Runner

Buddy films are about as much a Hollywood staple as are sci-fi flicks. We've seen a number including the Lethal Weapon franchise, "Midnight Run", the Rush Hour franchise, and others. All were crowd pleasers and all profited. So, when "Runner" was released, I felt, and still do feel, that this will do well in the box office due to it being a thrill ride from first frame to last.

A former Navy SEAL, Hank Malone (Alan Ritchson) is thrown into a brutal race against time when a critical medical delivery makes him and his unlikely partner, Ben Bishop (Owen Wilson)  the targets of a ruthless cartel, headed up by leader Damian Zaldivar (Rodrigo Santoro). As the mission spirals into a deadly manhunt, every detour, delay, and bullet pushes them closer to failure. With betrayal closing in from every side, they must survive the chase and deliver their cargo to save the life of a little girl, and relieve her very worried mother, Kate Baker (Leila George). 

Others to round out the cast are Peta Sergeant as Nurse Julie,  Kate Box as Dr. Ainsley, Goran D. Kleut as Luke Robbie, Cecilia Toussaint as Donna Zaldivar, Geraldine Hakewill as Monica, Gyton Grantley as Iggy and Scarlett Crabtree as Ellie.

This was directed with amazing intensity and grit by Scott Waugh ("Act of Valor" '12, "Need for Speed" '14, "6 Below: Miracle on the Mountain" '17, "Hidden Strike" '23, "The Expendables 4" '23) plus a short. As far as the pacing and timing, this film is reminiscent of the film "Speed" '95, whereas there was non=stop action very close to frame one until the end. As soon as something was solved, something else harrowing begins to make the situation more haphazard. It definitely kept its audience on the edge of their proverbial seats. It was equally well written by Miles Hubley (Shorts) and Tommy White (Shorts). While neither of these writers have no feature film experience, their first time out as film writers is amazing. Their script was tight, concise and cohesive which is more than I can say for a number of seasoned writers. Their ability to hold its audience attention is captivating as well as it is entertaining. If you like their style of writing, their "The Shave" is being written at this time. Hopefully that film is as interesting as this movie. 

If you like high-pulsating, adrenaline ridden, 'buddy films', this is the film for you. This film pulls its audience right in and doesn't let go until the end. As with "Speed" which I liked, this was a movie that keeps one riveted from frame one until the end frame and you walk away with an exhausted feeling only because of the adrenaline it creates in the moviegoers. 

Out of 4 Stars: 4                                           Rated: PG-13                                           98mins.

By Any Means

We've all seen FBI and CIA films many times, and we've all seen films that center around the mafia and hitmen, but it's not very often when we are privvy to the combination of both. Well, with "By Any Means", we are offered that combo and it hums along like a well oiled machine. 

Based on a true story, a young black FBI agent, Wayne Strider (Yahya Abdul-Mateen II) is sent into 1960s Mississippi to investigate a wave of brutal killings targeting civil rights leaders by FBI Special Agent Roy K. Moore (David Strathairn). Forced to work alongside notorious mafia hitman Greg Scarpa (Mark Wahlberg). he finds himself pulled into a deadly hunt where justice and vengeance begin to blur. When the system is broken, two men divided by everything agree on one thing: the law has limits. They don't. While investigating the killing of Civil Rights leader, Vernon F. Dahmer (Giancarlo Esposito), Strider and Scarpa get a little more than they bargained for. 

Others to round out the cast are Nicole Beharie as Allison Strider, Wayne's wife, Josh Lucas as Special Agent Everett Rhodes, LisaGay Hamilton as Ms. Rebecca Brewer, Ethan Embry as Sam Bowers, LaChanze as Hattie Dahmer, Vernon's wife, Will Brittain as Billy Roy Pitts, Biko Eisen-Martin as Special Agent Archie Crawford, DeVere Jehl as Edgar Ray Killen and Zach Lane as Clive Styles.

This was directed with stylish grit and intensity by Elegance Bratton ("Pier Kids" '19, "The Inspection" '22, "Hell Fighter" '24, "Move Ya Body: The Birth of House" '25) plus TV and shorts. Even though this was a violent and bloody film, this filmmaker was able to bring a certain slickness to its format. He was able to send us a 'stylish' feeling to an otherwise rough and tumble male flick oozing with an over abundance of testosterone. His staging and pacing was also slickly executed as well. It was executed well by writer Sascha Penn (" Creed II" '18, "Main Justice" '18, "1992" '22) plus TV. Even though he is not a seasoned writer, what he has written along with his TV projects has served him well. Other than a couple of very small places of choppiness, this story was riveting as well as informative. Really, this guy simply needs more work since he has potential of being a great writer. The cinematography by Ante Cheng was very interesting in that it gave a subtle 'grainy' look as though one is peering into a film dating back to the 60s. And this newer actor Yahya Abdul-Mateen II definitely has a future in feature films. He's strong, quiet and can certainly hold his own. And Wahlberg is always a perennial favorite. These roles are the roles we typically think of when it comes to him. 

Certainly if your favorite genre is that of drama, FBI with crime, you'll be in film heaven. It has it all: drama, intensity, racial tension, even some humor to help with the violent moments in the film. This isn't one for the kids--too many F-bombs and violence, but does have an interesting premise. After all, it isn't titled "By Any Means" for nothing.

Out of 4 Stars: 3.5                                      Rated: R                                         106mins.

The Dog Stars

Apocalyptic, dystopian films are becoming a fascination with filmmakers and audiences alike. With films like "The Omega Man", and its follow up, "I Am Legend", "The Book of Eli", "District 9", "Elysium", "28 Days Later", "Fahrenheit 451", and others, we've become, for probably differing reasons, fascinated with such a dark topic. So, to add to that ever growing and popular list, we have been offered "The Dog Stars".

Set in a post-apocalyptic world in which a virus (a flu) has wiped out most of humanity. Survivors are being terrorized by roaming scavengers called 'Reapers'. The protagonist is Hig (Jacob Elordi), a pilot who survived the flu that killed everyone he knew, his wife included. He lives in the hangar of a small abandoned airport with his dog, Jasper and his only neighbor--a gun-toting ex-Marine, Bangley (Josh Brolin). Hig sometimes heads off in his 1956 Cessna, where he can fish and pretend things are how they used to be. When he attempts to find a better life, he comes across two other people, Pops (Guy Pearce) and his daughter, Cima (Margaret Qualley). Soon, when Hig receives a random transmission that somehow beams through his radio, the voice ignites a hope deep inside him that a better life might exist if he flies a bit further. He risks it all to chase a possible haven in Grand Junction. 

Others to round out the cast are Allison Janney as Darlene, Benedict Wong as Aaron, Ewen Bremner as Crossbow Hunter, James Craze as Logan, Sam Spruell as John, Sai Bennett as Melissa, Sebastian Rokison-Woodall as Ben and Alara-Star Khan as Matilda.

This was directed with cutting-edge precision by veteran Ridley Scott ("The Duelists" '77, "Alien" '79, "Blade Runner" '82, "Legend" '85, "Thelma & Louise" '91, "White Squall" '96, "Gladiator" 2000, "Hannibal" '01, "Black Hawk Down" '01, "Matchstick Men" '03, "American Gangster" '07, "Body of Lies" '08, "The Counselor" '13, "The Martian" '15, "Alien: Covenant" '17, "The Last Duel" '21"House of Gucci" '21, "Napoleon" '23, "Gladiator II" '24) plus many other films, TV, shorts, videos and music videos. This filmmaker has certainly proved himself as a fine, talented director. He simply knows how to work with his actors so as to have them dig deep into their respective characters in order to convey that the characters they are portraying are convincing. If you like his brand of directing, he has several films in pre=production, namely his "It's What I Do" and "The Color of Lightning". It was penned well by seasoned writer Mark L. Smith ("Seance" '06, "Vacancy" '07, "Vacancy 2: The First Cut" '08, "The Hole" '09, "Martyers" '15, "The Revenant" '15, "Overlord" '18, "The Midnight Sky" '20, "The Marsh King's Daughter" '23, "The Boys in the Boat' '23, "Twisters" '24) plus TV, based on the novel by Peter Heller. This, as with other apocalyptic films are typically with a grim premise, although with Hig's unrealistic form of optimism, it does bring in some lighter moments. There are well defined characters and all with a distinct personality, but other than a couple of small places of continuity issues, this story was fascinating. There were a couple of places where you saw Hig with his wife, Melissa, however, later it was learned that she had passed away from the virus, so there was some rethinking involved. The cinematography by Erik Messerschmidt, asc was incredible and definitely enhanced the production. 

Certainly if you like the films of Ridley Scott, you will have hit a home run. He knows his craft well. And all the different stars in this were believable and played off each other effectively. The direction, acting and cinematography surely shined in this and we are the victors of it.

Out of 4 Stars: 3.5                                     Rated: R                                         118mins.

Coyote vs. Acme

For a season of animated  and big-budget films, there hasn't been the usual number of animated movies. So, when I saw my first trailer of "Coyote vs. Acme", I was sold, especially since I was raised on the Looney Tunes cartoons Warner Bros. would dole out. This film is exactly what one would expect--pure fun!

After all of the products made by ACME Corporation backfire on Wile E. Coyote, in his pursuit of the Road Runner, he hires an equally unlucky human attorney, Kevin Avery (Will Forte) to sue the company. When Wile E.'s lawyer finds out that his former law firm's intimidating boss is ACME's lead council, Buddy Crane (John Cena), he teams up with Wile E, and his new, energetic intern, Paige (Lana Condor) to win the court case against him. 

Others to round out the cast are Tone Bell as Sal Maltese, Martha Kelly as Dottie Jones, Luis Guzman as Judge Troppogrosso, P.J. Byrne as Bill Pelicanos, John Early as Henry Heslop, Nancy Linehan Charles as Cherry, Kenneth Choi as Oscar Jeon and Eric Bauza as the voices of Bugs Bunny, Charlie Dog, Daffy Duck, Dr. Lorre, Elmer Fudd, Foghorn Leghorn, Gossamer, Porky Pig, Road Runner and Tweety. 

This was directed with Looney Tunes humor and adventure by Dave Green ("Earth to Echo" '14) plus TV, shorts and music videos. Even though this filmmaker only has one other feature film to his credit, he certainty was able to combine the live action and animation in a truly seamless way. Surely his TV and shorts work has served him well and he proved it in spades. And the animation of Warner Bros. was captivating yet entertaining. It was equally penned well by writer Samy Burch ("May December" '23, "Late Fame" '25) plus shorts, based on a screen story by James Gunn, Jeremy Slater and Samy Burch, which is based on the 'New Yorker' article by Ian Frazier. The premise is so today with corporate greed and profit, yet also conveyed in a whacky, Looney Tunes way. So, it basically has something for all. It did hold a couple of very small slow aspects around the middle of the screenplay, but when it picked up the pace once again, it simply soared. And, of course, the animation combined with live action was stunning as well as entertaining.

Mel Blanc originally created the voices for the Looney Tunes animated characters, but since he passed away long ago, Eric Bauza has taken over the reins and sounds just like them. Certainly, if you like the Looney Tunes characters, you'll be in Warner Bros. Animation heaven. This is a great film for the whole family, so grab the popcorn and have a good laugh!

Out of 4 Stars: 3.5                                       Rated: PG                                        103mins.

 

Mutiny

If one has seen a Jason Statham film, the only real difference in them is his character name in the film and the title of the film, otherwise they are fairly similar. Even though these films aren't literary pieces, they ring true in that his characters always right wrongs of those that don't deserve to be in the predicament they're in. Good guys vs bad guys--isn't this why we go to the movies?

Cole Reed (Jason Statham) works as a bodyguard and head of security for a wealthy billionaire industrialist, Tibu Campallo (Ramon Tikaram).  After his boss is murdered right in front of him and is framed for the crime, Reed goes on the run. He stows away on a cargo ship to track down those responsible with a woman he meets on the ship to assist him, Agent Angie Ellis (Annabelle Wallis), where they uncover a vast international conspiracy involving human trafficking. they then fight their way through the crew to reach the captain, Marko Madsen (Roland Moller).

Others to round out the cast are Chaneil Kular as Kameron Campallo, Tibu's son, Jason Wong as Taran, Marvin Campbell as Simon, Arnas Fedaravicius as Mateo Pineda, Adrian Lester as Captain Adam Spencer and Simon Kluth as Jaran Daniles.

This was directed with amazing intensity and grit by seasoned Jean-Francois Richet ("Etat des lieux" '95, "Ma 6-T va crack-er" '97, "De l'amour" '01, "Assault on Precinct 13" '05, "Mesrine: Public Enemy No. 1" '08, "One Wild Moment" '15, "Blood Father" '16, "The Empire of Paris" '18, "Plane" '23).This filmmaker certainly knows how to encourage his actors to dig deep when developing their respective characters and that is the trademark of a talented director. If you like his style, his "Quasimoto" is in post -production at this present time. It was written by Lindsay Michel and J.P. Davis ("Plane" '23). The script in this was a bit disjointed in parts and actually was a flashback, but you didn't know it until the end; whether or not that was purposed, not sure. But considering the very limited experience, this was amazing. These guys simply need more work, specifically feature films, since this story had that frenetic feel to it that kept its audience glued. And of course, Statham is so good at vengeance--making wrongs right--he's the king. 

If you like films like "Beekeeper",  "A Working Man", "Shelter", "Wrath of Man", "The Mechanic", plus scads of others, you'll love this. It falls within the similar format as the other films. Does it make this a bad film? Certainly not, Statham sticks to what he does best, and because they are typically slickly produced, it makes for a film that you can sit back with the popcorn and enjoy, and isn't this why we go see the movies anyway? 

Out of 4 Stars: 3                                      Rated: R                                        96mins.

 

The Brink of War

War films, or films about war or the potentiality thereof have been a common staple genre of Hollywood's for decades, so the list is endless. The moving going audiences have had a fascination about the subject, so, for added profit, Hollywood keeps the ball rolling. This time around we have in the offing a film about negotiations between the USA and Russia back in 1986, lest a war could be started. 

President Reagan (Jeff Daniels) races against time to salvage a deal with Soviet leader Mikhail Gorbachev (Jared Harris) that could dismantle nuclear arsenals--or ignite disaster. With pressure mounting from advisors, including Secretary of State George Schultz (J. K. Simmons), Ken Adelman (John Ross Bowie), KGB Colonel (Joi Johannsson) and others, intelligence agencies, and history itself, every word spoken brings the world closer to peace...or destruction. The summit, or as Reagan liked to call it, the meeting, was held, in all places in Reykjavik, Iceland for security reasons.

Others to round out the cast are Hope Davis as Nancy Reagan, Branka Katic as Raisa Gorbachev, Aya Cash as Cleo, Guy Burnet as Alexander, Adrian Rawlins as Max Kampelman, Tim Dutton as Eduard Shevardnadze, Stephen Brennan as Paul Nitze and Catherine Burdon as Margaret Clancy. 

This was directed with nail-biting intensity by Michael Russell Gunn ("Workshop" '10) plus a short. Production companies obviously save money when hiring filmmakers with little to no feature film experience--sometimes they hit a home run and sometimes they strike out. However, in this situation, they were able to pull it off. Was it Oscar worthy? Probably not, but I believe they gave the audience what they were seeking out with this. The staging and pacing was amazing as was the grit it provided. It was also well executed by writer Michel Russell Gunn ("Workshop" '10) plus TV. Surely this writer took some liberties in the script, but then again, other writers do the same. It was taken as a flashback from a discussion Reagan and Schultz were having after the meeting and the film went back to tell the story so as to lead up to where they left off and beyond. This format has been used in other films, but can certainly be powerful. This writer only needs more work which he has been given with his film, "Alone at Dawn" now in post production. The one that truly shined here was Jeff Daniels as Reagan. He pulled off the voice patterns, the movements and Reagan's character with such aplomb style, however he is a fine actor. It wouldn't surprise me if he could be looking at an Oscar nod come that time. 

If you are a history aficionado or more to the point, a war buff that is into that what if..., this is the film for you. Daniels performance , and Jared Harris as Gorbachev was magical. The film was cohesive, tight and loaded with clarity in what could've happened if it went the wrong way. 

Out of 4 Stars: 3.5                                      Rated: PG                                        119mins.

The Rivals of Amziah King

Contemporary westerns have been an offshoot form from traditional westerns that have usually been well-crafted, i.e. "No Country for Old Men", "Hell or High Water", "Three Billboards Outside Ebbing, Missouri" to mention a few. These films were crafted well, as is our new offing, "The Rivals of Amziah King", showcasing Matthew McConaughey's continued amazing acting.

Deep within the backwoods of rural Oklahoma, charismatic, musically gifted and an anchor of the community, Amziah King (Matthew McConaughey) herds a bluegrass playing band of misfits while overseeing the premier honey-making operation in town. When Amziah's former foster daughter, Kateri (Angelina LookingGlass) unexpectedly returns, Amziah leaps at the possibility to renew connection and create a family business. But the honey game is ruthless, and Amziah's rivals threaten to destroy everything he has built. 

Others to round out the cast are Jake Horowitz as Remick, Scott Shepherd as Chimmy, Rob Morgan as Riffi, Kurt Russell as Dob McCoy, Tony Revolori as Comar, Owen Teague as Pirate, Bruce Davis as Ossi Sunderland, Catherine Dyer as Mrs. McCurdy and Jason Davis as Winton.

This was directed incredibly well with pathos and grit by Andrew Patterson ("The Vast of Night" '19). Even though this filmmaker writes and produces under a pseudonym--James Montague, he still knows how to write a tight, cohesive script which is articulate while entertaining. It was written by James Montague or Andrew Patterson as aforementioned. His only other film credit is "The Vast of Night" '19. This was brilliantly and beautifully written as it was directed. His articulation in story was delineated with precise clarity. This filmmaker is definitely going to be a contender. Look out Oscars. The reason why I even gave this film a viewing at all was for that it starred McConaughey who is totally underrated. This actor finally reinvented himself when he starred in "Mud" and subsequent "Dallas Buyer's Club". I'd seen him in good films prior, however his more recent movies have been chosen so carefully--understandable. However, after viewing this, I'm encouraged to see what Patterson will do next. 

If you're a McConaughey fan, you'll love this. It simply showcases the craft that he is truly in love with, and it shows. Even though the story was based in Oklahoma, it was shot entirely in Alabama.. Not sure why, but was believable. 

Out of 4 Stars: 4                                    Rated: R                                               130mins.

The End of Oak Street

When "Jurassic Park" was released back in 1993, little did anyone know that it would spawn multiple sequels and inspire the film "The End of Oak Street" which was just released. This film is like Jurassic Park gone suburbia. It evolves into a survival situation and finds itself bringing the inhabitants together even more than a BBQ.

This film stars Anne Hathaway and Ewan McGregor as parents, Denise and Greg Platt respectively, in a 1982 suburban neighborhood that is mysteriously transported by a cosmic event into the prehistoric age, forcing the community including their kids Audrey and Brian (Maisy Stella and Christian Convery), respectively, to survive roaming, vicious dinosaurs. It comes down to there is no where to go, since there is an end to their neighborhood and there's no electricity, no running water--even radios can't work. Where is one to go in a situation as this? 

Others to round out the cast are Jordan Alexa Davis as Jeannette Christiansen, P.J. Byrne as Mel Jacobs, Hudson Meek as Kaden Tucker, Anne Gee Byrd as Mrs, Huddleston, Emily Kuroda as Mrs. Valcourt and Simms May as Zachary. 

This film was directed with amazing intensity all the while entertaining his audience by David Robert Mitchell ("The Myth of the American Sleepover" '10, "It Follows" '14, "Under the Silver Lake" '18) plus a short. This particular filmmaker caught my attention when his film, "It Follows" was released. I typically went to see that film with great trepidation, however after seeing it, I was won over. It wasn't the typical 'horror'. flick with dialogue one could recite and blood everywhere. It was original and the writing was far more subtle with little or no blood, but was definitely a horror film nonetheless. If you like this director's brand, his "They Follow" is being filmed at present time. It was also written well by David Robert Mitchell (See resume above). Again, this being basically a horror film, it doesn't fall into the same, formulaic, banal format that so many films of this genre fall into which makes this fresh and original. Was this flawless? No, not at all, however I believe that the few parts of this that went unexplained were purposed for reasons I'm not sure of. But it was a rollicking fun ride with a horror gloss over. It does start off relatively slow, but be patient--I believe this is also purposed to get the audience into the plot. But once it gets going, it lets loose big time. I would tell you what the unexplained events are, however that would dictate a spoiler alert, and I want my audience to be surprised. The score by Michael Giacchino was amazing, and the visual effects by ILM (Industrial, Light & Magic) were seamless and enhanced the film. 

This film had it all: suspense, excitement, adventure, humor and redemption all rolled up in a film less than two hours. Assuming this makes a ton of money, I can see a sequel in the making. If you like that up, close and personal feeling, it is presented in an IMAX format as well. This is a film that is quite the roller coaster ride, so break out the popcorn and enjoy this gem! I know I did!

Out of 4 Stars: 3.5                                   Rated: PG-13                                     99mins.

 

One Night Only

When it comes to the majority of romantic comedies, or romcoms, they typically are written and presented in an extremely formulaic way, i.e. boy meets girl, girl meets boy, they attempt to become friends, and start falling in love. As a problem blossoms, and they become at odds with one another, and then they correct the issue and the story is all tied up by films' end with a nice bow. Sound familiar? Well, with "One Night Only", there is an element in which it does become different. 

Sometime in the near distant future. Three years ago pre-marital sex is considered illegal, except one night of the year. Two strangers, 'crash' into each other in an ever-so-slightly fictionalized New York on the one night when single people are allowed to have sex. Recently dumped Owen (Callum Turner) and hopeful romantic Allie (Monica Barbaro) may be the only two singles in the city looking for more than a quick encounter. They both feel a spark when they meet, but a series of mishaps and side quests will complicate their night. This romcom is about searching for love on the least romantic night of the year. But when you have one night only to attempt to make this happen, you must work quick.

Others to round out the cast are Maya Hawke, as Owen's fiance, Molly Ringwald as Linda, LeVar Burton as Rick, Charlie Gillespie as Ezra Stone, Michelle Hurd as Detective Vanessa Bryan Brown, Sydney Cole Alexander as Danica/Sophie and Frank Pando as Uncle Ed.

This was effectively directed well by Will Gluck ("Fired Up" '09, "Easy A" '10, "Friends with Benefits" '11,"Iceland" (TV movie) '11, "Annie" '14, "Peter Rabbit" '18, "How May We Hate You?" (TV movie) '18, "Peter Rabbit 2: The Runaway" '21, "Anyone But You" '23) plus TV and a music video. This filmmaker hasn't cornered the market on romcoms, but certainly has a number of them to his credit. As with his last romcom, "Anyone But You", there was the attempt to change up the typical format, as with this film, but at the end of the day, it's still a romcom. Certainly the casting of Turner and Barbaro was strategic and that definitely helped, but not sure if this is great casting or simply amazing chemistry. Gluck was pivotal in making sure that these actors melded well and that can make the difference if the romcom is going to connect with its audience. It was interestingly written by Travis Braun ("Bad Boy" '25) plus TV and shorts. What made this film more interesting than the typical romcom is that the story involving a sex ban between singles, except for one night. Surely, this is definitely not a repeated format with this genre. I believe because the limited feature film experience, this film would've excelled well, but instead there were a number of inconsistencies in the script. This writer has a fair amount of TV experience, and given simply more work, he would become a writer to contend with, since his TV has served him well. As aforementioned. the chemistry between Turner and Barbaro was amazing and worthy of the price of admission. 

When we see so many films advocating sex out there, it's nice to see a film that makes it look like this one night, as people are no different than animals in their regard for one another, this projects humping each other as unnecessary. Love is love, whereas sex is sex, and never the twain shall meet. This film leads its audience, through a lot of dysfunctional people and their escapades, that love triumphs over all., whether there are parameters on sex or not. This was the best thing about this flick, other than the chemistry between the two leads.

Out of 4 Stars: 3                                         Rated: R                                           103mins.

Spider-Man: Brand New Day

Ever since this Marvel Studios franchise started back in 2002 with "Spider-Man", we've seen many changes along the way including three different actors as the iconic character and a number of animated feature films. And even though I'm not particularly a Spider-Man fan, "Spider-Man: Brand New Day" is a film that has definitely improved on that franchise. What's amazing is that this franchise has lasted almost a quarter of a century. 

Four years have passed since the events of No Way Home, and Peter Parker (Tom Holland) is now an adult living entirely alone, having voluntarily erased himself from the lives and memories of those he loves, namely MJ (Zendaya) and Ned Leeds (Jacob Batalon). Crime-fighting in a New York that no longer knows his name, he's devoted himself entirely to protecting his city--a full-time Spider-Man--but as the demands on him intensify, the pressure sparks a surprising physical revolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced. 

Others to round out the cast are Mark Ruffalo as Bruce Banner/Hulk, Florence Pugh as Yelena Belova/Black Widow, Jon Bernthal as Frank Castle/Punisher, Sadie Sink as Jean Grey, Tramell Tillman as Bill Metzger, Liza Colon-Zayas as Detective Jean DeWolff, Marisa Tomei as May Parker, Naomi Watts as voice of E.V. and Michael Mando as Mac Gargan/Scorpion. 

This was delineated with amazing precision by director Destin Daniel Cretton ("Drakmar: A Vassal's Journey" (TV documentary) '06, "I Am Not a Hipster" '12, "Short Term 12" '13, "The Glass Castle" '17, "Just Mercy" '19,"Shang-Chi and the Legend of the Ten Rings" '21) plus TV, shorts and  a video. Even though the last Spider-Man film four years ago, No Way Home was directed by Jon Watts, this movie was able to carry the similar feel of that film in order to connect the two films which makes a more effective transition. This is the first film this filmmaker has tacked that is a big-budget project and he definitively proved he can handle the riggers of such a production. It was equally well written by Chris McKenna ("Igor" '08, "The Lego Batman Movie" '17, "Spider-Man: Homecoming" '17, "Jumanji: Welcome to the Jungle" '17, "Ant-Man and the Wasp" '18, "Spider-Man: Far From Home" '19, "Ghosted" '23) plus TV and a short, and Erik Sommers (See resume of McKenna), based on the Marvel comic book by Stan Lee and Steve Ditko. This was a nice continuation of No Way Home with the voluntary action of Spider-Man choosing to protect the ones he loves for their own good and his continuation of the bonding brother-like camaraderie with his buddy Frank. But then, he does need another foil to battle, and the one written was surely ingenious. And really, other that a couple of very small places of continuity issues, this script was spot on. And, of course, the visual effects predominately designed by ILM (Industrial,Light & Magic) and Framestore were seamless and certainly emphasized that grandiose feeling this director was attempting to convey. 

Oh, and not to worry, there will be a sequel! I know that's tough to swallow, but it is true! Hopefully Marvel will use the same writers and director to pull this off, otherwise it most likely be questionable. If you're a Spider-Man or a comic book film type of moviegoer, this will definitely fit the bill. If you like that huge effect of a film, this is presented in an IMAX format as well. 

Out of 4 Stars: 3.5                                            Rated: PG-13                                    145mins.

Motor City

Action films are about as commonplace in Hollywood as most other genres, and with that there isn't too much more a writer can create to impress the ardent moviegoer. As with the case of "Motor City", it's not overly original, but plays out in a captivating, slick way.

In 1970s Detroit, John Miller (Alan Ritchson) falls for a local gangster's girl, Sophia (Shailene Woodley). In retaliation, the gangster, Reynolds (Ben Foster) enacts a frame job via using a corrupt cop, Lieutenant Savick (Pablo Schreiber) to send the innocent man to prison. His life ruined, Miller plots a revenge campaign against the man who took his girl away, using allies Youngblood (Lionel Boyce) and Singh (Amar Chadha-Patel). 

Others to round out the cast are Dominic Bogart as Porthos, Mister Fitzgerald as Aramis, Rafael Cebrian as Athos, Ben McKenzie as Detective Kent, Elliott Mayer as P. Garrett and Peter Epstein as Dirty Cop. 

This was directed with high intensity and tons of grit by Potsy Ponciroli ("Super Zeroes" '12, "Colt Ford: Crank It Up, Live at Wild Adventures" '14, "Old Henry" '21, "Greedy People" '24) plus TV and music videos. The high adrenaline, explosiveness of this yarn was staged and paced incredibly well. He doesn't have a plethora of film experience, but this movie will show us that he can hold his own when putting an intense film like this together. It was cleverly written by Chad St. John ("London Has Fallen" '16, "Peppermint" '18, "Replicas" '18) plus a short. As with most action films as this, this has aplenty of double-crosses intertwinded within the script which can create a captivating story. The one flaw I felt was happening here was where a Detective Kent, who was part of an investigation, was seemingly being elusive in that was he a bad cop or an alright one? He was difficult to pinpoint. But, considering the plot was certainly something we've seen before, it was still presented in a way that was intriguing. Think--"John Wick" as far as the writing--not many lines, however the action spoke volumes, just like in "John Wick". The stunts were another star of the film--created by the incomparable Doug Coleman. 

Certainly if you like "John Wick" and that franchise, you'll love this. It was definitely made for the 18-24 single male demographic--ca-ching!! In this day of everyone and thing out there that is so serious, this is a great escape film to meld into. Nothing mind-bending here, but this is why we need to escape once in a while. 

Out of 4 Stars: 3                                         Rated: R                                                 104mins.

The Odyssey

One of the finest filmmakers that has come out of Hollywood in a long time has got to be Christopher Nolan. His resume is as extensive as it is impressive covering a spectrum of genres, i.e. war, crime, sci-fi, drama, etc, and delving into different eras of time. Now we have a film of the band of soldiers striving to make it home after winning the Trojan War. 

Odysseus (Matt Damon), king of Ithaca, embarks on a perilous journey to return home to his queen, Penelope (Anne Hathaway) and son, Telemachus (Tom Holland), after winning the Trojan War. Crossing the Mediterranean Sea with his fellow soldiers, they soon find them selves battling not only the elements, but an array of deadly obstacles and mythical creatures like Cyclops (Bill Irwin), Polyphemus, Sirens and Calypso (Charlize Theron) along the way. Meanwhile, there is turmoil at home with Antinous (Robert Pattinson) attempting to stir up trouble assuming, afters years, Odysseus is dead, so he should become the suitor for Penelope to gain power. 

Others to round out the cast are Niko Nicotera as Peisander, Corey Hawkins as Polybus, Jarreth Merz as Leodes, John Leguizamo as Eumaeus, Iddo Goldberg as Amphimedon, Elliot Page as Sinon, Elyes Gabel as Elatus, Zendaya as Athena, Jon Bernthal as Menelaus, Lupita Nyong'o as Helen/Clytemnestra and Josh Stewart as Antiphates. 

This was brilliantly directed with a gripping and pulsating pace by the incomparable Christopher Nolan ("Following" '98, "Memento" 2000, "Insomnia" '02, "Batman Begins" '05, "The Prestige" '06, "The Dark Knight" '08, "Inception" '10, "The Dark Knight Rises" '12, "Interstellar" '14, "Dunkirk" '17, "Tenet" '20, "Oppenheimer" '23) plus shorts. Every scene in this film was created with such distinct clarity and delineation. He was certainly able to encourage his actors to dig deep in 'being' these characters they were portraying. I can't wait for his next movie. It was also crafted well by writer Christopher Nolan (See his resume above), based on "The Odyssey" by Homer. Nolan is one of those few filmmakers that not only writes what he he directs, but more to the point, he truly is as an amazing talent in the writing or directing realm equally. There are so many different scenes with so many different characters he must cater to in order to make his films make sense, this production being of no exception, that he is able to convey his story in an effortless way. Along with the editing by Jennifer Lame, ace and cinematography by Hoyte van Hoytema, asc, this film was simply a sight to behold. 

Certainly if you are a Christopher Nolan aficionado, you will be in Nolan heaven. Still, my favorite film by Nolan is "Memento" 2000 with Guy Pearce, but all his films are incredible and extremely creative. This was shot with IMAX cameras, so even if you don't happen to see this on an IMAX screen, it still gives its audience that awesome feeling to it. Trust me, this has shy of a 3 hour running time, however it flies by quick. This is a triumph!!

Out of 4 Stars: 4                                        Rated: R                                      172mins.

Backrooms

When I think of films that are odd or quirky, I immediately think of M. Night Shyamalan. His films are odd, however they are original. Well, with "Backrooms", we have a similar feel in that it is extremely original, but definitely quirky and obscure. With all the remakes, reboots, sequels and prequels out there, it is refreshing to see something this original. 

A strange doorway appears in the basement of a furniture showroom where a therepist's, Dr. Mary Stein (Renate Reinsve) patient, Clark (Chiwetel Ejiofor) disappears into a dimension beyond reality, she must venture into the unknown entity to save him. Clark owns and operates the furniture store and inadvertently stumbles across the 'door', so he calls on his assistant, Kat (Lukita Maxwell) and her boyfriend, Bobby (Finn Bennett), so he can video it, in order to research the phenomena, and soon everything goes awry.

Others to round out the cast are Mark Puplass as Phil, Avan Jogia as Naren Warne, Robert Bobroczkyi as Pirate Clark, Ember Ambrose as young Mary, Krista Kosonen as Nora, Philip Granger as Meterman and Katharine Isabelle as Robin. 

It was directed with such intensity and grit by Kane Parsons ("Backrooms TV series '22-'25). Obviously this filmmaker scored well with the series which allowed the feature film to be produced. His pacing was amazing as was his ability to grab his audience out of their theater seats and be pulled into this film. If you like his brand of direction, his "Backrooms Sequel" is coming , although production unknown. It was interestingly written by Will Soodik (TV), based on the series by Kane Parsons. As aforementioned, although this film is quite original which creates freshness, there were entirely too many questions and not enough answers to why was this 'backrooms' entranced off of a furniture store? Where did it come from?, Why was it in existence? What happened to some of the people that went in there, but have no idea was happened to them? Also why didn't Parsons write this since he has written some of the series along with his direction? The acting by Ejiorfor and Reinsve was gripping and very believable and this being a psychological horror flick allowed the audience to be captivated, but the writing needed polish.

I want to believe that a sequel is in the works, because this film needs one with all the questions that hopefully a sequel can answer. The claustrophobic photography by Jeremy Cox was stunning as it was effective. It certainly is a film that a good deal of psychologists could study to come up with their conclusions, but it might not be for the every day movie goer for its obscurity.

Out of 4 Stars: 2.5                                       Rated: R                                        110mins.

Moana

Disney is certainly one of the kings of animation, and with the success of so many of their animated films, they have profited well. Films such as "Jungle Book", "Mulan", "The Little Mermaid", "Beauty and the Beast", "Aladdin" and others have been redone in a live version hoping they will reap the same profit once again. Some have done well--some not, but Disney always strives. So, Disney yet tries again with a live version of "Moana", ten years after the original animated version. 

In Disney's live-action reimagining of the beloved animated adventure, Moana (Catherine Laga'aia) answers the Ocean's call and, for the first time, voyages beyond the reef of her island of Motunui, with  which is forbidden by her dad, Chief Tui (John Tui) for safety reasons, with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people in the form of a stone, The Heart of Taviti. Maui is the only one who can guide Moana in this dangerous quest.

Others to round out the cast are Fankie Adams as Sina, Rena Owen as Gramma Tala, Jemaine Clement as Tamatoa, Amayan Masoli as Moana (8 years old) and Emma Puahi-Shapazian (Moana (4 years old).

This was directed with wit and adventure by Thomas Kail ("Grease Live!" (TV movie) '16, "Hamilton" '20) plus TV. Considering this director's experience in the musical realm, and Moana being basically a musical, his take on this project was delineated well, especially working with the same collaborators--Mark Mancina and Lin-Manuel Miranda that worked on the original. He knew just where the musical numbers would be the most effective in this film. The film was effectively written by Jared Bush ("Zootopia" '16, "Moana" '16, "Encanto" '21, "Moana 2"'24, "Zootopia 2" '25) plus TV and a video game, and Dana Ledoux Miller ("Moana 2" '24) plus TV, based on the 2016 animated film "Moana" by Jared Bush, Ron Clements and John Musker. Obviously, Bush has the lion's share of the experience here, but then considering that Miller wrote the screenplay for "Moana 2", it was concluded that this writer needed to be included and I believe it helped. What can I say about the writing here than the fact that it followed the animated version almost verbatim. Dwayne Johnson reprised his role as Maui and I'm not sure where they got Catherine Laga'aia to play Moana since she was very believable and could belt out a song. And, of course, the visual effects predominantly designed by ILM (Idustrial, Light & Magic) were seamless. As with the animated version these two music composers hit a homerun with the score and songs. 

Again, if you thoroughly enjoyed the animated version of this film, you will undoubtedly love this since it follows its predecessor almost word for word. But, then again, Disney is the king of remakes, reboots, sequels, prequels, franchises, etc. If you want a huge version, it's also presented in an IMAX format as well. 

Out of 4 Stars: 2.5                                         Rated: PG                                             116mins.

Minions & Monsters

When "Minions" was released back in 2015, who really knew of the popularity it would've become? Think about it: characters that don't speak English, or any language come to think of it, is created to be humorous with a definite premise, and succeed. It sounds preposterous, but this is why this franchise has succeeded. 

This is the rambunctious, ridiculous and totally true story of how the Minions (voiced by Pierre Coffin) conquered Hollywood in the 1920s, became movie stars, lost everything, and unleashed monsters onto the world and they banded together to try and save the planet from the mayhem they had just created through a mischievous green monster, Goomi (voiced by Trey Parker) in order to obtain monsters for their film. The studio doesn't know what to do with them, namely a director, Max (voiced by Christoph Waltz), so as things start to go awry, the Minions attempt to stop it, but not with much success.

 Others to round out the cast are Allison Janney as tour guide Olivia, Jesse Eisenberg as Dort, Zoey Deutch as Debbie, Jeff Bridges as Frank and Elwood, Bobby Moynihan as Phillips, Phil LaMarr as Howard and George Lucas as himself. 

This was whimsically directed by Pierre Coffin ("Despicable Me" '10, "Despicable Me 2" '13, "Minions" '15, "Despicable Me 3" '17) plus TV and shorts. Clearly this filmmaker knows his craft when it comes to animation, however, it would be interesting to see what he could do with a live-action project. He has solely worked with Illumination Studios since they produced both Minions and Despicable, so surely he is comfortable with them. This was interestingly written by Pierre Coffin (TV, shorts and a video) and Brian Lynch (Big Helium Dog" '99, "Hop" '11, "Puss in Boots" (story) '11, "Minions" '15, "The Secret Life of Pets" '16, "The Secret Life of Pets 2" '19, "Minions: The Rise of Gru" (story) '22) plus videos and a short. Interesting that Pierre received top billing here, but since he directed and played the voices of most of the Minions, it shouldn't be a total surprise. Clearly Lynch is the talented writer here--just watch "The Secret Life of Pets" and you'll see what I mean, and he probably should've written this solely, but, again, it's Coffin's baby. Because of its short running time--an hour and a half, there was clearly more plot than the running time could hold. So, with that, the story became a bit confusing. Is it a wash? No, of course not, there were many funny areas that made up for a lot. It was cute, funny and something kids will love, however it did get a bit bogged down with too much plot. Of course, Illumination Studios that created the animation along with many others films was a delight

Again, this is a great summer flick that families with kids will undoubtedly enjoy, but if you're looking for a tight script, this may not totally fill the bill. The animation by Illumination is exquisite and if you like an up close and personal feel, it is presented in IMAX and 3D. 

Out of 4 Stars: 3                                        Rated: PG                                           90mins.

             

Young Washington

In this summer film season, I cannot think of any other film to review, if one is looking for patriotism, that that of "Young Washington", especially this being July 4th. This, being a film to celebrate the 250th birthday of this great country, is one that will be or should be seen in schools to showcase the beginnings of the United States of America so as not to forget where we came from.

The year is 1755. Before he was the father of a Nation, he was a soldier fighting to survive. A single misstep thrusts young George Washington (William Franklyn Miller) into the center of a global conflict, testing his honor, loyalty and courage. As alliances crumble and the frontier erupts into war, he must confront not only his enemies but the man he's becoming. So, with his fellows soldiers including Christopher Gist (Leo Hanna), Joseph Jumonville (Clement Toyon), Tucker Bowman (Nicholas Antoniou) and others, he forges ahead with brute force and determination to see our country not fail. This is the untold story of Young Washington.

Others to round out the cast are Mia Rodgers as Sally Cary, John Foss as Lawrence Washington, George's brother, Kelsey Grammer as Lord Fairfax, Andy Serkis as General Braddock, Ben Kingsley as Robert Dinwiddie, Michael Benz as Thomas Gage, Jonno Davies as James McKay, Will Joseph as Young George, Ryan Begay as Half-King Tanacharison and Montana Hodgkinson as Chief Red Hawk.

This was directed with grit, integrity and insightfulness by Jon Erwin ("The Cross and the Towers" '06, "Alumni" (TV movie) '09, "October Baby" '11, "Fully Alive" '12, "Mom's Night Out" (as The Erwin Brothers) '14, "Woodlawn" '15, "Steve McQueen: American Icon" ((co-directed) '17, "I Can Only Imagine" '18, "I Still Believe" '20, "American Underdog" (as The Erwin Brothers) '21, "The Jesus Music" '21, "Jesus Revolution" '23) plus TV, videos and a music video. This was brilliantly well structured, sequenced and staged with perfection. Of course, with this filmmaker having the extensive resume that he has, Erwin was able to delineate the different aspects of this soldier in his earlier years. It was equally penned well by writers Jon Erwin, Tom Provost and Diederik Hoogstraten. This was well thought out and was definitely concise. Obviously Erwin has the lion's share of the experience here, however the other writers certainly were strategic with their respective input. The writing simply kept me riveted and some aspects of the film I either didn't remember or really did not know. 

One thing that England didn't understand back in the mid 1700s was that they were servants of the people, not the other way around--sound familiar today? This is a country for the people, by the people--not the government. This country can learn from this film, lest we lose our freedoms one by one. This film should be shown in schools including colleges, and recommend this highly!

Out of 4 Stars: 4                                         Rated: PG-13                                      121mins.

Lucky Strike

When "The Outpost" was released back in 2020 which starred Scott Eastwood and was directed by Rod Lurie as this film, "Lucky Strike" was also directed by Lurie and starred Eastwood, I thought this would be a movie worthy to see since "The Outpost" was gripping, and I was surely correct. 

Inspired by true events, "Lucky Strike" tells the story of one soldier, Col. John Castle (Scott Eastwood) trapped behind enemy lines during the last major German offensive during WWII, what will become known as The Battle of the Bulge. Armed only with his Motorola SCR-300 radio, a new technology only battle-ready near the end of the war, he must use his wits and spy craft to thwart the advancing Nazi Panzer army and find his way home. 

Others to round out the cast are Colin Hanks as Col. Neale, Aunjanue Ellis-Taylor as Rose Caldwell, Taylor John Smith as Sgt. Bellingham, Kwane Patterson as Maren, Jonathan Yunger as Cash, Scott Alda Coffey as Averil, Jariko Denman as Top, Jake Lowe as Murphy, Alexandra Vale as Rebecca Castle, Alfie Stewart as Miller and Atanas Srebrev as Gen. Lauer. 

This was incredibly well directed with grit, suspense and pathos by Rod Davis Lurie ("Deterrence" '99, "The Contender" 2000, "The Last Castle" '01, "Resurrecting the Champ" '07, "I'm Paige Wilson" (TV movie) '07, "Speechless" (TV movie) '08, "Nothing But the Truth" '08, "Straw Dogs" '11, "The Surgeon General" (TV movie) '13, "Killing Reagan" (TV movie) '16, "Monsters of God" (TV movie) '17, "The Outpost" '20, "The Senior" '23) plus TV and shorts. Even though this filmmaker delves into many different subject matter, his comfort zone is obviously drama (whether intense or light). His sequencing is effective as is his staging. It was cleverly written by Rod Davis Lurie ("Deterrence" '99, "The Contender" 2000, "Capital City" (TV movie) '04, "I'm Paige Wilson"  (TV movie) '07, "Nothing But the Truth" '08, "Straw Dogs" '11, "Monsters of God" (TV movie) '17) plus TV and shorts, and Marc Frydman ("Black Butterfly" '17, "Last Seen Alive" '22). This, like other films, starts as a flashback with John Castle taking a soldier's mom, Rose Caldwell back to that time during The Battle of the Bulge and all that occurred between him and others and what was a grueling story. Obviously you knew Castle survives, hence he's telling the story, but this film wasn't about whether Castle makes it alive as much as how did he survive? This was written with pathos and passion, and the film was cohesive and concise in its conveyance. These writers will surely receive more work. 

If you are a war aficionado, or more to the point, a WWII history buff, this will hit a home run. We are becoming a society of forgetting our history, and films as these only reemphasize the importance of never forgetting our history lest we repeat it, as in the realm of wars, famines, diseases, etc. For this, the film is worthy of viewing, and the performance by Eastwood and direction by Lurie was exemplary.

Out of 4 Stars: 4                                        Rated: R                                          103mins.

Supergirl

With "Masters of the Universe" in the rear view mirror and with Christopher Nolan's "The Odyssey" releasing in July, we are in the midst of the summer film season, especially with this film as a follow up of "Superman" a year ago aptly titled "Supergirl", afterall, this is the season for sequels, prequels, reboots, remakes, franchises, etc.

When an unexpected and ruthless adversary, Krem (Matthias Schoenaerts) strikes too close to home, Kara Zor-El aka Supergirl, (Milly Alcock) reluctantly joins forces with an unlikely companion, Ruthye (Eve Ridley) on an epic, interstellar journey of vengeance and justice. With the assistance of an unlikely lethal bounty hunter, Lobo (Jason Momoa), these heroes fight and gun their way to extract the vengeance they need to in order to right a horrible wrong. 

Others to round out the cast are David Krumholtz as Zor-El, Kara's father, Paul Hunter as Wormhole bus driver, Emily Beecham Alura Zor-El, Kara's mother, David Corenswet as Superman, Keeley Forsyth as the Healer and Diarmaid Murtagh as Drom Baxton.

This was effortlessly directed with grit, humor and intensity by Craig Gillespie ("Mr. Woodcock" '07, "Lars and the Real Girl" '07, "Fright Night" '11, "Trooper" (TV movie) '13, "Million Dollar Arm" '14, "The Finest Hours" '16, "I, Tonya" '17, "Cruella" '21, "Dumb Money" '23) plus TV, shorts, videos and music videos. I have great respect for this director since he is, what I call, a chameleon--he will take any project as long as he feels it suits his idea of art and entertaining, and this film is no exception. His staging and pacing are solid and his ability to work well with a huge filming crew is amazing. It is effectively written by Ana Nogueira ("We Win" (short) '18). After viewing this film, I wondered if the writer had any extensive experience, and now I realize she doesn't.  But, considering her lack of feature film work, this was definitely better that I realized. It was choppy because of some inconsistencies in script, mostly in the first part of the film, but after about half the film, it progressively became meatier and more cohesive in its story. This wasn't a wash, but this writer clearly needs more work which she will get through one film, "Teen Titans" in pre production, and two others afterward. One of the films is an untitled DC Studios film which she is writing at this point. It looks as though DC is grooming her and hopefully their bets on her will profit. Of course, the visual effects predominantly designed by ILM (Industrial, Light & Magic) were seamless, but that's to be expected before entering the theater. And the stunts by Rob Inch were superb!

Certainly if you're into 'comic book films', this will be a perfect fit, but if not, this might be something to pass. The visuals, stunts, and some of the characters, specifically Jason Momoa as Lobo were great. And Crypto, the dog was wonderful, and we know now how Crypto came about after seeing him in "Superman" '25. It is in an IMAX format if you do like a huge effect.

Out of 4 Stars: 3                                       Rated: PG-13                                       108mins.

The Death of Robin Hood

One of the most portrayed and known forms of old English folklore has been that of Robin Hood. There has been produced a plethora of books, stories, films, TV and even plays about this pivotal English character. Whereas the other translations have always been the good Robin Hood steals from the rich and gives it to the poor, has been rewritten as Hood being murderous in this next story of the titular character in "The Death of Rood Hood".

This is a revisionist thriller starring Hugh Jackman as an aged, weary and grim murderous Robin Hood who, after being gravely wounded after a battle that he assumed he wouldn't survive, takes refuge in a priory and is nursed back to health by Sister Brigid (Jodie Comer). The film deconstructs the legend, portraying Robin as a violent outlaw seeking redemption as he confronts his past deeds, with the priory community challenging his brutal identity. It's a dark, slow-burn take on the myth, inspired by the 17th-century ballad Robin Hood's Death.

Others to round out the cast are Bill Skarsgard as Edward, Katie Breen as Marharet, Noah Jupe as Arthur, Jade Croot as Wainwright, Richie Wilson as Godwyn senior, Murray Bartlett as the Leper and Alfie Lawless as Hendrie. 

This was directed with such intensity, suspense and grit by Michael Sarnoski ("Pig" '21, "A Quiet Place: Day One" '24) plus TV and shorts. This was set in the year 1247 Ireland and if this was any indication of how life was back then, it must have been grueling on a good day. This filmmaker gave his audience the feeling of this time and place like it was a living hell on earth, through his sequencing, and his use of the angel shots taken by cinematographer Pat Scola asc. The darkness of the photography added to that foreboding approach. He doesn't have a ton of feature film experience, but will undoubtedly receive more work. It was also effectively written by Michael Sarnoski (" Pig" '21, "A Quiet Place: Day One" '24) plus TV and shorts. Where Sarnoski excelled with the directing, the writing needed a bit more polish. First of all, there were a few places of inconsistencies and secondly, it was a bit long-in-the-tooth. For a film that spanned a two-hour running time, it actually could've been cut about ten minutes less and not lose any impact this film was striving to convey. Was this a wash? Certainly not. Not to spoil the ending, however this does end bittersweetly which was penned with such pathos and compassion.

Surely, if you like the Robin Hood legend, this will be intriguing since it flips the reputation of Hood upside down. The acting by both Hugh Jackman and Jodie Comer were powerful and gripping and their chemistry was believable and strong. Just a little warning--this is rated R for a reason since the violence is a bit excessive.

Out of 4 Stars: 2.5                                      Rated: R                                         122mins.

Toy Story 5

When "Toy Story" was released back in 1995, being Pixar Animation Studios' first feature film and the first animated film computer generated, who knew it would become the franchise it has become? For years, Pixar's record for making well written and produced films was unprecedented financially and for quality until a few years ago when they started going woke and was evident in their films. So, because of the public out cry, they soon realized that to continue with profiting, they dropped the wokism and we now have "Toy Story 5".

The toys are back in Disney and Pixar's "Toy Story 5", and this time it's Toy meets Tech. Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack) and rest of the gang's jobs are challenged when they come face-to-face with Lilipad (Greta Lee), a brand new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie (Scarlett Spears). Will playtime ever be the same? The gang needs help, so with the assistance of Smarty Pants (Conan O'Brien), Snappy (Shelby Rabara), and others, it's a calculated adventure to sway Bonnie back to playing with toys as opposed to staring at a computer screen. 

Others to round out the cast are Mykal-Michelle Harris as Blaze, Lori Alan as Bonnie's mom, Jay Hernandez as Bonnie's dad, Bonnie Hunt as Dolly, Tony Hale as Forky, Wallace Shawn as Rex, John Ratzenberger as Hamm, Ernie Hudson as Combat Carl, Craig Robinson as Atlas, Jeff Bergman as Mr. Potato Head, Blake Clark as Slinky Dog, Annie Potts as Bo Peep and Keanu Reeves as Duke Caboom. 

This was brilliantly directed with heart and grit by veteran to Pixar Andrew Stanton ("A Bug's Life" (co-director) '98, "Finding Nemo" '03, "WALL-E" '08, "John Carter" '12, "Finding Dory" '16, "In the Blink of an Eye" '26) plus TV and shorts. During the short time that Pixar lost its bearings during their woke period, Pixar attempted to have different directors and writers for their projects, with Pete Docter, Stanton, Lee Ulnkrich and others to produce , but that obviously failed. These guys aren't producers, they're artists, So, here we are with Stanton back and also co-wrote this as well. The public knows what they like, and with this, it will surely profit. The sequencing, pacing and staging were consummate.It was also co-directed by McKenna Harris who has done some other work of Pixar's, and definitely had pivotal input for this. It was equally written well by Andrew Stanton ("Toy Story" '95, "A Bug's Life" '98, "Toy Story 2" '99, "Monsters, Inc." '01, "Finding Nemo" '03, "WALL-E" '08, "Toy Story 3" '10, "John Carter" '12, "Finding Dory" '16, "Toy Story 4" '19) plus TV, shorts, videos and video games, and McKenna Harris (2 shorts), based on a story by Andrew Stanton. This was an ingenious progression in that one of the issues kids are having today is their addiction to technology at an even earlier age than even five years ago. So, it's a battle between the toys and computers to fight for kids' attention. Brilliant! And Stanton pulls it off effortlessly as with his other scripts. Certainly Harris has pivotal input here, by it's undoubtedly Stanton, having the lion's share of the experience here, who's showcasing what he does best at Pixar. The continuity and cohesiveness were remarkable, and he definitely knows what people like, and he also carries a great message with his stories--not only can kids go back to their toys, but in the process, toys and tech can actually work together. 

If you like the other 'Toy Story' flicks, you'll love this! It has warmth, heart, adventure, humor, and grit all rolled up in a well delineated story that will have you cheering by film's end. If you like a different version than standard, it's also presented in a 3D and IMAX format as well. I've said it before and I'll say it again: how do those guys at Pixar do it?

Out of 4 Stars: 4                                                 Rated: PG                                          102mins.