chaotic household with equal parts efficiency and love, and everything runs perfectly. But when Katie's household invention leads to a once-in-a-lifetime deal on Shark Tank and takes her on a prolonged business trip, Nate has to figure out how to keep the house from (literally) falling apart. He and his kids soon learn that while he may not do it like mom, he can figure out how to do it his way. Welcome to the dad era. 

Others to round out the cast are Colin Jost as Conor Ashford, Zach Cherry as Dan, Nate's boss, Martin Herlihy as Peter, Kumail Nanjiani as Peyton, Will Forte as Keegan, Brett Cullen as Walter Wilcox, Nate's dad, Kate Berlant as Angela Ashford and Lori Grenier as herself from Shark Tank.

This was effectively directed with humor and compassion by Eric Appel ("Weird: The Al Yankovic Story" '22, "Die Hart" '23) plus TV, TV movies, shorts and videos. This fillmmaker may not have an extensive array of feature films to his credits, but his extensive list of TV, shorts and videos has certainly served him well. His ability to stage and pace is amazing and the sequencing in this is dissected well. It is penned well by Nate Bargatze (TV) and Dan Lagana ("Right Hand Guy" (TV movie) '16, "The Babysitter: Killer Queen" '20, "Christmas with the Campbells" '22, "Musica" '24) plus TV. While "Mr. Mom" was written in a way that the jokes were funny and heartfelt, this film seemed to convey the jokes in a somewhat forced way, along with the fact that some of these jokes were as humorous as with "Mr.Mom". Even though Bargatze has a fair amount of TV experience, being a standup comic isn't quite the same as leading the cast in a film. Was it a wash? Of course not. It had a number of funny moments, especially when they were on the show Shark Tank. Obviously these sharks were given lines so as to basically play themselves, so it was like a parody of themselves and that was quite funny. I'm not sure if John Hughes, writer of "Mr. Mon" would've approved of this film, but this was a nice attempt of a classic film. 

As aforementioned, if you like "Mr.Mom", you will certainly find this appealing. It would've been more effective to have someone similar to Michael Keaton in it, but Nate Bargatze definitely gave it the best he could. All in all, it was a nice way to spend an hour and three-quarters just to have a funny laugh, and we could all use that right about now. 

Out of 4 Stars: 2.5                                           Rated: PG                                       109mins.

Disclosure Day

Through the decades, director Steven Spielberg Has had a fascination with aliens or those from other worlds, i.e. "Close Encounters of the Third Kind" 1977, "E.T. The Extra Terrestrial" 1982, even producing "War of the Worlds" 2005, so it should be no surprise that he would tackle this same subject matter with "Disclosure Day"

This science-fiction film about a whistle blower, Dr. Daniel Kellner (Josh O'Connor) and a meteorologist, Margaret Fairchild (Emily Blunt) who become entangled in a conspiracy involving government cover-ups of alien contact headed up by Noah Scanlon (Colin Firth). The film is a return to the UFO genre for Spielberg , blending a chase thriller with themes of government secrecy and societal reaction to extraterrestrial life. If you found out we weren't alone, if someone showed you, proved it to you, would that frighten you? With this film, the truth belongs to eight billion people. Today is...Disclosure Day.

Others to round out the cast are Colman Domingo as Hugo Wakefield, Eve Hewson as Jane Blankenship, Wyatt Russell as Jackson, Henry Lloyd-Hughes as Casper Boyd, Elizabeth Marvel as Sister Maura, Hettienne Park as Serena, Tommy Martinez as Santiago, Gabby Beans as Angela Childs and Jeremy Shamos as Claypool. 

This was brilliantly directed with suspense and grit by the incomparable Steven Spielberg ("Duel" (TV movie) '71, "Jaws" '75, "Raiders of the Lost Ark" '81, "The Color Purple" '85, "Hook" '91, "Jurassic Park" '93, "Schindler's List" '93, "Saving Private Ryan" '98, "Minority Report" '02, "The Terminal" '04, "Munich" '05, "War Horse" '11, "Lincoln" '12, "The BFG" '16, "Ready Player One" '18, "The Fabelmans" '22) plus many other films,  TV movies, TV, shorts,and  videos. This, as with all of Spielberg's past projects, is directed with conciseness and precision one feels as though they are simply watching people live their lives--it's that realistic. His staging and pacing are spot on. It was cleverly written by seasoned writer, David Koepp ("Apartment Zero" '88, "Death Becomes Her"'92, "Jurassic Park" '93, "The Paper" '94, "Mission: Impossible" '96, "The Lost World: Jurassic Park" '97, "Panic Room"'02, "Spider-Man" '02, "War of the Worlds" '05, "Zathura" '05, "Premium Rush" '12, "Inferno" '16, "Presence" '24, "Jurassic World: Rebirth" '25) plus many other films, TV, video games and a short. Obviously Koepp has proved himself as the writer he is, and the fact that he has collaborated with Spielberg several times before, certainly showcases his credibility. The cohesiveness and delineation of one scene to the next was compelling. There were a couple of places of continuity issues (can't mention them lest there be a spoiler alert), but all in all the script was spot on. And the cinematography by Janusz Kaminski, basically Spielberg's cinematographer, was stunning. Incredible that John Williams has created yet another score for a film considering he's 94 years old, and working yet again with Spielberg. 

Interesting that the aliens in this were not aggressive as with other films of the same genre, but it is interesting that the bible does say, "Satan is the ruler and power of this earth", and since Satan is the epitome of evil, then one could conclude that beyond the earth places wouldn't be tainted by evil. Of course, Satan only has the power he does by God's permission--it's called free will in who we will follow., but outside this planet, if aliens exist, they should be docile. Anyway, enough said. If you like that up close and personal feel, it is presented in an IMAX format as well. 

Out of 4 Stars: 3.5                                           Rated: PG-13                                   146mins.

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Masters of the Universe

Well,you know we're now into the summer film season what with "Masters of the Universe" in our midst. Summer is typically fraught with big-budget and animated films to woo those kids and teenagers, fresh out of school, into the multiplex. And what a better way to spend part of the summer than with a comic book film. 

In "Masters of the Universe", this franchise is brought back to the big screen in this epic live-action adventure. After being separated for 15 years, the Sword of Power leads Prince Adam (Nicholas Galitzine) back to Eternia where he discovers his home shattered under the fiendish rule of Skeletor (Jared Leto). To save his family and his world, Adam must join forces with his closest allies, Teela (Camila Mendes) and Duncan/Man-At-Arms (Idris Elba), and embrace his true identity as He-Man--the most powerful man in the universe. 

Others to round out the cast are Johannes Haukur Johannesson as Fisto, Jon Xue Zhang as Ram Man, Alison Brie as Evil-Lyn, Sam C. Wilson as Trap Jaw, Charlotte Riley as Queen Marlena, James Purefoy as King Randor, Morena Baccarin as the Sorceress, Kristen Wiig as voice of Roboto and Christiaan Bettridge as Dian.

This was directed with grit and explosiveness by Travis Knight ("Kubo and the Two Strings" '16, "Bumblebee" '18). This filmmaker doesn't have an extensive resume, however he has proven himself with just the two films. Certainly, helming a multi-faceted big-budget film isn't an easy task, but Knight carries it off with relative ease. His staging and pacing is amazing. He does have three films coming down the road, and if you like his style, his "Six Billion Dollar Man", although has no known production slated, should be awesome, and his "Wildwood" is in post production. This was interestingly written by Chris Butler, Aaron Nee and Adam Nee and Dave Callaham, based on a story by Aaron Nee & Adam Nee and Alex Litvak and Michael Finch, which is based on "Masters of the Universe" by Mattel. It's interesting that David Callaham received the least billing of the writing credits considering he has the lion's share of the screenplay. But, Butler and Aaron Nee and Adam Nee are more connected with the director, Knight, so that must've had something to do with it, and certainly, Callaham might have given these other writers center stage since he already has considerable experience. Over all, this was better than I ever thought it would be--the trailer really didn't sell me, and I thought it was a bit cheesy, but, since I have no experience with knowledge of this franchise, it was made to be a bit cheesy I was told. And it was a bit long-in-the-tooth, and it could've been edited about 10 minutes from the final cut. But otherwise, this script was impactful and kept you moving through a vast amount of this. And the visual effects predominantly designed by ILM (Industrial, Light & Magic) and Double Negative, were incredible and were in your face, but considering this was meant to be a bit cheesy, this would be permissible. 

Certainly, if you like comic book films, or more to the point, the Masters of the Universe franchise, you'll love this. And, as long as it makes a ton of money, wait through the end credits, because there will be a sequel. I know, what a shock! But, it's an entertaining way to spend a couple hours  for a summer afternoon.

Out of 4 Stars: 3                                                Rated: PG-13                                               140mins.

Power Ballad

Usually films about srongwriters are typically based on a true story about real writers or performers, however "Power Ballad" is created out of pure fiction which makes it truly intriguing. Certainly when it comes to songwriters and performers, many aspects of what occurred in this has happened in true life, so it did come across of a film based on real life. 

When Rick Power (Paul Rudd), a past-his-prime wedding singer, meets fading boy-band star Danny Wilson (Nick Jonas) during a gig, the two bond over music and a late-night jam session. But when Danny turns one of Rick's songs into the hit that reignites his career, Rick sets out to reclaim the recognition he believes he deserves--even if it means risking everything he cares about. "Power Ballad" is a feel good story about music, self-respect, friendship, and the price of ambition. 

Others to round out the cast are Peter McDonald as Sandy, Rory Keenan as Binzer, Paul Reid as Bernie, Keith McErlean as Kyle, Emma Rose Creaner as Claire, Rick's wife, Beth Fallon as Aja, Jack Reynor as Mac, Havana Rose Lui as Marcia and Robert Mitchell as George.

This was directed with grit, sequencing and an impressive amount of harmony when it came to the chemistry between Rudd and Jonas by John Carney ("November Afternoon" '96, "Park" '99, "On the Edge" '01, "Once" '06, "Zonad" '09, "The Rafters" '12, "Begin Again" '13, "Sing Street" '16, "Flora and Son" '23) plus TV, a TV movie and a short. Clearly this filmmaker has an impressive resume of work, so obviously he was able to put this film together with quality all the while being able to induce an interesting yet compelling story. Carney is from Ireland, so it's no surprise that this was shot in that country. It was equally well penned by writers John Carney (See above resume). and Peter McDonald ("The Bachelor Weekend" '13) plus TV and shorts. Certainly Carney has the lion's share of the experience here, however McDonald definitely had clever input, especially him playing one of Rick's friends and pulled it off well. These filmmakers, being from Ireland are truly talented in their respective positions and would be interested in seeing more work from them. The only aspect I can see that maybe was touted to high was that this actually ends bitter-sweetly, instead of being a film that will cause all to stand up and cheer. Actually, its ending turned out more poignant than otherwise, but when you're expecting a certain ending and it doesn't happen, it seems, at first, somewhat of a letdown. 

As aforementioned, this film's ending was not only poignant, but it was actually realistic which made it a film that will continue to make you think well after the end credits roll. I'm actually glad it didn't end with a nice bow at the end. And the chemistry between Rudd and Jonas was incredible, and a film performance I've not seen from Rudd that was Oscar worthy.

Out of 4 Stars: 4                                     Rated: R                                       108mins.

Tuner

When one thinks of a safecracking or heist type film, they often think of "Ocean's Eleven" 2001 or maybe "The Italian Job" 2003. These were high-end heist type films, so when a small gang of robbers decide to break into a safe and can't, who do they contact? Safecrackers are us?

Niki White (Leo Woodall), who is a gifted young piano tuner, who happens to suffer from hyperacusis, a heightened sense of hearing which makes hearing too loud of noises causes a detrimental backlash, draws the attention of criminals, who see his talents as useful for opening safes as well as for tuning Steinways. With his once promising musical career over, he works across New York with his mentor Harry Horowitz (Dustin Hoffman), encountering an array of characters , including composition student Ruthie (Havana Rose Liu), with whom he forges an unexpected connection. Niki's safecracking work threatens his budding romance with Ruthie and pulls him into increasingly dangerous territory.

Others to round out the cast are Lior Raz as Uri, Tovah Feldshuh as Marla Horowitz, Harry's wife, Gil Cohen as Yoni, Nissan Sakira as Benny, Jean Reno as Maestro Marius Maissner, Jean Yoon as Dr. Madeline Richard and David Reale as Travis Conway.

This was brilliantly sequenced, staged and paced incredibly by director Daniel Roher ("Ghosts of Our Forest" '17, "Once Were Brothers" '19, "Navalny" '22, "Blink" '24, "The AI Doc: Or How I Became an Apocaloptimist" '26) plus TV and shorts. The cohesiveness, fluidity and sequencing of this filmmaker is stunning and with every film he directs, he only gets more accomplished. If you like his style, his "Positano" is being filmed as of present. It was equally delineated well by writers Daniel Roher ("Once Were Brothers" '19) plus shorts and Robert Ramsey ("Destiny Turns on the Radio" '95, "Life" '99, "Big Trouble" '02, "Intolerable Cruelty" '03, "Man of the House" '05, "Soul Men" '08) plus TV and a video. Even though Roher has only one other feature film credit, Ramsey certainly made up the difference. These two writers are truly consummate and am curious to see any film by either of them. And, of course, the acting by Leo Woodall was incredible and has quite a future in film. His performance in "Nuremberg" in 2025 was riveting. And supporting actors, Hoffman, Feldshuh and Raz were strong and credible. 

This film has it all, adventure, drama, humor and redemption all rolled up in a slickly done film to please all. The writing, directing, acting and cinematography by Lowell A. Meyer was enthralling as it was captivating.

Out of 4 Stars: 4                                         Rated: R                                        108mins.

Pressure

We've all seen different strategies in which to plan an attack for a war, but how about a general in WWII hinging his attack prior to D-Day on a meteorologist report? Well, in "Pressure" this is what exactly happened to ensure the US attack toward the Germans at Normandy was successful.

In the seventy-two hours leading up to D-Day, all the pieces are in place except for one key element--the British weather. Britain's chief meteorologist officer Captain James Stagg (Andrew Scott) is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest ever seaborne invasion, while any delay risks German intelligence catching on. With his only trusted aide Lieutenant Kay Summersby (Kerry Condon) to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower (Brendan Fraser). With only hours to go, the fate of the war and the lives of millions hang in the balance. 

Others to round out the cast are Chris Messina as Captain Irving Krick, Damian Lewis as Bernard 'Monty' Montgomery, Tamsin Topolski as Liz Stagg, James' wife, Con O'Neill as Air Marshal Leigh Mallory, Alexander Hanson as General Omar Bradley, Jojo Macari as Andrew Carter, Robert Portal as Admiral Bertram Ramsay, Joshua Hill as Casey and Toby Williams as Bryant. 

This film was brilliantly sequenced well by director Anthony Maras ("Hotel Mumbai" '18) plus shorts. Even though this filmmaker has limited feature film experience, his shorts has certainly served him well. It was concise, paced and staged well. Undoubtedly this director will assuredly receive more work. It was cleverly written by David Haig ("My Boy Jack" (TV movie) '07) and Anthony Maras ("Hotel Mumbai" '18) plus shorts, based on a play by David Haig. First of all, I had no idea that the attack on the Germans on D-Day hung on weather and if the weather was willing to work with the US or not, and secondly, this certainly made a unique and original premise on the entire war genre. The meteorologists were in a differing position of what kind of weather was to occur on June 6, 1944. It's no wonder that Haig was brought in to assist with the creation of the script since the film was based on his play and the tenseness and gut-wrenching emotions kept the audience on the edge of their seats. Really, other than a couple of small places of choppiness in script, this story was spot on. 

If you like the genre of war, you will love this, especially since the premise of this film is like nothing you've seen. The directing, acting, especially by Fraser and cinematography by Jamie Ramsay bsc/sacg was exquisite. It's like going back in time to a time that was fraught with uncertainty, but in other ways, was a much simpler time compared to our world today.

Out of 4 Stars: 3.5                                       Rated:PG-13                                   100mins.

Star Wars: The Mandalorian and Grogu

When the original "Star Wars" premiered back in 1977, who knew that this massive franchise would've lasted 49 years with no end in sight? Of course, during that time, there have been sequels, prequels, multiple storylines, and many different characters which have stemmed from the original cast or just plain new along the way. Well, now we have "Star Ward: The Mandalorian and Grogu" to add to that continually growing franchise.

The evil Empire has fallen, and Imperial warlords, namely Lord Janu (Jonny Coyne), remain scattered throughout the galaxy. As the fledging New Republic headed up by Colonel Ward (Sigoury Weaver), works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin (Pedro Pascal) and his young apprentice Grogu to rid of these warlords once and for all. The Mandalorian's initial assignment is to rescue Jabba the Hut's nephew, Rotta the Hut (voice of Jeremy Allen White) from the clutches of Janu, and then things go amazingly awry. 

Others to round out the cast are Steve Blum as Zeb Orrelios, Matthew Willig as Hogsberth, Hemky Madera as Commander Baro, Martin Scorsese as voice of Hugo Durant, Rick Famuyiwa as Jib Dodger and Paul Sun-Hyung Lee as Captain Carson Teva. 

This was sequenced well with grit by director Jon Favreau ("Made" '01, "Elf" '03, "Zathura: A Space Adventure" '05, "Iron Man" '08, "Iron Man 2" '10, "Cowboys & Aliens" '11, "Chef" '14, "The Jungle Book" '16, "The Lion King" '19) plus TV movies, TV, video games and a music video. As with his other big-budget films, he certainly knows his way around working with multiple units to insure proper staging, pacing and continuity which was paramount with this film, He has become a recognizable filmmaker that we've come to trust and be rest assured of a tight, cohesive film. It was effectively written by Jon Favreau, Dave Filoni and Noah Kloor, based on characters created by George Lucas. Although this film does produce interest after a while, it simply is basically predictable and assuming as the film is introduced. After a point, I could seemingly predict how the next scene would be played out. Even though Filoni's experience is within the 'Star Wars' franchise, it was for the TV medium, otherwise Favreau, having the lion's share of the experience, simply kept this script together. Kloor, while certainly having viable input, just needs more work under his belt. Was it a wash? Of course not! It had adventure, drama, humor all with those amazing visual effects predominantly by ILM (Industrial, Light & Magic) who has been producing the visuals since the inception of Star Wars. The characters were well thought out and definitely captured the audience's attention. 

If you're a 'Star Wars' fan, this will undoubtedly put you in that happy place. Being based on Lucas' characters will help and with effective directing, photography by David Klein asc, and visuals, this will please. If you like that up close and personal feel, this is also presented in an IMAX format as well. 

Out of 4 Stars: 3                                      Rated: PG-13                                        132mins.

 

In the Grey

The director, Guy Ritchie has been involved in many films, most that don't have an overly original premise, however, his incredibly distinct style makes these films stand out above so many other similar films. His slick style is why he's become a popular filmmaker--so much so, that it becomes pure joy and great entertainment to see his films, and "In the Grey" is no exception. 

"In the Grey" follows a covert team of elite operatives including Sid (Henry Cavill), Bronco (Jake Gyllenhaal) and Rachel (Eiza Gonzalez), who live in the global shadows, as comfortable wielding power and influence as they are automatic weapons and high explosives. When a ruthless despot Manny Salazar (Carlos Bardem) steals a billion-dollar fortune, the team is sent to steal it back on what would be for anyone else a suicide mission. What begins as an impossible heist gets much worse, spiraling into an all-out war of strategy, deception and survival.

Others to round out the cast are Fisher Stevens as William Horowitz, Rosamund Pike as Bobby Sheen, Michael Vu as Ed Glover, Mohammed Al Turki as Wolfgang Klose, Kojo Attah as Andre Baker, Jason Wong as Gucci Reyes, Emmett J. Scanlan as Mick Dunne, Christian Ochoa Lavernia as Jonathan Moreno and Gonzalo Bouza as Javier.

This was directed with the trademark, grit, intensity laced with slickness by the incomparable Guy Ritchie ("Lock, Stock and Two Smoking Barrels" '98, "Snatch"2000, "Swept Away" '02, "Revolver" '05, "RocknRolla" '08, "Sherlock Holmes" '09, "The Man from U.N.C.L.E." '15, "Aladdin" '19, "The Gentlemen" '19, "The Covenant" '23 "Fountain of Youth" '25) plus other films, a TV movie, TV, shorts and music videos. I can't mention enough about Ritchie's distinct directing style since it is so compelling, and it is so distinct that, after a few minutes of running time, I can be clear that it is a Ritchie film without knowing the title. The photography by Ed Wild bsc, along with the slick editing by Martin Walsh ace, and Jim Weedon clearly had Ritchie's name and style on it. It was also executed well by writer Guy Ritchie ("Lock, Stock and Two Smoking Barrels" '98, "RocknRolla" '08, "King Arthur: Legend of the Sword" '17, The Gentlemen" '19, "Wrath of Man" '21 "The Covenant" '23) plus other films, TV and shorts. While this film carried an interesting premise with lethal operatives working 'in the grey'--hence the name of the film, there were a couple of inconsistencies and choppiness within this script. It, like some other films, start with bringing its audience into a scene where bombs and bullets were flying, and then takes us back as a flashback, so we end up to where we 'came in at, and then continues, and this is a captivating format, but it could've been polished a bit more. But this certainly wasn't enough to detract from the excitement and explosiveness of the film. If you like this writer's style of writing and directing, his "Viva La Madness" is being filmed presently.

If you're a Ritchie fan, like I am, this will hit home with you. This filmmaker has worked his way up the directing ladder, and it hasn't been easy, but he has proven himself time and again. His style and slickness to his films carries an avid fanbase and will continue to do so. This is a rollicking, humorous, thrilling and explosive film for all to enjoy. 

Out of 4 Stars: 3                                           Rated: R                                           96mins.

The Sheep Detectives

We've seen many live films that utilize animals where they are able to speak to each other by using computers and animation, such as "Babe" 1995, "Babe: Pig in the City" 1998 to mention a couple. These types of films are usually films that are from the heart, and "The Sheep Detectives" is no exception. This film is as wonderful as "Babe" was. 

In this witty, new breed of mystery, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night assuming they can't possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realize they must become the detectives. As they follow the clues and investigate human suspects, such as Caleb Merrow (Tosin Cole), Ham Gilyard (Conleth Hill), Beth Pennock (Hong Chau) and Reverend Hillcoate (Kobna Holdbrook-Smith), they prove that even sheep can be brilliant crime-solvers. And with Officer Tim Derry (Nicholas Braun), an affable but ill-equipped police officer, the sheep save the day. 

Others to round out the cast are Julia Louis-Dreyfus as voice of Lily, Chris O'Dowd as voice of Mopple, Regina Hall as voice of Cloud, Bryan Cranston as voice of Sebastian, Patrick Stewart as voice of Sir Ritchfield, Brett Goldstein as voice of Ronnie, Bella Ramsey as voice of Zora and Rhys Darby as voice of Wool-Eyes. 

This film was directed with wit, heart and compassion by Kyle Balda ("The Lorax" (co-directed) '12, "Minions" '15, "Despicable Me 3" '17, "Minions: The Rise of Gru" '22) plus videos. Even though this filmmaker has only directed totally animated feature films, this live film with super-imposed speaking of the animals certainly uses animation to achieve this effect. His ability to stage and pace this film was consummate, and he will eventually make the transition from totally animated to totally live films very soon. It was equally written with heart and soul by Craig Mazin ("RocketMan" '97, "Senseless" '98, "Scary Movie 3" '03, "Scary Movie 4" '06, "Superhero Movie" '08, "The Hangover Part II" '11, "Identity Thief" '13, "The Hangover Part III" '13, "The Huntsman: Winter's War" '16) plus TV, based on a screen story by Craig Mazin, which is based on the novel "Three Bags Full" by Leonie Swann. When I saw my first trailer on this film, my first impression was that it was doable, and after viewing it, it was a wonderful, heartwarming and humorous film. It was cohesive, concise and sequenced well. I recommend this movie highly.

This film has it all: wit, heart, humor, redemption and love all rolled up into a great way to spend a couple of hours. The writing was tight and the directing was exquisite. This is a film for the whole family, and in a world that has been turned upside down, this is certainly something that is so needed today. I'd give this a 5 star out of 4 stars if that was possible. Grab the popcorn and enjoy this gem!

Out of 4 Stars: 4                                            Rated: PG                                              109mins.

Desert Warrior

War films are about as common in Hollywood as crime dramas, and just about every war has been addressed, i.e. WWI, WWII, Vietnam, Korean, Civil, Revolutionary, Middle East certainly. But even if a film is not directly based on an actual war, we have "Desert Warrior to ponder over. 

Set in seventh-century Arabia, Princess Hind (Aiysha Hart) defies her fate, refusing to become a concubine to the ruthless Emperor Kisra II (Ben Kingsley). Fleeing into the desert with her father, she is hunted by a merciless army and forced to trust a legendary bandit (Anthony Mackie) with secrets of his own. Rising from fugitive to fearless warrior, Hind unites warring tribes for a final stand--the Battle of Dhi Qar, a clash that will change history. 

Others to round out the cast are Sharlto Copley as Jalabzeen, Sami Bouajila as Hani, Ghassan Massoud as Al-Numan, Lamis Ammar as Medicine Woman, Ramsey Faragallah as Ibn QaBisah, Younes Bouab as Aasif, Said Boumazoughe as Samir, Geza Rohrig as Al Hamerz, Alain Saadeh as Yazid and Omar Al-Atawi as Shepherd Boy.

This was directed with such delineation and dissection of characters by Rupert Wyatt ("Subterrain" '01, "The Escapist" '08, "Rise of the Planet of the Apes" '11, "The Gambler" '14, "Captive State" '19) plus TV and shorts. Considering all the diverse characters, this filmmaker was able to establish, through his actors, a definite distinction between one another. It was captivating, enough that I'm encouraged to see how his "Boxman" is treated which now is in pre-production. It was written interestingly by David Self, Rupert Wyatt and Erica Beeney. Both Wyatt and Beeney have collaborated in other films, but clearly felt they needed someone that obtained a bit more experience, so enters Self, who certainly has the lion's share of feature film experience. The premise was definitely an interesting one, and with the exception of a couple of places of disjointedness and that it was a bit long-in-the-tooth, it was entertaining and for sure a swashbuckler. It probably would've faired better with only two writers--this is a common mistake with other films, where there's just too many hands in the pot. But even with these aspects, it was still a film worthy of viewing, if for no other reason than for its sweeping cinematography by Guillermo Garza. 

If you like war films or even films that deal with conflicts due to property or religious, etc, this will fit the bill. The photography, costumes, acting, especially by Mackie, Hart and Copley were all stunning and definitely kept the audience's attention. 

Out of 4 Stars: 3                                        Rated: R                                   127mins.

The Devil Wears Prada 2

When "The Devil Wears Prada" was released in 2006, because of its amazing profit, it is surprising that it took 20 years to produce a sequel. 20 years! It is difficult to believe it's been that long with the existing cast still in tow. Certainly this is a sequel, which usually aren't as effective, but the director and writer, who filmed its predecessor, produced a worthy film. 

"The Devil Wears Prada 2" reunites Mirada Priestly (Meryl Streep), and Andy Sachs (Anne Hathaway) as they navigate the changing media landscape, with Emily Charlton (Emily Blunt) and Nigel (Stanley Tucci) also returning, alongside new cast members like Stuart (Kenneth Branagh), Lucy Lieu and Benji Barnes (Justin Theroux). This story centers on Miranda facing industry flux and a forced reunion with a more mature Andy, who is now a major player, while confronting Emily, who is a powerful executive at the major brand, Dior. This explores themes of modern journalism and the evolution of the fashion world.

Others to round out the cast are Simone Ashley as Amari, Tracie Thoms as Lily, Caleb Hearon as Johnny, Patrick Brammall as Peter, B.J. Novak, Helen J. Shen as Jin Chao and Lady Gaga as herself. 

This was directed with consistency and wit by David Frankel ("Miami Rhapsody" '95, "The Pennsylvania Miners' Story" (TV movie) '02, "The Devil Wears Prada" '06, "Marley & Me" '08, "The Big Year" '11, "Hope Springs" '12, "One Chance" '13, "The King of 7B" (TV movie) ''15, "Collateral Beauty" '16, "Jerry & Marge Go Large" '22) plus TV, shorts, videos and a music video. Considering this filmmaker directed the original, this came across very similarly, which helped as far as getting reacquainted with the characters. His staging, pacing and cohesiveness, like the original was spot on which made it easy to follow along. Like it predecessor, this was also written by Aline Brosh McKenna ("Three to Tango" '99, "Laws of Attraction" '04, "Drive/II" (TV movie) '06, "The Devil Wears Prada" '06, "27 Dresses" '08, "MorningGlory" '10, "I Don't Know How She Does It" '11, "We Bought a Zoo" '11, "Annie" '14, "Cruella" (story) '21,"Your Place or Mine" '23) plus TV, based on characters created by Lauren Weisberger. This film became a bit frustrating for the reason that it was very similar to its predecessor--this can be a plus or minus depending on how the script is treated. So, as I'm waiting for a 'different' film to come out of this story, the script then turns and slowly becomes the film they and we were hoping for, and this made the film much better. Miranda wasn't as intense as in the original, but then they got to know one another more in the 20 years. I remember that when I went to see the original back in 2006, my sister, who read the book the film was based on mentioned  that the character of Miranda Priestly was actually more 'evil' that in the original film. I was amazed considering the intensity that Streep brought to that role. And, of course, the production values i.e. costumes, photography, production design, were seamless and truly enhanced the production. 

It was certainly nice to see the original cast--Streep, Hathaway, Blunt and Tucci back again for another uproarious banter back and forth. Even the new characters including Branagh, Theroux, Lui and Ashley were effective and supportive. Certainly, if you liked the original, "The Devil Wears Prada", you'll love this. It shows how many changes in 20 years can happen culturally and professionally. 

Out of 4 Stars: 3.5                                         Rated: PG-13                                    119mins.